Showing posts with label d700. Show all posts
Showing posts with label d700. Show all posts

Nikon D3S 12.1 MP CMOS Digital SLR Camera with 3.0-Inch LCD and 24fps 720p HD Video Capability (Body Only) Review

Nikon D3S 12.1 MP CMOS Digital SLR Camera with 3.0-Inch LCD and 24fps 720p HD Video Capability (Body Only)
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(More customer reviews)
Update: Images up to ISO 51,200 have very acceptable levels of noise (very little). Worst case, I touched up with Dfine 2.0 (noise reduction software) and they look nearly perfect. I experimented with the movie mode. The camera took some very nice looking videos in extremely low light. I don't know what ISO it used, but it must be hitting ISO 102,400 at times. The video and sound using the internal microphone are really good. I may add an external stereo mic in the future if I shoot video. I should have known, you can't shoot movies in vertical format -- of course -- but I did take some that way before I realized that format doesn't work when you play back on a TV.
I've now got a growing collection of images in various conditions and remain extremely pleased with this camera.
-----------------
I received my new Nikon D3S only a couple of days ago, and my early testing of this camera has already proven it to be much more than I expected. I took a few dozen test shots in nearly complete darkness and with relatively little noise the shots look like they were taken in fairly bright lighting. I am very impressed. In fact, I would even say they are unbelievable.
I love the new "info" button. I passed over the written material before the camera arrived thinking: who cares. Well, I find it to be an extremely helpful feature. When you press the "info" button, it shows not only the exposure settings, but gives you immediate access to several of the relevant menu options that you can then immediately access and make changes. I find this to be very quick and useful.
The D3S seems a bit bigger than my Nikon D2Xs and other professional bodies I use, but it feels like it's built absolutely solid. Of course, since the D3S is an FX (full frame) sensor, I have heavier lenses attached and in my bag too. I love the D3S ergonomics and the programmable function and other buttons (programmable AE/AL and Preview button). I hate to fumble with menus in the field (sorry Canon 1ds Mark III and 5D Mark IV and others, but Nikon has you beat here), and the Nikon gives fast access to all the key settings.
I haven't done extensive image tests yet, but my first impression is the images are superb, color is very accurate and auto focus is very fast and accurate, even in what I'd call "no light." I have usable images at ISO 102,400 (an amazing seven full stops better than other pro-bodies I use). At this point, I still can't believe how good images look at ISO 102,400, and images at ISO 51,200 and 25,600 look nearly perfect with either no high ISO NR (noise reduction) or standard NR.
Looking at my images at high magnification and they appear much clearer than even higher megapixel resolution bodies I use. I am now finally convinced beyond any doubt that megapixel is more of a marketing ploy than meaningful for professional photographers and other factors are more important.
As a pro who uses high end digital bodies, this is my first choice (maybe my only choice) for most assignments. I do a fair amount of studio work and thought I might opt for the Nikon D3X or even a Canon body since high ISO is not important, but this camera is so good I may use it for all my photography work in all conditions. If I really need high-end studio shots, I'll perhaps use my Mamiya with a digital back or even rent a Hasselblad.

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The D3S is uniquely qualified to meet the changing needs of photographers whose assignments demand 100% from them and their equipment. Leading with uncompromising FX-format multimedia versatility and engineered for demanding professional use at up to 9 fps, the D3S' rugged magnesium alloy construction, comprehensively sealed against dust and moisture, delivers on its promises of superiority. Exacting moments in time are captured to an expanded buffer, allowing continuous capture of up to 82 JPEG (fine) or 36 14-bit NEF (RAW) images. Nikon's newly engineered, original 12.1-megapixel CMOS sensor, teamed with exclusive technologies such as EXPEED image processing, Nikon's Scene Recognition System and a fast, accurate 51-area AF system, work together to assure that both still and smooth 24 fps HD video files exhibit incredible edge-to-edge sharpness, rich color depth and broad tonal range, while barrier-breaking performance enables low-noise ISO sensitivity to 12,800. Expanded ISO sensitivities of 25,600, 51,200 and an astounding 102,400, shatter many long-standing rules of photography. Audio to accompany HD video is preserved with a built-in microphone, while high fidelity stereo sound is recorded through the external Mic input using an optional microphone. More proven technologies include Nikon's renowned 1,005-pixel RGB 3D Color Matrix Metering II, assuring exacting exposure evaluation and white balance detection. Precise image review and menu access comes to life with the D3S' tempered glass-protected and individually factory-calibrated 3-inch, 921,000-dot Live View monitor.A self-diagnostic shutter, tested to beyond 300,000 cycles, and a myriad of inherent benefits stemming from decades of Nikon design experience, round out the D3S' qualifications to meet the needs of professional photographers.

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Nikon Camera Control Pro 2 Software Full Version for Nikon DSLR Cameras Review

Nikon Camera Control Pro 2 Software Full Version for Nikon DSLR Cameras
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I wasn't sure about this. I shoot portraiture photography and have seen how other similar software, Leaf Capture and Canon's Remote Capture performs. What captured my interest (pardon the pun) was of course the advantage of being able to see the images on PC immediately. To finally have the ability to verify 100% of the time that focus, exposure, lighting, and of course composition were all the way I wanted them.....which means great shots all the time, ditching the bad ones immediately, and little to no time in post processing.
The Leaf and Canon software I have seen in use ran very fast which is absolutely important here. How useful would any of this be if when shooting tethered to the PC the pictures started stacking up or heaven forbid froze the computer?
So I downloaded a trial copy from Nikon first. I am pleased to say it runs fast. Previews pop up on screen in no more than one second, even when shooting tif on my D300 which are 35MB files. What pleased me even more is that it ran equally fast on my notebook computer which does not have near the processor or graphics power of my desktop PC.
You are managing 3 windows when working with your camera tethered to the PC. There is a preview window that is resizable showing the images very quickly. It can be configured for different magnifications, single frame view or filmstrip view. A second, smaller, window shows a histogram and download status of the files as they are coming in. The third window is a camera control window that allows remote triggering and access to all on camera settings and menus. If you have a Nikon D3 or D300 you can also work in Live View on screen in both the handheld and tripod modes. Finally found a use for the Live View I suppose; which up until now I have found to be an extremely over hyped useless feature on the new Nikons.
So........what's the "but" all about in the title of my review you ask? Leaf and Canon give their remote capture software to their customers when they lay out thousands of dollars. This seems to be a notion that Nikon hasn't seen fit to subscribe to, yet.
So that is my complaint. I can really use this software or I would never have purchased it. It performs very good and is very useful, but Nikon customers should not have to purchase something like this after they laid down 2000 to 5000 dollars for a camera.
Paul Stewart
Hendersonville, TN


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Camera Control Pro software enables simplified remote control of many Nikon digital SLR functions from a personal computer, and includes advanced features such as "Viewer" that provide substantial improvements in operation. Includes Software CD-ROM User Guide.

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Nikon WT-4A Wireless Transmitter for Nikon D700, D3 and D300 DSLR Cameras Review

Nikon WT-4A Wireless Transmitter for Nikon D700, D3 and D300 DSLR Cameras
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Manual is a little confusing, but set up is really easy. Transfer works great. Make sure to buy a battery/charge, not included. Does eat batteries pretty fast and gets warm. Battery would last me 3-4 hours of shooting.
It is expensive but does work very well.

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Wireless transmitter for D3 and D300 allows WiFi remote operation (with optional Camera Control 2 software) and image transfer (with FTP software) or wired Ethernet connection. Supports wireless LAN conforming to IEEE 802.11b/g, IEEE 802.11a, (WiFi a/b/g) and wired LAN conforming to IEEE 802.3u (100BASE-TX) and IEEE 802.3 (10BASE-T).

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Nikon 28-200mm f/3.5-5.6G ED IF Autofocus Nikkor Zoom Lens Review

Nikon 28-200mm f/3.5-5.6G ED IF Autofocus Nikkor Zoom Lens
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I bought 28-200 G today to compliment the 50mm and 18-70 kit lens. I had some hope that the lens would be "good enough" and I'm very surprised at just how good this small lens is. I also tested the 24-120 VR. Call me crazy, but it seemed soft to me. When I got home I looked at the tests and the results from the VR lens were actually fine, so I think it was just the viewfinder. What really killed it for me was that 120 was just not enough reach (for me) for a really versatile walk-around lens. I took the 28-200 home and did some tests. This is a very nice lens. I found images very close in sharpness to the kit lens wide open. The near instant focus wasn't there of course (and missed!), but otherwise this is a lens that does a lot of things well. Focus was spot on and I tried some test macro shots fully zoomed in, also very nice. It's small and light and feels quite sturdy. At under 300 dollars it's a bargain that gives you all the reach you need in most cases. I couldn't see the point in waiting for the 55-200. It's simply starts too high for a walk-around all-in-one lens. I did more tests and shot a detailed object with the 28-200, 18-70 and the 50mm 1.8 all at 50mm at F6. The 28-200 was sharper than the kit lens! Samples may vary of course, but there's little doubt that the little 28-200 is nicely designed item that will also handle some macro work. Nikon also has a new 55-200mm on the way, but on a DSLR it'll be poor for a walk-around. I plan to add the 80-400 VR soon.
As others have said, the 28-200 may be a lens to live on the camera most days. If you're looking for a very nice all-in-one for that vacation or casual use, this lens delivers. Now if they make this lens a VR with the S motor we'd really be cooking!
Capt Robert B

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Md) Cl) Aa) Nik 28-200 F/3.5-5.6g Af

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Nikon D7000 Digital SLR Camera & 18-105mm VR DX AF-S Zoom Lens with 16GB Card + Filter + Case + Accessory Kit Review

Nikon D7000 Digital SLR Camera and 18-105mm VR DX AF-S Zoom Lens with 16GB Card + Filter + Case + Accessory Kit
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OMG. I put my order of the camera and they cancelled it without informing me.
When I called the customer service and try to get it solved, the customer service
representive was really not willing to help and hang up my phonecall! How bad
attitude you can expect from a seller? It seems they don't even care.

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The 16.2-megapixel Nikon D7000 Digital SLR Camera enables users to capture stunning images with superior performance. Features include a 3.0-inch LIVE View monitor, Customized 39-Point AF System, In-Camera retouch image editing, shooting as fast as 6 FPS, ISO sensitivity from 100 to 6400, built-in sensor cleaning, Full 1080p HD Video, D-Movie Mode and much more.

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Nikon 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens Review

Nikon 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens
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Nikon's new 14-24 lens is just phenomenal. The clarity is that of a prime lens. In fact, this super-wide angle zoom lens effectively replaces the equivalent prime lenses within most of its focal length (except perhaps the 24mm range); it's like owning a bag full of prime lenses that have been combined to make one superlative zoom lens.
Yes, it's that good. If you check around the web, you will see the pros falling over themselves for this lens after they test it. It's built like a tank and is precise as a Swiss watch.
Highly recommended.

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L1)NIKON 14-24MM F2.8G ED (2163)

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Nikon 24-120mm f/4G ED VR AF-S NIKKOR Lens for Nikon Digital SLR Review

Nikon 24-120mm f/4G ED VR AF-S NIKKOR Lens for Nikon Digital SLR
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Being a glutton for punishment, I've owned each incarnation of the 24-120. Honestly, the original was about the worst Nikon lens I've ever owned...I used to describe it as "how to turn several thousand dollars of camera gear into a $200 point and shoot". It was that bad...poor contrast, distortion, vignetting, slow focusing, etc. The only really bad Nikon lens I've ever owned. Thank goodness for eBay, and my condolences to whoever is using that lens today.
Then came the second generation 24-120. Not ready to give up the dream of having a 5x zoom for my (then) new D3, I took the plunge a second time.
The second-generation 24-120 was better than the original, but still not the sharpest tool in the shed. I'm lucky enough to own the "magic quartet" of Nikon zooms (14-24, 24-70, 70-200, 200-400) but I get lazy like everyone else and would like to have a single walk-around lens. Still, the difference in image quality was just too noticeable when I wimped out and took the 24-120 instead of the "real lenses". I'd go out with the 24-120 on my D3 and get some shots that would have been keepers with (say) the 24-70, but ended up disappointing with the 24-120. On my DX camera, I came to like the 16-85 - the same 5x zoom range as the 24-120, but with much better image quality. Except maybe in very low light, I actually got better results with the D300 and the 16-85, versus the D3 and 24-120. I tried to convince myself otherwise, but pretty soon the 24-120 was mostly sitting home gathering dust. The second-generation 24-120 eventually landed on eBay, too.
Well, I guess I never learn...still wanting that 5x zoom for my FX camera, I took the plunge and bought the latest 24-120 f/4. I guess I'm a hopeless optimist, but part of me expected to be disappointed once again. Still, instead of disappointment, so far, I'm reasonably impressed with it. Really.
In a nutshell, this is a very different lens than either of the earlier 24-120 products. It handles differently, it's constructed more ruggedly, and it's faster all the way around. The best way to describe it is to say that it's very similar to the 16-85 in terms of image quality, but scaled up for an FX body. That is to say, it's sharp, offers good contrast and color, and not so much distortion that you can't correct it in post processing.
To be clear, the long end is a bit soft wide open, but entirely acceptable at f/8 or so. I'm finding the short end very sharp at 24mm, but with some noticeable distortion (that can be easily fixed in Capture NX2 or Photoshop). Color and contrast are very good, usually giving that "pop" you get with good pro-grade lenses, and for a complex lens, there's relatively little flare. The VR system, as usual for Nikon, works unobtrusively and very effectively. And it's that much better on a DX body - most likely outperforming the 16-85 in overall image quality (and that's saying something). Though a slight step down from the best lenses, construction quality seems very good, and the lens seems to handle effortlessly on my bulky D3 as well as on my smaller D300.
Make no mistake, I'd never give up my 24-70 for one of the new 24-120 lenses. In addition to that extra stop (f/2.8 vs. f/4), the 24-70 is one of the world's best in its range...I feel comfortable stacking it up against anything, even those exotic Leica or Carl-Zeiss primes. The 24-120 is "good enough", but you marvel more at the way Nikon made all the design trade-offs, rather than feeling that you have a lens that's about no-compromise absolute top image quality. Still, the 24-120 is finally at a stage where you can carry it around on your FX camera and have no regrets.
I think Nikon finally has a keeper in the 24-120 family...at long last!

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While the AF-S NIKKOR 24-120mm f/4G ED VR Zoom Lens from Nikon is designed primarily for use with FX-format D-SLR cameras, it's equally at home on any DX-format D-SLR camera. As a standard 5.0x zoom on an FX-format camera body, it's perfect for landscapes, portraits, and weddings - it's an excellent choice for a perfect take-along-everywhere lens. On a DX-format camera, the focal length gets a 1.5x bump that turns it into a formidable longer-range optic with enough wide angle for all but the widest of shots.

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Nikon 24-120mm f/3.5-5.6G ED IF Autofocus VR Nikkor Zoom Lens Review

Nikon 24-120mm f/3.5-5.6G ED IF Autofocus VR Nikkor Zoom Lens
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This lens gets an unfair bad rap from a lot of amateur snobs and pro-wanna-be's.
After reading all the mixed reviews, I figured at the price it would be a reasonable stopgap while waiting for an 18-200VR. So far I've been more than satisfied with this lens. I get good contrast, and sharp images through the middle 80% of its range. Contrary to some of the negative reviews I've read, focus is reasonably fast, and more than adequate for action sports in good light. Granted it's not a low light lens. I have other lenses for this purpose, but cost me over $900. each and don't have the versatility of this lens.
I finally did receive my 18-200VR, and have to admit it is an improvement due to the added range, but light gathering is comparable, and within the 24-120's range, the two function with about the same results. Overall, average quality of shots taken with both lenses is about the same.
Having said that, even with the 18-200 VR, I still have to use my 85mm 1.4 and 80-200 f/2.8 for shots where extra aperture or sharpness are needed.
In summary, if you plan on having a couple spcialty prime lenses and one multi-purpose zoom, then either the 24-120 or the 18-200 will do as a great walk around lens. Unless you're only going to buy one lens for the life of your camera, why spend the extra money on the latter?

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Features: New cosmetic design Exclusive Silent Wave Motor enables ultra-high-speed autofocusing with exceptional accuracy and powerful super-quiet operation VR operation offers the equivalent of using a shutter speed 3 stops faster at 120mm 2 Extra-Low Dispersion (ED) glass elements for minimized chromatic aberration G Type DX Nikkor is designed exclusively for use with Nikon SLR models where aperture is controlled from body Nikon D-Type design provides precise distance information for flash and ambient light exposure processes 2 Aspherical lens element for low distortion Internal Focus (IF) design for smoother focusing and great body balance Rounded diaphragm to make out-of-focus elements appear more natural First Nikon wide-angle zoom lens with Vibration Reduction (VR) Compact and lightweight Fully compatible with D1X, D1H, D100, F5, F100, N80, N75 and N65

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Nikon D7000 16.2MP CMOS Digital SLR DX Format with VR Lenses and Accessory Kit Review

Nikon D7000 16.2MP CMOS Digital SLR DX Format with VR Lenses and Accessory Kit
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great camera! I love the bells and whistles, but the basic feel and ease of operation really sell me. the layout of the functions are smart. if this camera was a woman, I'd marry it.

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16.2MP DX-Format CMOS sensor that works together with Nikon's EXPEED 2 image processor, 1080p HD video with full time autofocus, 6FPS burst shooting, a 39-Point AF System, autofocus fine tuning, a 3" LCD display and pentaprism optical viewfinder, and dual SD/SDHC/SDXC memory card slots. Factory Supplied Accessories EN-EL15 Lithium-Ion Battery MH-25 QuickCharger Camera Strap USB Cable Audio Video Cable DK-5 Eyepiece Shield (Replacement) DK-21 Rubber Eyecup BM-11 LCD Monitor Cover BF-1B Body Cap BS-1 Hot-Shoe Cover ViewNX 2 CD-ROM User's Manual 1-Year Limited Warranty Sunset Electronics Package Includes Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD (BLACK) Nikon 18-55mm Zoom NIKKOR VR Lens Nikon 55-300mm Zoom NIKKOR VR Lens 16GB Hi Speed Error Free Memory Card Hi Speed Card Reader Dedicated ETTL Bounce / Swivel Flash 3 Piece 58mm Filter Kit for Camera Soft Deluxe Carrying Case Hard Tulip Lens Hood 72 inch Size Tripod LCD Screen Protectors Exclusive Sunset Electronics Cleaning Cloth

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Nikon 85mm f/1.4D AF Nikkor Lens for Nikon Digital SLR Cameras Review

Nikon 85mm f/1.4D AF Nikkor Lens for Nikon Digital SLR Cameras
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This lens is highly coveted by anyone that has ever shot with it. The 9-bladed aperture creates beautiful bokeh (the out of focus areas) and the sharpness, color and contrast are amazing. Primarily designed as a portrait lens, it really shines at f/2 to f/5.6 with an amazing 3-D like quality that has to be seen to be believed. The fit and finish are first class, with a nice feel and balance to it. It uses 77mm filters like most other Nikon pro glass and flares quite easily so be sure to use the included metal lens hood.

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85mm lens for Nikon SLR cameras

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Nikon MB-D10 Multi Power Battery Pack for Nikon D300 & D700 Digital SLR Cameras (Retail Packaging) Review

Nikon MB-D10 Multi Power Battery Pack for Nikon D300 and D700 Digital SLR Cameras (Retail Packaging)
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When using the MB-D10 with the D300, you will find that it is a great improvement from the MB-D200 (the D200 vertical grip). For one, it is made of magnesium alloy, and is much sturdier. It is also weather sealed like the D300 body. It fits nicely and firmly with the D300. It also has an additional multi selector, which is a great added feature. The MS-D10 (holder for AA batteries) also comes in a very nice pouch. Of course with such improvement comes the price increase as well!
If you want to achieve 8fps on your D300, you can use the EN-EL4/a battery with your MB-D10 or AA batteries (8 pieces). The ability to use AA batteries is a real plus point. Imagine having a long trip where you may not have access to charge your EN-EL3e batteries. Having the ability to use AA batteries means that you can carry a bunch of them and still be able to shoot... even deep in the wilderness.
Another advantage of the MB-D10 is that it is not L-shaped, which means that you can easily slip it into your camera bag and pull it out when you need it. To mount the grip, you do not need to remove the battery from your camera and marry the grip to the camera as how the D200+MB-D200 was designed to. It does not take as much space and not as awkward as grips that are L-shaped. This is a versatility of the MB-D10, but also has some getting used to.
Here are some areas which either you like or hate or take some getting use to:
1. The battery in the camera need not be removed to use the grip. So for those who leave the grip on all the time and want to use 2 batteries at a time, it would mean that you would need to remove the grip each time you want to remove the battery in the camera. It would be nice to be able to swap both batteries without having to remove the grip, but the design is such and we would have to live with it. What I've decided to do is to remove the battery in the camera and just use the one in the MB-D10. Besides, you can get a lot more shots with the D300 than the D200 for the same battery charge.
2. The shutter release button on the MB-D10 is a bit too sensitive, which means that you can quite easily trigger the shot. The sensitivity between the shutter-release button on the camera and the grip is different, so when switching orientation of the camera, you'll need to be aware of the sensitivity so that you do not accidentally take a shot which you did not mean to do so.
3. The MB-D10 can take the EN-EL4/a battery. However, the battery chamber cover for the EN-EL4/a is not part of the package, and you would need to purchase it separately. The battery chamber cover is BL-3.

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D1)NIKON MB-D10 BATTERY PACK (25359)

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Nikon D700 12.1MP FX-Format CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only) Review

Nikon D700 12.1MP FX-Format CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only)
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I am making this review of the Nikon D700 from the perspective of someone who also owns a Nikon D300.
Without qualification, the Nikon D300 is a superb camera. So many superlatives have been used with the D300 that I will not repeat them here. All the superlatives used with the D300 applies equally well to the D700. I will add however that as good as the superlatives may have been with the D300, the D700 deserves a bit more.
Let me explain.
The Nikon D700 is equipped with a full frame FX sensor (36.00mm x 23.90mm). This is the same sensor used by the Nikon D3. Nikon D3 12.1MP FX Digital SLR Camera (Body Only) The D300 on the other hand uses the APS-C sensor (23.60mm x 15.80mm). Both the D700 and the D300 have about the same 12 megapixel rating (with the D300 actually slightly higher).
The D700 having a bigger sensor than the D300 but with about the same megapixel rating means that the size/pixel density of the D700 is much lower than the D300. The ratio is 1.4MP/cm2 vs 3.3MP/cm2 for the D700 and the D300 respectively. A lower ratio means lower noise and this ratio favors the D700. For the D700, this translates to lower noise in capturing the same image than when using using the D300.
The D700 lower noise level in turn translates to the D700 being able to operate at a higher ISO level than the D300. The D700 can operate as high as ISO 25,600 while the D300 can go up to ISO 6,400. It is of course quite rare to shoot at such high ISO as it will always be better to shot at a lower ISO rating. But if both the D700 and D300 were shooting at the same ISO, the D700 will have lower noise levels. Simply put, the higher ISO capability of the D700 versus the D300 indicates the higher level of performance of the D700's sensor vs the D300.
My actual use validates this theoretical advantage. I noticed that while the noise level of the D300 is very good at ISO 1600 and even 3200, the D700 consistently showed lower noise level than the D300 shooting at the same ISO setting and light condition. This is most noticeable when shooting at night with many bright lights in the periphery of the main subject.
In terms of color rendition, I have not noticed any significant differences between the D300 and the D700 in the limited time that I have been using the D700. It may be due to the fact that I have conducted my test at dusk and at night.
When using the D700, the full frame sensor means that one will not need to convert the focal length of the lens by a factor of 1.5x. So a 50mm lens will be a 50mm lens for the D700 rather than its 75mm equivalent when used with the D300.
While this may appear to be a disadvantage on the telephoto side, its gain on the wide angle side is considerable and can only be described as an eye opener. The D700 advantage in wide angle application does not just come from its wider perspective. Rather, it is how the D700 maximizes and makes full use of such excellent lens as the Nikon 14-24mm f/2.8 that makes buying the D700 such an eye opener.
The resulting images taken with the Nikon D700 and the Nikon 14-24mm are clearer, sharper and crisper compared to the D300 even when the focal length in the D700 is zoomed out to its equivalent in the the D300 (21mm in D700 and 14mm in D300). Vignetting is not noticeably worse even when the D700 is used with the 14-24mm glass fully open at its widest focal length (14mm, f/2.8). This is surprising considering that the D700 is now using the full lens instead of just its sweet spot in the center (which would have been to the advantage of the D300 due to its APS-C sensor).
It is not just the wide angle lens that benefited from the D700. Even the slight vignetting I noticed with my 85mm f/1.4 shot with the D300 at f/2.8 is not considerably worse in the D700. I am very surprised at this rather unexpected results as I had expected the opposite. At any rate, vignetting is easily corrected in post-processing.
Still, I should add that for corner to corner sharpness (such as in landscape photography), the D700 with its full-frame sensors will be more demanding on the lens than the D300 with its smaller APS-C sensor.
As to the physical differences between the D700 and the D300, while these two models are roughly equal in size, the D700 is slightly heavier than the D300. This is not an issue for me at all.
What tilts the balance in favor of the D700 is its view finder which is significantly brighter and better than the D300. This difference is very noticeable when switching from the D700 to the D300 and vice versa.
This much improved viewfinder however is a mixed blessing. One disadvantage that the D700 has over the D300 is that the D700 viewfinder captures only 95% of the image while the D300 viewfinder captures 100% of the image shot. So the actual image captured is slightly bigger than what appears in the D700 viewfinder. I understand that this resulted from fitting the bigger sensor from the D3 into the body size of a D300. Given the better image quality of the D700 viewfinder and the better quality of its pictures, I am willing to work with this disadvantage and simply compensate for it during actual use. But I hope that Nikon corrects this though in its next iteration of the D700.
The D700 has an advantage over the D3 as it has an integrated flash which the D3 does not have. The integrated flash is extremely useful when used with the other components of Nikon's Creative Lightning System.
The Nikon MB-D10 Battery Pack Nikon MB-D10 Multi Power Battery Pack for Nikon D300 & D700 Digital SLR Cameras from the D300 fits the D700 perfectly well. This is very convenient as I can opt for a smaller and lighter package when I do not need the MB-D10 for high-speed shooting. This is one advantage that the D700 has over the D3 where the battery pack is integrated with the camera. But a D700 with an MB-D10 is bigger and heavier than a D3. And even when the D700 is equipped with an MB-D10, the D3 is still faster. This makes the D3 a better unit for sports photography.
Since I shoot mostly portrait, special events and landscape and seldom shoot sports, the D700 is perfect for my needs and I can do without the D3. The D700 lower price tag means that I can get the D700 with at least one of Nikon's professional lens.
Nikon 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens
Nikon 16-35mm f/4G ED VR II AF-S IF SWM Wide Angle Zoom Nikkor Lens for Nikon Digital SLR Cameras
Nikon 24-70mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens
Nikon AF-S NIKKOR 70-200mm f/2.8G ED VR II Lens
Nikon 135mm f/2.0D AF DC-Nikkor Lens for Nikon Digital SLR Cameras
Nikon 85mm f/1.4D AF Nikkor Lens for Nikon Digital SLR Cameras
Nikon 50mm f/1.4G SIC SW Prime Nikkor Lens for Nikon Digital SLR Cameras
Ideally, the D700 should not be used with the DX lenses. This said, it is possible to use the DX lenses with the D700. The D700 makes the switch to DX lens automatically without need to fiddle with any control. Because the DX lens covers only a section of the D700 sensor, the maximum resolution of using a DX lens on the D700 is only 5.1 megapixel. This smaller coverage is automatically delineated by a box in the D700 viewfinder. In addition to the lower resolution, the extreme two ends of a zoom lens is not usable. Within these limitations, the D700 can use DX lens and produces very good pictures albeit on a smaller resolution / file size.
The D700/FX (1.0x factor) and the D300/DX (1.5x factor) effectively doubles my lens option. For those planning to own both the D300 and the D700, it would be wise to choose a glass that would be usable with both bodies.
In closing, I consider the D700 a good complement to my D300. Except for my Nikon 18-200mm DX lens (which I bought for my Nikon D200), all my glasses and accessories for the D300 can be used with the D700 at its full resolution. I will use the D700 in those times when I need the best results shooting wide angle and/or at high ISO speed. In those times when I need the extra reach, the D300's 1.5x crop factor makes the best use of my telephoto lenses.
Edit: November 22, 2008
I continue to use both the Nikon D300 and the Nikon D700 and often bring both together whenever I go out to shoot. In those times when I just bring one camera body, I choose the D300 whenever range and higher pixel density is a major concern (bec. of the 1.5x crop factor effect on the field of view due to the smaller APS-C sensor but with resolution still at 12megapixel). The D300 is an excellent camera and its 1.5x factor is very handy when I need to reach out with a 70-200mm f/2.8 zoom or with my 180mm f/2.8 prime without need of using a teleconverter. For almost every other instance, including portrait, landscape and low light photography however, I find myself reaching out for the D700.
After over 3 and a half months of use, I can safely say that the color depth of the D700 is significantly much...Read more›

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Nikon BL-4 Battery Chamber Cover for EN-EL4/EN-EL4a and D3 DSLR Camera Review

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