Showing posts with label full frame. Show all posts
Showing posts with label full frame. Show all posts

Nikon D3S 12.1 MP CMOS Digital SLR Camera with 3.0-Inch LCD and 24fps 720p HD Video Capability (Body Only) Review

Nikon D3S 12.1 MP CMOS Digital SLR Camera with 3.0-Inch LCD and 24fps 720p HD Video Capability (Body Only)
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Update: Images up to ISO 51,200 have very acceptable levels of noise (very little). Worst case, I touched up with Dfine 2.0 (noise reduction software) and they look nearly perfect. I experimented with the movie mode. The camera took some very nice looking videos in extremely low light. I don't know what ISO it used, but it must be hitting ISO 102,400 at times. The video and sound using the internal microphone are really good. I may add an external stereo mic in the future if I shoot video. I should have known, you can't shoot movies in vertical format -- of course -- but I did take some that way before I realized that format doesn't work when you play back on a TV.
I've now got a growing collection of images in various conditions and remain extremely pleased with this camera.
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I received my new Nikon D3S only a couple of days ago, and my early testing of this camera has already proven it to be much more than I expected. I took a few dozen test shots in nearly complete darkness and with relatively little noise the shots look like they were taken in fairly bright lighting. I am very impressed. In fact, I would even say they are unbelievable.
I love the new "info" button. I passed over the written material before the camera arrived thinking: who cares. Well, I find it to be an extremely helpful feature. When you press the "info" button, it shows not only the exposure settings, but gives you immediate access to several of the relevant menu options that you can then immediately access and make changes. I find this to be very quick and useful.
The D3S seems a bit bigger than my Nikon D2Xs and other professional bodies I use, but it feels like it's built absolutely solid. Of course, since the D3S is an FX (full frame) sensor, I have heavier lenses attached and in my bag too. I love the D3S ergonomics and the programmable function and other buttons (programmable AE/AL and Preview button). I hate to fumble with menus in the field (sorry Canon 1ds Mark III and 5D Mark IV and others, but Nikon has you beat here), and the Nikon gives fast access to all the key settings.
I haven't done extensive image tests yet, but my first impression is the images are superb, color is very accurate and auto focus is very fast and accurate, even in what I'd call "no light." I have usable images at ISO 102,400 (an amazing seven full stops better than other pro-bodies I use). At this point, I still can't believe how good images look at ISO 102,400, and images at ISO 51,200 and 25,600 look nearly perfect with either no high ISO NR (noise reduction) or standard NR.
Looking at my images at high magnification and they appear much clearer than even higher megapixel resolution bodies I use. I am now finally convinced beyond any doubt that megapixel is more of a marketing ploy than meaningful for professional photographers and other factors are more important.
As a pro who uses high end digital bodies, this is my first choice (maybe my only choice) for most assignments. I do a fair amount of studio work and thought I might opt for the Nikon D3X or even a Canon body since high ISO is not important, but this camera is so good I may use it for all my photography work in all conditions. If I really need high-end studio shots, I'll perhaps use my Mamiya with a digital back or even rent a Hasselblad.

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The D3S is uniquely qualified to meet the changing needs of photographers whose assignments demand 100% from them and their equipment. Leading with uncompromising FX-format multimedia versatility and engineered for demanding professional use at up to 9 fps, the D3S' rugged magnesium alloy construction, comprehensively sealed against dust and moisture, delivers on its promises of superiority. Exacting moments in time are captured to an expanded buffer, allowing continuous capture of up to 82 JPEG (fine) or 36 14-bit NEF (RAW) images. Nikon's newly engineered, original 12.1-megapixel CMOS sensor, teamed with exclusive technologies such as EXPEED image processing, Nikon's Scene Recognition System and a fast, accurate 51-area AF system, work together to assure that both still and smooth 24 fps HD video files exhibit incredible edge-to-edge sharpness, rich color depth and broad tonal range, while barrier-breaking performance enables low-noise ISO sensitivity to 12,800. Expanded ISO sensitivities of 25,600, 51,200 and an astounding 102,400, shatter many long-standing rules of photography. Audio to accompany HD video is preserved with a built-in microphone, while high fidelity stereo sound is recorded through the external Mic input using an optional microphone. More proven technologies include Nikon's renowned 1,005-pixel RGB 3D Color Matrix Metering II, assuring exacting exposure evaluation and white balance detection. Precise image review and menu access comes to life with the D3S' tempered glass-protected and individually factory-calibrated 3-inch, 921,000-dot Live View monitor.A self-diagnostic shutter, tested to beyond 300,000 cycles, and a myriad of inherent benefits stemming from decades of Nikon design experience, round out the D3S' qualifications to meet the needs of professional photographers.

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Nikon 35mm f/1.4G AF-S FX SWM Nikkor Lens for Nikon Digital SLR Cameras Review

Nikon 35mm f/1.4G AF-S FX SWM Nikkor Lens for Nikon Digital SLR Cameras
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I'm a wedding photographer who shoots in dark conditions often. This lens performs great in these conditions. I use this lens on a D3 body and the AF is good. It doesn't seem to be as fast at my zooms (24-70 2.8 or 70-200 2.8) but it's still pretty accurate when focusing in low light. The image quality is AMAZING. Certainly an upgrade from the older 35 f/2 version . Images has more contrast & are sharper. I also own the 24 1.4 G and I would say that the IQ on the 35 is about the same. Over all, I'm very impressed and satisfied with this 35. [...]

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Update of one of Nikon's most respected NIKKOR lenses delivers sharp images and its fast maximum aperture ensures a bright viewfinder image as well as beautiful background blur. The moderate wide angle capability of the lens is suitable for interiors, weddings, photojournalism and landscape photography.

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Nikon F 6 - SLR camera - 35mm - body only Review

Nikon F 6 - SLR camera - 35mm - body only
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Nikon has introduced a new F-series film camera about once every eight years, and a lot of people wondered if the F5 from 1996 would be the last film-based pro SLR Nikon would manufacture. To the surprise and delight of many, Nikon unveiled the F6 with relatively quiet fanfare last autumn. Film photographers in the know should prepare their credit cards for this one.
Having owned the F4s, F5 and now the F6, I can say from experience that the previous F-series cameras are all great, but the best just got better. The F6 still has the same robust build you would expect from an F-series Nikon, and yet it is lighter than the F5 by almost 8 ounces, and it is only about 7 ounces heavier than the F100. (Without optional grip/battery pack). Ergonomics are excellent - the F6 fits nicely in my hands.
Improvements include enhanced RGB color matrix metering and 11-sensor autofocus. Unlike the F5, you are no longer required to lug 8 AA batteries around at all times (although you can if you want to) - the optional MB-40 battery pack accepts AA batteries or, better yet, a long lasting Nikon EN-EL4 rechargeable lithium ion battery, which will pay for itself rather quickly.
And what can you say about a camera that comes "loaded" with a fully functioning databack? This used to be a $500 accessory in previous F models. The F6 has an LCD screen on the back (grayscale) which allows you to quickly scroll through custom functions and settings, and you also get autobracketing, intervalometer, and the option to print basic information on the first frame of the roll, in between film frames, or inside the frame itself.
Is this the last of the film based F-series cameras from Nikon? Difficult to say. It will be interesting to see if film survives in another eight years. Many labs today are beginning to scale back on film processing operations, and digital cameras are matching (in some cases, surpassing) the quality of 35mm film. The F6 could be the last of its kind. Then again, some folks said the same thing about the F5.
PS - as a side note, I would highly recommend the optional MB-40 battery pack. It gives you the option of using AA batteries or the EN-EL4 rechargeable in addition to a vertical firing button and a wheel pad for selecting the different AF zones.
Very nice indeed.

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2/8/200615-19-32 Nikon

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Nikon 28-300mm f/3.5-5.6G ED VR AF-S Nikkor Zoom Lens for Nikon Digital SLR Review

Nikon 28-300mm f/3.5-5.6G ED VR AF-S Nikkor Zoom Lens for Nikon Digital SLR
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Received this lens 2 days ago and took it around town and to a baseball game to try it out on my D700. Overall I am very pleased with it. The zoom range allows for great flexibility, the autofocus is fast, VR II superb as on other Nikon lenses. While the zoom is not as loose as the early 18-200mm lenses, you do need the included lock for it not to creep if you carry the lens pointed down on your camera. The weight of the lens as other reviewers say is quite comfortable - mine with clear protective filter comes in at 860g, just a touch heavier than the 70-300mm but not something you'd noticed without a scale. Build quality is very solid.
I tested this lens against my 70-300mm f4.5-5.6 VR and the 16-35mm f4 VR and overall I was pleasantly surprised how well the new lens did. Three things potential buyers should be aware of:
1) while the lens is listed as 28-300mm it seems to be neither quite 28mm (the angle of view is slightly narrower than the 16-35mm set to 28mm), nor does it quite extend to 300mm (the 70-300mm gets a bit more enlargement). This is not a big issue in normal use since you'd never know the difference without a side by side comparison, but if you're buying the lens specifically for either extreme of the range be aware of this. I don't have equipment to test so you'll have to wait for professional reviews to tell you exactly what the actual range is in mm.
2) while overall I'm very pleased with the quality - no ghosting during shots I took at the ballgame despite not having Nanocoating - when you compare side by side it is not as sharp as either of the other lenses and has, as is to be expected given the zoom range, more distortion. Again nothing that would jump out at you if you just saw a photograph, but side by side especially at 300mm you do notice that fine details (textures, text) are more crisp when taken with the 70-300mm.
3) The lens very quickly goes to f5.6 - by the time you're at 70mm you're at f5.0, and by 105mm you're at f5.3. Before buying I had wondered how this lens compares to the new 24-120mm f4, and I suspect that lens is slightly sharper and if you shoot a lot at portrait length you will fine the full extra stop (f4 vs 5.6) to be quite useful. Note I have NOT actually tested the 24-120 since it' not available yet. And of course that lens is about 25% more expensive.
Overall I'm very pleased with this lens, and despite the difference in sharpness this lens will be replacing my 70-300mm in my bag for most purposes - pretty much the only time I'd take the 70-300mm would be to specifically shoot wildlife or objects I know will be far away and I'm trying to keep the weight down (and obviously if you're really into wildlife you should get yourself a faster longer range lens than the 70-300mm).
Basically with this lens and the 16-35mm you cover an amazing range in two lenses and both of them are excellent lenses with AFS, VR II, etc.

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The Nikon Nikkor 2191 AF-S 28-300MM ED VR is an ideal lens for FX-format D-SLRs, featuring a 10.7X zoom, close focus to 18” at every focal length and VR II image stabilization. Versatile 10.7x zoom lens with ED glass and VR II image stabilization Versatile zoom lens offers a broad focal length range that's perfect for travel, landscapes, portraits and distant subjects. Plus, the Nikon Nikkor 2191 AF-S 28-300MM ED VR Lens is Optimized for edge to edge sharpness on both FX and DX-format D-SLRs DX-format D-SLR angle of view is equivalent to a focal length of 42-450mm in FX/35mm format. Order the Nikon Nikkor 2191 AF-S 28-300MM ED VR Lens today!

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Nikon D2xs 12.4 Megapixel Digital SLR Body Review

Nikon D2xs 12.4 Megapixel Digital SLR Body
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An amazing construction - the D2Xs is a paradox in itself. Strong as an ox and yet as delicate as a butterfly - this camera is control and power in one rock hard package. Simply the finest Pro camera you can buy without needing a 2nd mortgage. In the words of a Mr F. Bueller "It is so choice. If you have the means, I highly recommend picking one up."
Every feature you can think of in a camera is present - and many you can't think of. Many a night I'd reading the manual - commenting to myself 'I wonder....oh - they already did'
I would write a longer review - but the beast is calling me again...quietly ...from its bag... I must obey! I must heed that slumbering monster's will. I must go out and capture the world in digital form.
I'll finish off with another Ferris quote. "Life moves pretty fast. If you don't stop and look around once in awhile, you could miss it".
Well - he obviously DIDN'T know about the D2Xs speed-framing mode...

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The goal was straightforward; take a truly versatile professional tool to new levels of response, handling efficiency and fine control over the results. The strategy was clear; apply the feedback gained by working hand in hand with professional photographers in the field to refine the already stellar operation and performance of Nikon's flagship digital SLR camera. At the heart of the system is a proven 12.4 million-pixel image sensor, advanced image processing engine, and optimized systems that blend high levels of resolution with superb image quality, pure color rendition, and class-leading speed. The 11-area AF system is tuned to deliver even finer precision and higher performance. An improved view in High-speed Crop mode makes composition easier. The host of enhancements also includes significantly increased battery life per charge, an improved menu interface, and a new color calibrated 2.5-inch LCD with ultra-wide viewing angle. The Nikon D2Xs hits the mark - freeing photographers to explore the true nature of photography. Understanding the importance of intuitive handling and tough reliability in the field, Nikon designed every button, control and function for maximum ease of access, intuitive operation, handling efficiency and reliability. Meet the professional digital SLR solution truly equipped to extend creative freedom and business productivity; the Nikon D2Xs. Capturing the moment with exceptional image quality demands instant response, high-speed operation, precise focus and accurate exposure. Ground-up development aimed at satisfying these professional needs continues to evolve in the further refined 11-area AF system, advanced exposure metering and optimized subsystems of the Nikon D2Xs. Sharp resolution and pure color fidelity rendered with finer gradations and smoother transitions demonstrate the professional performance under the hood.

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Nikon D7000 Digital SLR Camera & 18-105mm VR DX AF-S Zoom Lens with 16GB Card + Filter + Case + Accessory Kit Review

Nikon D7000 Digital SLR Camera and 18-105mm VR DX AF-S Zoom Lens with 16GB Card + Filter + Case + Accessory Kit
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OMG. I put my order of the camera and they cancelled it without informing me.
When I called the customer service and try to get it solved, the customer service
representive was really not willing to help and hang up my phonecall! How bad
attitude you can expect from a seller? It seems they don't even care.

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The 16.2-megapixel Nikon D7000 Digital SLR Camera enables users to capture stunning images with superior performance. Features include a 3.0-inch LIVE View monitor, Customized 39-Point AF System, In-Camera retouch image editing, shooting as fast as 6 FPS, ISO sensitivity from 100 to 6400, built-in sensor cleaning, Full 1080p HD Video, D-Movie Mode and much more.

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Nikon 24-120mm f/4G ED VR AF-S NIKKOR Lens for Nikon Digital SLR Review

Nikon 24-120mm f/4G ED VR AF-S NIKKOR Lens for Nikon Digital SLR
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Being a glutton for punishment, I've owned each incarnation of the 24-120. Honestly, the original was about the worst Nikon lens I've ever owned...I used to describe it as "how to turn several thousand dollars of camera gear into a $200 point and shoot". It was that bad...poor contrast, distortion, vignetting, slow focusing, etc. The only really bad Nikon lens I've ever owned. Thank goodness for eBay, and my condolences to whoever is using that lens today.
Then came the second generation 24-120. Not ready to give up the dream of having a 5x zoom for my (then) new D3, I took the plunge a second time.
The second-generation 24-120 was better than the original, but still not the sharpest tool in the shed. I'm lucky enough to own the "magic quartet" of Nikon zooms (14-24, 24-70, 70-200, 200-400) but I get lazy like everyone else and would like to have a single walk-around lens. Still, the difference in image quality was just too noticeable when I wimped out and took the 24-120 instead of the "real lenses". I'd go out with the 24-120 on my D3 and get some shots that would have been keepers with (say) the 24-70, but ended up disappointing with the 24-120. On my DX camera, I came to like the 16-85 - the same 5x zoom range as the 24-120, but with much better image quality. Except maybe in very low light, I actually got better results with the D300 and the 16-85, versus the D3 and 24-120. I tried to convince myself otherwise, but pretty soon the 24-120 was mostly sitting home gathering dust. The second-generation 24-120 eventually landed on eBay, too.
Well, I guess I never learn...still wanting that 5x zoom for my FX camera, I took the plunge and bought the latest 24-120 f/4. I guess I'm a hopeless optimist, but part of me expected to be disappointed once again. Still, instead of disappointment, so far, I'm reasonably impressed with it. Really.
In a nutshell, this is a very different lens than either of the earlier 24-120 products. It handles differently, it's constructed more ruggedly, and it's faster all the way around. The best way to describe it is to say that it's very similar to the 16-85 in terms of image quality, but scaled up for an FX body. That is to say, it's sharp, offers good contrast and color, and not so much distortion that you can't correct it in post processing.
To be clear, the long end is a bit soft wide open, but entirely acceptable at f/8 or so. I'm finding the short end very sharp at 24mm, but with some noticeable distortion (that can be easily fixed in Capture NX2 or Photoshop). Color and contrast are very good, usually giving that "pop" you get with good pro-grade lenses, and for a complex lens, there's relatively little flare. The VR system, as usual for Nikon, works unobtrusively and very effectively. And it's that much better on a DX body - most likely outperforming the 16-85 in overall image quality (and that's saying something). Though a slight step down from the best lenses, construction quality seems very good, and the lens seems to handle effortlessly on my bulky D3 as well as on my smaller D300.
Make no mistake, I'd never give up my 24-70 for one of the new 24-120 lenses. In addition to that extra stop (f/2.8 vs. f/4), the 24-70 is one of the world's best in its range...I feel comfortable stacking it up against anything, even those exotic Leica or Carl-Zeiss primes. The 24-120 is "good enough", but you marvel more at the way Nikon made all the design trade-offs, rather than feeling that you have a lens that's about no-compromise absolute top image quality. Still, the 24-120 is finally at a stage where you can carry it around on your FX camera and have no regrets.
I think Nikon finally has a keeper in the 24-120 family...at long last!

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While the AF-S NIKKOR 24-120mm f/4G ED VR Zoom Lens from Nikon is designed primarily for use with FX-format D-SLR cameras, it's equally at home on any DX-format D-SLR camera. As a standard 5.0x zoom on an FX-format camera body, it's perfect for landscapes, portraits, and weddings - it's an excellent choice for a perfect take-along-everywhere lens. On a DX-format camera, the focal length gets a 1.5x bump that turns it into a formidable longer-range optic with enough wide angle for all but the widest of shots.

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Nikon F 5 - SLR camera - 35mm - body only - black Review

Nikon F 5 - SLR camera - 35mm - body only - black
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I have one of every model Nikon F made from the FTn to the F5. I used to think that the F2 was God's gift to photography. Rock solid and mine is 30 years old and it still works fine. However, as good as it was, I would not want to go out on a magazine assignment with an old F2. The capabilities of modern AutoFocus cameras make my old F2 and even the F3 too limited - especially with regard to invaluable tools like automatic fill flash, auto exposure, simple exposure bracketing and simple and fast film loading. I have an F4 too and in its day, it was a gem. But I shoot a lot of motorsports and the F4 was too slow for fast action. The F5 is everything the F4 was plus it focuses better and faster. The camera is a joy to hold (at least for my two hands) and is possibly the best handling camera I have ever used in my over 30 years of picture taking. As mentioned above, it focuses very well and very fast - especially with the newer "S" lenses with the motors in the lens. The camera takes lithium batteries and they seem to last through many dozens of rolls of film - not as cheap as alkaline but very convenient and much lighter to carry. The high eyepoint finder works great for me and my thick eye glasses. The controls are where Nikon has put them over the years so long-time users should have no trouble working fast with the F5. Mine has seen rugged use here and in Europe and it has never failed me. The only gripe I have is that the removable prism does let in dust but every Nikon I have has the same issue. It's simple to eliminate the dust with a soft brush or some canned air so it's a pretty small gripe. I think the Canon EOS 1V cameras and lenses focus a tad faster (I tend to use them more for my motor racing assignments) but the F5 is such a joy to use and the Nikon glass is so sharp that I look for assignments where I can use this camera. The F5 remains for now in the product line, despite the introduction of the new and more expensive F6. The F6 looks like a winner and handles well too. But its $2400 price tag and the fact that the majority of the market for a high powered pro camera has already turned to digital, makes me wonder who but a serious amateur with deep pockets will pony up the bucks for one. My final warning to you camera junkies out there is that once you handle the F5, you will not want to put it down. And that's not a bad thing.

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Nikon s F line has a long history of being the professional s choice, and the F5 is their latest example. This high performance 35mm SLR is marked by speed, reliability and intelligence. 3-D Color Matrix Metering: Exposures are controlled by the world s first 3D Color Matrix Metering that senses scene brightness, contrast, selected focus area, distance and scene colors. Its flexible center-weighted meter lets you custom control the size of the sensing area from 8mm to 20mm diameter and a choice of five spot metering areas that can actually follow a moving subject. The five-segment TTL Multi-sensor precisely monitors flash output. Fast Operation: It also features a top operating speed of 8 focused frames-per-second (with optional MN-30 Battery Pack), 1/8000 sec. shutter speeds, and auto-rewinding of a 36-exposure roll of film in 4 seconds. Top of the Line Features: The F5 also provides the world s first self-diagnostic double-bladed shutter, vibration-minimizing mechanisms like a mirror balancer, built-in auto-bracketing, interchangeable focusing screens and finders, die-cast aluminum body covered with an easy-to-grip covering and lightweight titanium viewfinder housing with improved resistance to moisture and dust. Complete Lens Capability: Finally, in true Nikon tradition, the F5 will accept nearly all original F-mount lenses as well as all of the latest AF-I, AF-S and D type AF lenses. 3-year Nikon warranty is included.

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Nikon D7000 16.2MP CMOS Digital SLR DX Format with VR Lenses and Accessory Kit Review

Nikon D7000 16.2MP CMOS Digital SLR DX Format with VR Lenses and Accessory Kit
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great camera! I love the bells and whistles, but the basic feel and ease of operation really sell me. the layout of the functions are smart. if this camera was a woman, I'd marry it.

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16.2MP DX-Format CMOS sensor that works together with Nikon's EXPEED 2 image processor, 1080p HD video with full time autofocus, 6FPS burst shooting, a 39-Point AF System, autofocus fine tuning, a 3" LCD display and pentaprism optical viewfinder, and dual SD/SDHC/SDXC memory card slots. Factory Supplied Accessories EN-EL15 Lithium-Ion Battery MH-25 QuickCharger Camera Strap USB Cable Audio Video Cable DK-5 Eyepiece Shield (Replacement) DK-21 Rubber Eyecup BM-11 LCD Monitor Cover BF-1B Body Cap BS-1 Hot-Shoe Cover ViewNX 2 CD-ROM User's Manual 1-Year Limited Warranty Sunset Electronics Package Includes Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD (BLACK) Nikon 18-55mm Zoom NIKKOR VR Lens Nikon 55-300mm Zoom NIKKOR VR Lens 16GB Hi Speed Error Free Memory Card Hi Speed Card Reader Dedicated ETTL Bounce / Swivel Flash 3 Piece 58mm Filter Kit for Camera Soft Deluxe Carrying Case Hard Tulip Lens Hood 72 inch Size Tripod LCD Screen Protectors Exclusive Sunset Electronics Cleaning Cloth

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Nikon D3 12.1MP FX Digital SLR Camera (Body Only) Review

Nikon D3 12.1MP FX Digital SLR Camera (Body Only)
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The three major factors that, for me, make this camera (2 of them apply to the D300) so incredible are . . . well, the full frame sensor (finally), the outstanding low-noise/high ISO performance . . . and the extraordinary color! The photographer has a greater deal of control over color than ever before and the results are stunning (use Picture Control). And noise (the digital equivalent of film grain) is at least a 2-stop improvement over the previous D2x. Actually, it's probably 3 stops, but say 2 to be conservative. Believe it or not, ISO 6400 is actually usable! (The D300 is one stop less)
While those features were the most compelling ones in my view, there are plenty of others that are a big plus, such as:
~ 9 frames per second
~ 51 point AF
~ Live View
~ 12mp CMOS sensor, self-cleaning on D300
~ A new 3" LCD--about 4x the resolution as previous LCDs.
The list goes on, but you should read the tech specs and professional reviews. Suffice it to say it is loaded with features and handles like an absolute dream!
Compared to Canon's $8000 professional models, this camera has a very clear advantage. Sure you lose some megapixels compared to the MarkIII, but that's not so important for the majority of (but not all) photographers.
Another thought . . . while this is a good deal at $4999 compared to Canon, you can get almost the same camera for $1799, with the D300. If you don't need a full frame . . . or the extra 1-stop high ISO, the D300 offers about 90 - 95% of the features and performance of the D3 for 40% of the price! If you want to get the best possible picture quality for the lowest possible price, consider the D300 and put the difference ($3200) on some of Nikon's great new professional lenses.
As of this January 2008 writing, this is listed on Amazon at $6399 through Cameta Camera. PLEASE DON'T buy at this price and allow yourself to be exploited by the backorder situation. Instead, pre-paying $4999 for it at your local camera store puts you ahead of everyone else on the waitlist who merely put down deposits on it. Or wait until it comes down here on Amazon. Again, $4999! That's the price. There is no need to pay an extra $1400 "sucker fee" for it just to have it a few weeks or maybe a month or two earlier. You survived until now without the D3, so you can make it a little longer--just don't pay more than retail. $4999! $4999. $4999. Get the point? :-)
Post Script, April 16, 2008:
I notice this is now being sold by 17th Street Photo, who I've not done business with, but at least they are charging the *correct* price of $4999. First it was a $1400 markup, then $500, and it's good to see the price gouging attempts appear to be dying down.
Post Script #2, November 2, 2008:
How times change--the gouging is gone, and so are the backorders. The price has dropped below $4500 I see. My opinion on this camera remains unchanged in the 11 months since I first got my hands on it, and it's as excellent as it ever was, but now, with the introduction of the D700, I would have a hard time spending the approximately $4300 it now sells for, when the D700 is selling for $2699. The D3 is better built, and shoots 9 fps vs the D700's 8 fps with battery pack, but I don't see it being worth the added $1600 cost unless you're a professional who shoots every day.


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Nikon D3 12.1MP FX Digital SLR Camera (Body Only)

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Nikon D3X 24.5MP FX CMOS Digital SLR with 3.0-Inch LCD (Body Only) Review

Nikon D3X 24.5MP FX CMOS Digital SLR with 3.0-Inch LCD (Body Only)
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Owned a D3 for one and a half years and traded in for the D3x after trying out the new model for a day. My review is not about price - for the record I think Nikon stretched the barrier on the price point for this which I am not happy about - but as far as performance goes I am happy. The D3x results is are perceptibly superior for landscape and macro photography - which is what I typically shoot - even on just A3+ prints.... so I can imagine that the results would be that much better for larger sizes. Just as many of you, I have also read arguments on the net re the megapixel myth ad nauseam and was half convinced about it but nothing speaks as clearly as prints (and I'm comparing studio shots of the same subject taken with the two different cameras).
Have not tried the D3x for sports photography yet but I suspect that unless you are shooting either motor-sports or winter sports, the moderately slower 5fps in large FX mode compared with the 7fps for the D3 is not going to be an issue.
I also spent a day with the Sony Alpha-900 given that is the only other player in a similar mega-pixel category. The output was all right but overall just not in the same league as the D3x in terms of handling, build quality etc etc (I'm probably biased as I am very familiar with Nikon controls - just found the Sony too 'fiddly' and 'plasticky' and couldn't see myself spending hours with it without getting irritated).
Early days with the camera but so far it feels like one of the best DSLR's I have used especially when the medium format alternatives would involve rendering my large pile of Nikon lenses useless and the replacement cost would be prohibitive. As mentioned earlier the D3x pricing is a different issue altogether and I think that the right price point would have been around $2K lower......will update if and when I discover any shortfalls or glitches.

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The Nikon D3X--meticulously engineered for professional assignments that demand nothing less than extreme 24.5-megapixel, FX-format image performance. In the studio or on location, the D3X faithfully captures NEF (RAW) files that, when processed, exceed 138 MB. Nikon's exclusive EXPEED image processing technologies support extremely low-noise and faster, more accurate 51-point autofocus with 4 Dynamic AF modes, including 3D Focus Tracking. EXPEED also enables fast processing of massive amounts of data, allowing continuous shooting at up to 5fps. A bright 3-inch super-density 920,000-dot LCD monitor offers precise image review, along with 27x magnification for precise focus confirmation in Live View. Responsive handling and more top off the D3X's professional potency.

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Nikon D700 12.1MP FX-Format CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only) Review

Nikon D700 12.1MP FX-Format CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only)
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I am making this review of the Nikon D700 from the perspective of someone who also owns a Nikon D300.
Without qualification, the Nikon D300 is a superb camera. So many superlatives have been used with the D300 that I will not repeat them here. All the superlatives used with the D300 applies equally well to the D700. I will add however that as good as the superlatives may have been with the D300, the D700 deserves a bit more.
Let me explain.
The Nikon D700 is equipped with a full frame FX sensor (36.00mm x 23.90mm). This is the same sensor used by the Nikon D3. Nikon D3 12.1MP FX Digital SLR Camera (Body Only) The D300 on the other hand uses the APS-C sensor (23.60mm x 15.80mm). Both the D700 and the D300 have about the same 12 megapixel rating (with the D300 actually slightly higher).
The D700 having a bigger sensor than the D300 but with about the same megapixel rating means that the size/pixel density of the D700 is much lower than the D300. The ratio is 1.4MP/cm2 vs 3.3MP/cm2 for the D700 and the D300 respectively. A lower ratio means lower noise and this ratio favors the D700. For the D700, this translates to lower noise in capturing the same image than when using using the D300.
The D700 lower noise level in turn translates to the D700 being able to operate at a higher ISO level than the D300. The D700 can operate as high as ISO 25,600 while the D300 can go up to ISO 6,400. It is of course quite rare to shoot at such high ISO as it will always be better to shot at a lower ISO rating. But if both the D700 and D300 were shooting at the same ISO, the D700 will have lower noise levels. Simply put, the higher ISO capability of the D700 versus the D300 indicates the higher level of performance of the D700's sensor vs the D300.
My actual use validates this theoretical advantage. I noticed that while the noise level of the D300 is very good at ISO 1600 and even 3200, the D700 consistently showed lower noise level than the D300 shooting at the same ISO setting and light condition. This is most noticeable when shooting at night with many bright lights in the periphery of the main subject.
In terms of color rendition, I have not noticed any significant differences between the D300 and the D700 in the limited time that I have been using the D700. It may be due to the fact that I have conducted my test at dusk and at night.
When using the D700, the full frame sensor means that one will not need to convert the focal length of the lens by a factor of 1.5x. So a 50mm lens will be a 50mm lens for the D700 rather than its 75mm equivalent when used with the D300.
While this may appear to be a disadvantage on the telephoto side, its gain on the wide angle side is considerable and can only be described as an eye opener. The D700 advantage in wide angle application does not just come from its wider perspective. Rather, it is how the D700 maximizes and makes full use of such excellent lens as the Nikon 14-24mm f/2.8 that makes buying the D700 such an eye opener.
The resulting images taken with the Nikon D700 and the Nikon 14-24mm are clearer, sharper and crisper compared to the D300 even when the focal length in the D700 is zoomed out to its equivalent in the the D300 (21mm in D700 and 14mm in D300). Vignetting is not noticeably worse even when the D700 is used with the 14-24mm glass fully open at its widest focal length (14mm, f/2.8). This is surprising considering that the D700 is now using the full lens instead of just its sweet spot in the center (which would have been to the advantage of the D300 due to its APS-C sensor).
It is not just the wide angle lens that benefited from the D700. Even the slight vignetting I noticed with my 85mm f/1.4 shot with the D300 at f/2.8 is not considerably worse in the D700. I am very surprised at this rather unexpected results as I had expected the opposite. At any rate, vignetting is easily corrected in post-processing.
Still, I should add that for corner to corner sharpness (such as in landscape photography), the D700 with its full-frame sensors will be more demanding on the lens than the D300 with its smaller APS-C sensor.
As to the physical differences between the D700 and the D300, while these two models are roughly equal in size, the D700 is slightly heavier than the D300. This is not an issue for me at all.
What tilts the balance in favor of the D700 is its view finder which is significantly brighter and better than the D300. This difference is very noticeable when switching from the D700 to the D300 and vice versa.
This much improved viewfinder however is a mixed blessing. One disadvantage that the D700 has over the D300 is that the D700 viewfinder captures only 95% of the image while the D300 viewfinder captures 100% of the image shot. So the actual image captured is slightly bigger than what appears in the D700 viewfinder. I understand that this resulted from fitting the bigger sensor from the D3 into the body size of a D300. Given the better image quality of the D700 viewfinder and the better quality of its pictures, I am willing to work with this disadvantage and simply compensate for it during actual use. But I hope that Nikon corrects this though in its next iteration of the D700.
The D700 has an advantage over the D3 as it has an integrated flash which the D3 does not have. The integrated flash is extremely useful when used with the other components of Nikon's Creative Lightning System.
The Nikon MB-D10 Battery Pack Nikon MB-D10 Multi Power Battery Pack for Nikon D300 & D700 Digital SLR Cameras from the D300 fits the D700 perfectly well. This is very convenient as I can opt for a smaller and lighter package when I do not need the MB-D10 for high-speed shooting. This is one advantage that the D700 has over the D3 where the battery pack is integrated with the camera. But a D700 with an MB-D10 is bigger and heavier than a D3. And even when the D700 is equipped with an MB-D10, the D3 is still faster. This makes the D3 a better unit for sports photography.
Since I shoot mostly portrait, special events and landscape and seldom shoot sports, the D700 is perfect for my needs and I can do without the D3. The D700 lower price tag means that I can get the D700 with at least one of Nikon's professional lens.
Nikon 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens
Nikon 16-35mm f/4G ED VR II AF-S IF SWM Wide Angle Zoom Nikkor Lens for Nikon Digital SLR Cameras
Nikon 24-70mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens
Nikon AF-S NIKKOR 70-200mm f/2.8G ED VR II Lens
Nikon 135mm f/2.0D AF DC-Nikkor Lens for Nikon Digital SLR Cameras
Nikon 85mm f/1.4D AF Nikkor Lens for Nikon Digital SLR Cameras
Nikon 50mm f/1.4G SIC SW Prime Nikkor Lens for Nikon Digital SLR Cameras
Ideally, the D700 should not be used with the DX lenses. This said, it is possible to use the DX lenses with the D700. The D700 makes the switch to DX lens automatically without need to fiddle with any control. Because the DX lens covers only a section of the D700 sensor, the maximum resolution of using a DX lens on the D700 is only 5.1 megapixel. This smaller coverage is automatically delineated by a box in the D700 viewfinder. In addition to the lower resolution, the extreme two ends of a zoom lens is not usable. Within these limitations, the D700 can use DX lens and produces very good pictures albeit on a smaller resolution / file size.
The D700/FX (1.0x factor) and the D300/DX (1.5x factor) effectively doubles my lens option. For those planning to own both the D300 and the D700, it would be wise to choose a glass that would be usable with both bodies.
In closing, I consider the D700 a good complement to my D300. Except for my Nikon 18-200mm DX lens (which I bought for my Nikon D200), all my glasses and accessories for the D300 can be used with the D700 at its full resolution. I will use the D700 in those times when I need the best results shooting wide angle and/or at high ISO speed. In those times when I need the extra reach, the D300's 1.5x crop factor makes the best use of my telephoto lenses.
Edit: November 22, 2008
I continue to use both the Nikon D300 and the Nikon D700 and often bring both together whenever I go out to shoot. In those times when I just bring one camera body, I choose the D300 whenever range and higher pixel density is a major concern (bec. of the 1.5x crop factor effect on the field of view due to the smaller APS-C sensor but with resolution still at 12megapixel). The D300 is an excellent camera and its 1.5x factor is very handy when I need to reach out with a 70-200mm f/2.8 zoom or with my 180mm f/2.8 prime without need of using a teleconverter. For almost every other instance, including portrait, landscape and low light photography however, I find myself reaching out for the D700.
After over 3 and a half months of use, I can safely say that the color depth of the D700 is significantly much...Read more›

Click Here to see more reviews about: Nikon D700 12.1MP FX-Format CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only)

The new D700 digital SLR camera featuring a 12.1-effective megapixel Nikon FX-format sensor that measures 23.9 x 36mm, which is nearly identical to the size of 35mm film. Benefiting from Nikon's legacy of imaging technology innovation, the D700 offers both advanced and professional photographers stunning image quality, accurate color reproduction and revolutionary low light performance.Building on the immense success of the Nikon D3 professional D-SLR camera, the D700 offers pro-level performance and an extensive array of features and innovations in a comfortably nimble platform. In addition to the Nikon-original FX-format CMOS sensor, the D700 incorporates Nikon's EXPEED Image Processing System, Nikon's renowned 51-point auto focus system with 3D Focus Tracking and two Live View shooting modes that allow photographers to frame a shot using the camera's three-inch high-resolution LCD monitor. The D700 also features Nikon's sophisticated Scene Recognition System and a new active dust reduction system.Nikon's flagship FX and DX-format cameras, the D3 and D300 respectively, established new benchmarks for digital image quality, speed, and unmatched ISO performance. The D700 maintains this new measure with exceptional overall image quality, broad tonal range and depth, and extremely low noise throughout its native ISO range of 200 to 6400.

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Nikon BL-4 Battery Chamber Cover for EN-EL4/EN-EL4a and D3 DSLR Camera Review

Nikon BL-4 Battery Chamber Cover for EN-EL4/EN-EL4a and D3 DSLR Camera
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The chamber cover and spare battery come in handy for quick changing during a shoot - despite the fact that the D3 seems to last forever on a charge!

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RE)NIKON BL-4 BATTERY COVER (25373)

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Click here for more information about Nikon BL-4 Battery Chamber Cover for EN-EL4/EN-EL4a and D3 DSLR Camera

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