Showing posts with label 35mm. Show all posts
Showing posts with label 35mm. Show all posts

Nikon N80 35mm SLR Film Camera (Body Only) Review

Nikon N80 35mm SLR Film Camera (Body Only)
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Photography has been a hobby of mine for nearly ten years now. Having shot on a lot of Minolta and Canon I can say that Nikon equipment is sufficiently superior to its competition unless you are in need of fast auto focus (i.e. for sports) where Canon tends to rule. However, in nearly every other arena in the 35mm SLR world Nikon is at the top of the list. From build and lens quality, to controls and light meters Nikon beats out the competition. So if you are already sold on buying a Nikon (which you should be) the N80 is a great pick for the serious amateur or beginner, but probably a little bit too high on the food chain for the casual photographer.
The N80 fits nicely between the N55, N65, N75 cameras and the F100, F1 cameras. The F100 and F1 (as well as the D100 and D1) are geared for the professional photographer and provide quality and features only an experienced amateur or pro could notice. Those cameras are definitely not appropriate as first cameras unless you are serious and just have money to burn. The N55 and N65 are geared toward the casual consumer that wants more quality than a point and shoot offers, but likely doesn't really know or care much about photography. These cameras provide "easy" to use features including some that are simply annoying for the serious photographer. The N80 operates in a very similar manner to the F100, F1, D100 and D1 and it makes the transition to these cameras down the road much easier when the time is right. The N80 also provides 10 segment metering, selectable auto focus regions, composition guides (awesome!) and it opens up features of the more advanced Nikon lenses. Overall the N80's build quality feels better than its smaller counter parts as well.
Who is this camera for:
The serious amateur and student photographer, especially those wishing to move up in the Nikon line in the future.
Also, make sure you get a great lens too, I'd highly recommend the Nikon 24-85mm f/3.5-4.5G ED-IF AF-S Zoom as a first lens.

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Nikon N80 35mm SLR Film Camera (Body Only)

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Nikon 35mm f/1.4G AF-S FX SWM Nikkor Lens for Nikon Digital SLR Cameras Review

Nikon 35mm f/1.4G AF-S FX SWM Nikkor Lens for Nikon Digital SLR Cameras
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I'm a wedding photographer who shoots in dark conditions often. This lens performs great in these conditions. I use this lens on a D3 body and the AF is good. It doesn't seem to be as fast at my zooms (24-70 2.8 or 70-200 2.8) but it's still pretty accurate when focusing in low light. The image quality is AMAZING. Certainly an upgrade from the older 35 f/2 version . Images has more contrast & are sharper. I also own the 24 1.4 G and I would say that the IQ on the 35 is about the same. Over all, I'm very impressed and satisfied with this 35. [...]

Click Here to see more reviews about: Nikon 35mm f/1.4G AF-S FX SWM Nikkor Lens for Nikon Digital SLR Cameras

Update of one of Nikon's most respected NIKKOR lenses delivers sharp images and its fast maximum aperture ensures a bright viewfinder image as well as beautiful background blur. The moderate wide angle capability of the lens is suitable for interiors, weddings, photojournalism and landscape photography.

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Nikon F 100 - SLR camera - 35mm - body only - black Review

Nikon F 100 - SLR camera - 35mm - body only - black
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Those who know Nikon's lineup well, will know that this camera falls between the flagship F5 and the high consumer end N80. It has a tough role to fill, and it does it perfectly.
The focusing on the F100 is far faster than on the N80. When I originally bought my N80, I thought it was fast. On the F100, it's amazing. The images from the F100 are great, and I've never had one that didn't turn out because of camera error (what can I say, human error is the prevalent error behind this camera)
This camera isn't for everyone though. It lacks some of the features of the N80, such as the pop up flash and the grid lines on demand. If you're looking for an introductory camera, this is not it.
However, if you're serious about photography and already have a speedlight (flash), then this camera is definitely worth it. The reason for it not including a pop up flash is that the camera is geared towards very serious amateurs or professional photographers. Nikon figures that by the time you step up to one of their higher end cameras like the F100 or the F5, that you've already acquired a good flash unit. To put it into perspective, one of the photographers who routinely shoots at the local high school shoots with this camera. You can get the grid lines in the viewfinder by spending another [amount of money] and replacing the screen inside the viewfinder. Unfortunately, they aren't built in like the N80, but there is a work around, so in my mind, that's not a big deal.
This camera also has a vertical grip via the high power pack, which is something that the N80 is clearly lacking. So if you tend to shoot a lot in the vertical direction, this is a definite plus, especially if you're like me and don't have very big hands.
All in all, I highly recommend this camera for those who are serious about their photography, and don't want to spend the cash for the F5.

Click Here to see more reviews about: Nikon F 100 - SLR camera - 35mm - body only - black

About the Nikon F100 The F100 features Nikon s 3D Matrix Meter, for exposure control that has been developed through over a generation of innovation. There s Spot and Center-Weighted Metering, too. And Nikon s Automatic Balanced Fill-Flash System is uncanny at showing up that touch of extra light for more perfect exposures and cover page pictures. For extra dependability, the chassis, top, bottom and front covers, and selected parts are constructed of rugged magnesium alloy metal. By expanding your choices and meeting your need for a smaller, lighter camera, all without sacrificing ruggedness, the F100 joins the Nikon F5 as a camera of choice among the world s best. In short, it s one tough camera destined to take whatever kinds of the world s greatest pictures you want to take. That makes it truly worthy of the name Nikon F100 - Professional.

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Nikon N75 35mm SLR Camera (Body Only) Review

Nikon N75 35mm SLR Camera (Body Only)
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It is essentially a facelift job on Nikon N65 (marketed outside US as F65), and all the good things that can be said about N65 apply to this product, too: it's reliable, it's capable of fully-manual operation (although this can be a little fiddly and N75 will feel more natural in automatic or semi-automatic mode).
Quality of pictures, for the price, is stunning, and in the line-up of entry-to-medium level SLRs this is definitely the one to choose (for example, auto-focus speed beats Canon equivalent hands down; Canon Rebel 300 - marketed outside US as Canon EOS 300 - also looks decidedly like a cheap compact camera with a big lens on top).
For many, many users (including myself) it will provide all the advanced functions that they will ever want. Pricier "professional" cameras like N80 are of course more robust and may have a few extra features or even faster AF, but the difference in price will be so significant that you will have to be a heavy user to make a more expensive camera pay for itself.
The only reservation about N75 is the size: Nikon tried to make this camera as small as possible, which makes it more agreeable for delicate hands (or so they think). For someone like me, a person with bigger paws, it does not feel right - it is just not chunky enough to provide a good grip: a lightweight camera it might be, but still it is no compact thing which you could put in your shirt pocket. This is an important consideration: all the good features will bring you no joy if you feel awkward holding the camera in your hands.

Click Here to see more reviews about: Nikon N75 35mm SLR Camera (Body Only)

Light, durable, and loaded with advanced features / Auto or Manual Exposure and Focus / Lens required ? not included

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Nikon 18-55mm f/3.5-5.6G VR AF-S DX Nikkor Lens with UV Filter + Cleaning Kit for D300, D40, D90, D5000, D60, D300s, D3000, D3100 & D7000 Digital SLR Cameras Review

Nikon 18-55mm f/3.5-5.6G VR AF-S DX Nikkor Lens with UV Filter + Cleaning Kit for D300, D40, D90, D5000, D60, D300s, D3000, D3100 and D7000 Digital SLR Cameras
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This is simply a great lens. It is light-weight and covers most of the range of indoor home photography. It is sharp, and did I say light-weight, and a nice change from the three pound zoom I was using. And it is has VR (Vibration Reduction), which really works. Crank the ISO up to 800-1600 and forget about the flash. Shots are clear and bright at 1/15 sec... hand-held. It looks like my 50mm 1.4D is going into retirement, and I plan to wear this 18-55mm out... and then buy another. Note: There is a lot of plastic on the lens (thus, the lightweight) and I think I can wear it out in five years (30,000+ shots), but by then something better will be available... still a great deal.

Click Here to see more reviews about: Nikon 18-55mm f/3.5-5.6G VR AF-S DX Nikkor Lens with UV Filter + Cleaning Kit for D300, D40, D90, D5000, D60, D300s, D3000, D3100 & D7000 Digital SLR Cameras

Kit includes: ♦ 1) Nikon 18-55mm f/3.5-5.6G VR AF-S DX Nikkor Lens ♦ 2) Vivitar 52mm UV Glass Filter ♦ 3) Cap Keeper 2 Lens Cap Strap ♦ 4) Precision Design Deluxe 6-Piece Lens & Digital SLR Camera Cleaning Kit
The Nikon 18-55mm f/3.5-5.6G VR AF-S DX Lens is an ultra compact, lightweight standard zoom lens that has a 3x focal zoom range and is ideally suited for use with compact Nikon digital SLR cameras. This lens offers the most basic zoom range in the DX lens series, an equivalent focal length in 35mm terms of 27-82.5mm. The innovative Vibration Reduction (VR) system allows handheld telephoto zoom shooting even in poorly lit conditions. It minimizes image blur caused by camera shake, and offers the equivalent of shooting at a shutter speed 3 stops (8 times) faster.

This Vivitar UV Filter is a multi-purpose, fine-weather filter that is designed to optimize your photography experience. UV filters block out unwanted ultraviolet light and prevents the UV "fogging/haze" effect", which can result in inaccurate color and lower the apparent sharpness. This filter is also ideal for protecting your valuable lens from scratches and dust, and it can be kept on the lens at all times. Perfect for digital, video and photo.

Keep your lens cap securely attached to your lens with the convenient, simple-to-use CapKeeper. Never lose a lens cap again!

This 6-piece cleaning kit contains everything you'll ever need to properly clean your lenses, including a Hurricane Air Blower, Lens Cleaning Tissues, Lens Cloth, Lens Cleaning Liquid, Brush and Cotton Swabs.


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Nikon 35mm f/2D AF Wide-Angle Nikkor Lens for Nikon 35mm and Digital SLR Cameras Review

Nikon 35mm f/2D AF Wide-Angle Nikkor Lens for Nikon 35mm and Digital SLR Cameras
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Light, fast, sharp, and as far as I'm concerned the perfect focal length.
I started out using 50mm primes, but quickly got tired of how tight they were indoors. All my shots were becoming head/shoulder shots, and forget about trying to get two or three people in the shot without them all being posed in an "everyone squeeze together now" shot. That gets real old, real fast.
Let me emphasize that:
This lens has a much better field of view at normal shooting distances (the distance that you normally stand from your subject).
That is often overlooked, but trust me, backing up 15 feet in a crowd or a house to get your shot is tedious at best, and often impossible. It is typically easier to move in towards your subject a little (or crop the photo later) than it is to keep backing up, especially while looking into the viewfinder. I realize it's not totally fair to rate other equally sharp, good quality lenses differently, based solely on their focal length, but it is my opinion that this lens is by far the most useful in the greatest number of situations.
I also used to be fixated on huge apertures, but have since realized that most real world shooting is not done below f/2 anyway. This lens is sharp as anything out there and is great in low light. Yes, I acknowledge that f/2 isn't quite as good in super low light as other lenses out there (I know because I have a 50mm f/1.2), but it is good enough for most shooting, and below f/2 the depth of field becomes tricky anyway; so again, not as useful.
Lastly, some people don't like the plasticy feel of new lenses, but I love them. They are so much lighter and silky smooth. I've seen enough heavy, gummy, brassed-up, metal lenses in my time to know there's nothing magical about all-metal builds either. So to me it's just another modern improvement that works like a charm.
Most that I've seen tend to resell online for 90%+ of full retail value, so even if you somehow didn't like it, your risk in buying and trying is very low.
...

Click Here to see more reviews about: Nikon 35mm f/2D AF Wide-Angle Nikkor Lens for Nikon 35mm and Digital SLR Cameras

Compact and lightweight, this very fast f/2 wide-angle lens is perfect for scenic and landscape photography as well as environmental portraits

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Nikon 20mm f/2.8D AF Nikkor Lens for Nikon Digital SLR Cameras Review

Nikon 20mm f/2.8D AF Nikkor Lens for Nikon Digital SLR Cameras
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The Nikon AF20mm f2.8 was designed as a "pro" wideangle lens back in the days when 20mm in autofocus was as wide as you could get. Originally introduced in 1989 it was the AF equivalent of the manual focus design of 1984 and uses the same optical formula as the MF. The subsequent addition of the D chip has changed nothing else. In it's day an AF 20mm was pretty radical and it was only superceeded in 1993 by wider primes as the pros sought wider and wider views. For most amateurs however 20mm on film will get you into the "superwide" range without breaking the bank. For digital shooters, dealing with the 1.5 magnification factor in Nikon D-SLRs, it becomes effectively 30mm, which is still wide enough for most situations.
Optically it delivers typical Nikon high color saturation and contrast, with distortions well controlled for it's focal length. While it is reasonably free from flare I strongly recommend the optional HB-4 lenshood designed for it and polarizing will be dificult for film shooters due to vignetting caused by the thick polarizing filter mounts of a "standard" polarizer. Digital shooters should not have this problem because the camera's sensor is only using the central portion of the projected circle - inside the area of vignetting.
Mechanically it is all metal and well constructed with an nice "solid" feel to it for an AF lens but those of us who still miss the old manual focus "tanks" will find the undamped focusing ring a little too "loose" when manually focused. As part of a planned outfit, it can form the wide angle anchor for a travel kit standardized on 62mm filters. Add Nikon's 28-105AF 3.5-4.5 and 70-210AF 4.5-5.6 and you have a lightweight kit for either film or digital SLR's

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20mm D-Series Wideangle lens for Nikon cameras

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Nikon N75 35mm Film SLR Camera Kit with 28-80mm f3.5-5.6 Nikkor Lens Review

Nikon N75 35mm Film SLR Camera Kit with 28-80mm f3.5-5.6 Nikkor Lens
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It is essentially a facelift job on Nikon N65 (marketed outside US as F65), and all the good things that can be said about N65 apply to this product, too: it's reliable, it's capable of fully-manual operation (although this can be a little fiddly and N75 will feel more natural in automatic or semi-automatic mode).
Quality of pictures, for the price, is stunning, and in the line-up of entry-to-medium level SLRs this is definitely the one to choose (for example, auto-focus speed beats Canon equivalent hands down; Canon Rebel 300 - marketed outside US as Canon EOS 300 - also looks decidedly like a cheap compact camera with a big lens on top).
For many, many users (including myself) it will provide all the advanced functions that they will ever want. Pricier "professional" cameras like N80 are of course more robust and may have a few extra features or even faster AF, but the difference in price will be so significant that you will have to be a heavy user to make a more expensive camera pay for itself.
The only reservation about N75 is the size: Nikon tried to make this camera as small as possible, which makes it more agreeable for delicate hands (or so they think). For someone like me, a person with bigger paws, it does not feel right - it is just not chunky enough to provide a good grip: a lightweight camera it might be, but still it is no compact thing which you could put in your shirt pocket. This is an important consideration: all the good features will bring you no joy if you feel awkward holding the camera in your hands.

Click Here to see more reviews about: Nikon N75 35mm Film SLR Camera Kit with 28-80mm f3.5-5.6 Nikkor Lens

More Portable - This Nikon SLR is compact and light enough for anyone to handle. Enhanced Versatility - With fully automatic mode and five Vari-Program modes. Sharper Pictures - Five-Area Dynamic Autofocus. Nikkor Lens - 28-80mm f3.5-3.6 Superior Exposure - 25-Segment 3D Matrix Metering to capture scene in detail

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Nikon N65 SLR Camera Kit w/ 28mm-80mm Lens (N652880KIT) Review

Nikon N65 SLR Camera Kit w/ 28mm-80mm Lens (N652880KIT)
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I bought this camera four months ago knowing nothing about photography. Now, thanks to my F65, I'm shooting slide films and learning the zone system and continue to amaze ppl with my wonderful pictures. I had a chance to play with the more advanced F80 but besides the faster flash sync offered I'm fully satisfied with my easier-to-manage F65. By "easier" I don't mean any loss in functionalities or features. Advanced features like multiple exposures, depth-of-view preview and auto bracketing are all there inside this compact, light weight body. There's an optional infra red remote for this camera that functions like a cable release which's a must for night and serious photography too. The camera works with all AI and AFS Nikkor lenses. A shutter speed of 1/2000 is more than adequate for all conditions and film pull/push can be achieved by exposure compensation despite the fact that we can't directly manipulate the ISO setting. It's a perfect camera for novices with its automatic modes, and for advanced users with its possible manual settings. The matrix metering is reliable and accurate, the center weighted metering is good for low light or night photography. It doesn't have spot metering, but it isn't necessary anyway as a real professional won't need a on-camera spot meter. So unless you're in need of a faster flash sync for wildlife photography or a more rugged but heavier body, there're really no reasons to go for higher models.

Click Here to see more reviews about: Nikon N65 SLR Camera Kit w/ 28mm-80mm Lens (N652880KIT)

Nikon N65 incorporates extraordinary Nikon SLR performance in a remarkably small and lightweight camera. It is designed for ease of use - with five icon-identified pre-programmed shooting modes taking care of all the details for a wide range of picture taking situations and General Purpose Program for care-free shooting - and to let you grow with convenient controls including Command Dial for maximum control. Exceptional Clear Matte V Screen design provides bright and uncluttered view. Complete selection of exposure modes including Program and Flexible Program, Shutter Priority, Aperture Priority and Manual enhance your creative potential. Nikon's exclusive Dynamic AF technology with Closest Subject Priority automatically selects corresponding AF sensors - all at up to 2.5 frames per second. Innovative autofocus system features five separate AF detection sensors that cover the top, bottom, center, left and right for fluid and instinctual composition. Comprehensive features of the built-in powerful Speedlight with 28mm wide angle coverage include Auto Pop-Up Flash in General Purpose Program and Vari-Program Modes, Slow and Rear Sync, Red-Eye Reduction, Red-Eye Reduction with Slow Sync. Matrix Balanced Fill-Flash delivers stunning results.Other controls include: Exposure Compensation from +/ - 2EV in 1/2 EV steps, 3 Frame Auto Exposure Bracketing in 1/2 EV steps, Remote Control capability, Built-in Diopter, All-mode Depth-of-Field Preview Button, Multiple Exposure Control and AF Assist Illuminator for low light shooting. F Bayonet lens mount accepts every AF Nikkor lens.

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Nikon 50mm F/1.8D AF Nikkor Lens + UV Filter + Accessory Kit for Nikon D3, D3x, D300, D200, D90, D700 & D300s Digital SLR Cameras Review

Nikon 50mm F/1.8D AF Nikkor Lens + UV Filter + Accessory Kit for Nikon D3, D3x, D300, D200, D90, D700 and D300s Digital SLR Cameras
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I don't even know where to start. This lens produces sharp pictures and great color and contrast. And for its price (which seems to climb recently), it is worth more than 5 stars rating. I initially get this lens for low light action and sport photography (as this lens is famous for being one of the fastest lens together with its brother 50mm f/1.4), but I also found out that this lens is also perfect for portrait and other general purposes (macro etc). This is definitely a very versatile lens.
As much as I want to encourage everyone to buy this lens right away, let me mention some of the limitation that you would see (which I think will be helpful to go over before deciding to buy this lens):
First, being a prime lens, you will need to move your feet a lot to compose your picture. If you are used to zoom lens, don't underestimate this limitation. It takes me a while to get used to it, and sometime I still find people looking at me wondering why I am moving forward and backwards. the good news is that most of the time, they don't think I'm weird, but they are actually wondering if I'm a professional photographer.
Secondly, the focal range of 50mm, which is considered the normal lens and great for portrait lens. but on many DSLRs which is not full frame (unless you have a full frame Nikon DSLR like the D700 or D3, then 50mm is 50mm), this lens become a 75mm equivalent which is in the border of a short tele lens. I actually like the 75mm equivalent though I often have to move backwards when taking picture of a group of people.
Third, in some situation the autofocus might not able to focus (which is common for many other lens too). It is hard for the autofocus to lock when aiming at a wall that is one color (usually black or white), or on a clear sky (day or night). This kind of makes sense to me actually. IN these situations the AF assist light doesn't help either so you can opt for manual focus or set the focus to infinity when you can't find focus lock on scenic/landscape or sky photography. So far I don't have many problems with the autofocus.
Sharpness increases as you stop down to f/2.2 or f/2.5. I actually use f/1.8 most of the time and the results are still nice. Personally, I'd rather use f/1.8 aperture settings than stopped down (e.g to f/2.8) and compensate with higher ISO setting which often gives me grainy picture. But if your object is not moving (static) then it is better to stop down to f/2.8 or more.
If you are wondering whether you should get a fast lens or a lens with VR (Vibration Reduction), here's my take: In overall, VR does help a lot (as it will reduce camera shake) and will produce better/sharper picture than equivalent lens without VR (especially if the object is static). If the object is moving (sports/action) then VR feature alone might not help (depending on how fast the object is moving and how much light is available), and a fast lens often end up being a far better solution, even without VR feature as it will allow much faster shutter speed to freeze motion. Using tripod (and a remote) will substitute for the need of VR feature. In general I would recommend getting a fast lens with VR feature (and usually it is expensive) such as the 70-200 f/2.8 VR, but if one can only get for one or the other, then find out what do you want to use the lens for and then use the guideline mentioned here.
If you are wondering whether you will get the benefit of buying f/1.4 lens over a f/1.8 lens, just remember that the f/1.4 lens is about 60% faster than f/1.8 at its widest aperture setting. With this information, you can decide if the additional speed will justify the additional cost. The bokeh is nicer as well in f/1.4 lens but I think speed is usually the main factor in deciding whether to get the more expensive f/1.4 lens.
Here are the summary of pros and cons for this Nikon 50mm f/1.8D AF lens:
Pros:
1. Very fast (f/1.8)
2. Very sharp pictures (especially when stopped down to f/2.2, f/2.5 or more.)
3. Great for sport/action photography
4. Great for indoor and low light situation
5. Great for portrait
6. Bokeh is almost as good as many expensive Nikon tele-lens
7. Fast autofocus
8. Good for wedding photography (or no-flash event). However, if this is your main objective then you might want to get the 50mm f/1.4 version or 28-70mm f/2.8 lens)
9. 75mm equivalent which can be considered a short tele lens (I actually like the fact that it's 75mm equivalent vs 50mm in DSLR. if you need more zoom, you can get the Nikon 85mm f/1.8, or the 70-200mm f/2.8 VR). If you have full frame DSLR(like the D3 or D700), then this #9 pros is not applicable.
10. Inexpensive
Cons:
1. Being prime lens, you need to move your feet a lot to adjust/compose
2. Autofocus issue on some situations (read detail above)
3. Plasticy build
4. Autofocus is not the most silent but very reasonable
5. 75mm equivalent with 1.5x multiplier on non full frame DSLR (many people find this is an odd range for normal lens. I actually like it). If you have full frame DSLR(like the D3 or D700), then this #5 cons is not applicable.
6. Autofocus does not work with D40, D40x and D60. The newer 50mm f/1.4G AF-S or 35mm f/1.8G AF-S lens will autofocus with those cameras.
Bottom line: This lens is so versatile (and inexpensive) that I think everyone should own in addition to all the lenses that they already have. Being a very fast lens, it enables me to take pictures in low light (sport/action photography) that I otherwise wouldn't be able to do.
After knowing its limitation, I would predict that 99% of you that decides to buy this lens will find this lens very useful. And if you decide that you don't like it (which I think not more than 1%), I'm sure there will be a lot of people who wouldn't mind buying it from you (with some discount of course).
Again, I would recommend everyone to get this lens. In some ways I can say that this lens makes me a better photographer.
Happy Photographing!
Sidarta Tanu

Click Here to see more reviews about: Nikon 50mm F/1.8D AF Nikkor Lens + UV Filter + Accessory Kit for Nikon D3, D3x, D300, D200, D90, D700 & D300s Digital SLR Cameras


Kit includes: ♦ 1) Nikon 50mm F/1.8D AF Nikkor Lens ♦ 2) Vivitar 52mm UV Glass Filter ♦ 3) CapKeeper 2 Lens Cap Strap ♦ 4) Precision Design Deluxe 6-Piece Lens & Digital SLR Camera Cleaning Kit
The Nikkor 50mm f/1.8 Autofocus Lens is a supremely lightweight lens that combines the ease of autofocus operation with advanced Nikon optics, like D distance technology. The extremely compact and lightweight design makes this lens convenient to carry and hold. This affordable Nikkor lens is ideal for scenery or full-length portraits. Weighing in at only 0.34 lbs, this lens stops down to f/22 for wonderful control of depth of field.

This Vivitar UV Filter is a multi-purpose, fine-weather filter that is designed to optimize your photography experience. UV filters block out unwanted ultraviolet light and prevents the UV "fogging/haze" effect", which can result in inaccurate color and lower the apparent sharpness. This filter is also ideal for protecting your valuable lens from scratches and dust, and it can be kept on the lens at all times. Perfect for digital, video and photo.

Keep your lens cap securely attached to your lens with the convenient, simple-to-use CapKeeper. Never lose a lens cap again!

This 6-piece cleaning kit contains everything you'll ever need to properly clean your lenses, including a Hurricane Air Blower, Lens Cleaning Tissues, Lens Cloth, Lens Cleaning Liquid, Brush and Cotton Swabs.


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Click here for more information about Nikon 50mm F/1.8D AF Nikkor Lens + UV Filter + Accessory Kit for Nikon D3, D3x, D300, D200, D90, D700 & D300s Digital SLR Cameras

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Nikon MB-D11 Multi-Power Battery Pack for Nikon D7000 Digital SLR Camera (Retail Packaging) Review

Nikon MB-D11 Multi-Power Battery Pack for Nikon D7000 Digital SLR Camera (Retail Packaging)
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The Nikon D7000 camera has pro performance capability, but lacks the larger pro body of cameras like the D300s. Some may not find this a problem, but I have large hands and I find the smaller body of the D7000 is not as comfortable to use as a larger body. The excellent solution was the Nikon MD-D11, which is a combination vertical grip and battery pack. Two battery trays are supplied, so you have the option of using either one Nikon EN-EL15 battery or AA batteries. You also have the option of keeping a back-up battery in the camera body as well. A soft case is supplied for the tray you are not using, but it is too small for the grip itself. The grip pack has some of the same controls on it as the camera body, but the main controller is a joystick rather than the round pad type used on the camera and is great for selecting focus points in vertical or horizontal position. The grip is well made of lightweight metal alloy that has a rigid solid feeling. The grip area and bottom is covered in rubber and the bottom has a screw hole for use with a tripod.
Conclusion: The Nikon MB-D11 grip/pack is a high quality accessory that improves the handling and comfort of the D7000 to such a great degree that I leave this lightweight grip attached to my D7000 all the time now, even when I don't need the extra battery power. It's a little expensive, but it is well worth having, especially if you have large hands. Highly recommended!

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Nikon MB%2DD11 is an ergonomically designed grip for the D7000 SLR camera%2E It enables seamless switching between power sources%2C and is equipped with a shutter release button and command dials for vertical shooting%2E

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Nikon 35mm f/1.8G AF-S DX Lens for Nikon Digital SLR Cameras Review

Nikon 35mm f/1.8G AF-S DX Lens for Nikon Digital SLR Cameras
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(More customer reviews)
This Nikon 35mm f/1.8G AF-S DX lens produces sharp pictures and great color and contrast. It is also perfect for portrait and other general purposes (semi-macro etc). This lens also produces nice bokeh. The picture quality and bokeh quality are comparable with the other Nikon prime lenses (50mm f/1.8, 50mm f/1.4, 50mm f/1.4 AF-S etc) lens which are famous for being sharp. Overall, this is a very versatile lens. On a non full frame DSLR (such as D40, D40x, D60, D5000, D80, D90, D200, D300 etc), this 35mm focal length is equivalent to about 50mm which is considered a normal lens (normal as to being close to a person eye viewing angle perspective).
Many of us, including those who already own the 50mm prime, have been waiting for this lens (prime lens that has wider angle than the 50mm) for a long time, especially for non full frame DSLR owners that usually have about 1.5x magnification due to the smaller sensor size. Those 50mm lens on a non full frame DSLR is equivalent to 75mm which is often too much zoom for many situation. For example in a room where you can't keep backing up to compose your photos, or when taking picture of a group of people where you will need to move back a lot with the 50mm lens. This 35mm lens will solve that problem to some extent as this is a lot wider lens than the 50mm prime lenses. Having said that the 50mm prime lens is still a great lens. If you don't own any of the earlier version of the 50mm lens and wondering if you should get this 35mm or the 50mm, then I would recommend you to get this lens over 50mm, unless you know for sure that you need more zoom than the 35mm for your purpose, then you can go and buy the 50mm or 85mm (both available on f/1.4 or f/1.8).
This lens (DX lens) is not designed for a full frame camera (FX or Film). There will be light fall-off which is quite significant. If you have a full frame DSLR, you might want to get the 50mm f/1.4 AF-S, or the older 35mm f/2 AF-D lens instead.
Being a prime lens (this 35mm lens), you will need to move your feet a lot to compose your picture.
While this lens produces very sharp images at f/1.8, the corner show lower contrast. Sharpness and contrast increases further as you stop down to f/2, f/2.8 and f/4. Sharpness increases slowly after f/2.8 (i.e. at f/2.8 seems to be the optimal, without sacrificing too much speed)
The big plus with this lens over the older 35mm lens is the AF-S feature which is auto focus system that is internal to the lens, very fast and very silent. This lens will please a lot of people who currently own D40, D40x, D60, and D5000, as they now can benefit from the autofocus.
Another big win is the manual override on autofocus mode (M/A mode), which will allow us to change the focus without having to change the mode to manual mode (this is pretty standard to most Nikon newer lenses but it's quite new for Nikon prime lens series)
This lens doens't have image stabilization (VR), but that is kind of expected as Nikon also doesn't include VR on their new 50mm f/1.4 AF-S lens. It would be nice to have VR (for longer exposure handheld operation, and for people with less stable photography technique) but it will probably increase the size, weight and cost of this lens.
If you are wondering whether you should get a fast lens or a lens with VR (Vibration Reduction), here's my take: In overall, VR does help a lot (as it will reduce camera shake) and will produce better/sharper picture than equivalent lens without VR (especially if the object is static). If the object is moving fast (sports/action) then VR feature alone might not help (depending on how fast the object is moving and how much light is available), and a fast lens often end up being a far better solution, even without VR feature as it will allow much faster shutter speed to freeze motion. Using tripod (and a remote) will substitute for the need of VR feature. In general I would recommend getting a fast lens with VR feature (and usually it is expensive) such as the 70-200 f/2.8 VR, but if one can only get for one or the other, then find out what do you want to use the lens for and then use the guideline mentioned here.
If you are wondering whether you will get the benefit of buying f/1.4 lens over a f/1.8 lens, just remember that the f/1.4 lens is about 60% faster than f/1.8 at its widest aperture setting. With this information, you can decide if the additional speed will justify the additional cost. The bokeh is nicer as well in f/1.4 lens but I think speed is usually the main factor in deciding whether to get the more expensive f/1.4 lens.
Here are the summary of pros and cons for this Nikon 35mm f/1.8G AF-S lens:
Pros:
1. AF-S AF-S AF-S (very fast focus, internal focus, and very silent)
2. M/A mode (manual focus override available on autofocus mode)
3. Very fast lens (f/1.8)
4. Very sharp pictures
5. Great for sport/action photography (though you might need more zoom)
6. Great for indoor and low light situation
7. Great for portrait
8. Bokeh is almost as good as many expensive Nikon tele-lens
9. Perfect for low light with no-flash event. However, also check out the following lens for low light photography: 17-35mm f/2.8, 24-70 f/2.8, 17-55mm f/2.8, 28-70mm f/2.8 or the the 50mm nikon prime lenses.
9. Great focal length (35mm). About 50mm equivalent which is a normal lens (If you need more zoom, you can get the Nikon 50mm or 85mm prime lens or 70-200mm f/2.8 VR lens).
10. Did I already mention very fast and very silent focus? :)
Cons:
1. Being prime lens, you need to move your feet a lot to adjust/compose
2. Being a G lens (no aperture ring available), this lens will not work on manual focus camera where you need to set the aperture from the lens)
3. No VR. As VR will be useful for taking handheld shots on low light (especially if the object is somewhat static or if the photographer doesn't have steady hands when taking photograph)
4. Not designed for full frame cameras (FX or Film) where there will be siginificant light fall-off.
Bottom line: This lens is so versatile that I think everyone should own this lens in addition to all the lenses that they already have (even if they alredy have the 50mm prime lens). Being a very fast lens, it will allow people to take action shot in low light that otherwise wouldn't be able to be do. And now, with AF-S, there is nothing to dislike about this lens (though in my opinion, this lens might attract even more interest if it has a VR feature).
Happy Photographing!
Sidarta Tanu

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Fast, lightweight f/1.8 prime DX-format NIKKOR lens perfect for low-light conditions, travel, environmental portrait and general photography. Includes: AF-S DX NIKKOR 35mm f/1.8G Lens HB-46 Bayonet Lens Hood LC-52 Snap-On Front Lens Cap LF-1 Rear Lens Cap CL-0913 Soft Case

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Nikon N 90s - SLR camera - 35mm - body only Review

Nikon N 90s - SLR camera - 35mm - body only
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The N90s (F90x everywhere but the US) has been my main film camera for journalism work in the former USSR since 2005. It is outstanding in every way, and is a bargain at its current market value. The meter is superb, and typically does not over- or under-expose. (My FA overexposes with backlit subjects.) The N90s is tough, weather-sealed, but not too heavy. It feels great when handling it and is almost infinitely adjustable, with a number of settings for flash (such as back or front flash), burst speed, focus, etc. The only issue with the camera is that the back rubberized armor begins to delaminate if you use the camera a lot. I'd recommend it unhesitatingly if you need a cheap but superb semi-pro 35mm camera. (By the way, the Amazon illustration seems to be a D90, not an N90s/F90x.)

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Nikon is a precision optical company with worldwide manufacturing, research and marketing capabilities. The Nikon name is equated with extraordinary photographic performance, innovation, precision and optical quality.PRODUCT FEATURES:Nikon exclusive technology - focus tracking with lock-on to 4.1 frames per second;Autofocus system - features CAM 246 cross type AF sensor, wide area and spot autofocus covers over 20% of picture frame;Versatile autofocus modes - single and continuous servo AF;Comprehensive light meters - 3D Matrix, Center-Weighted and Spot Metering;Fill-flash system - 3D multi-sensor balanced fill-flash narrows the range of contrast within a scene;Extensive shutter speed range - from 30 seconds to 1/8000 of a second;Expanded exposure modes - Program, Flexible Program, Shutter Priority, Aperture Priority, Manual. Vari-Program modes, Portrait, Sport, Hyperfocal, Silhouette, Landscape, Night Scene and Close-Up;Computer interface - Nikon exclusive photo secretary for N90s lets you customize the N90s to the way you shoot;Multi-control back - MF-26 multi-control back incorporates Auto Exposure and Flash Bracketing, Multiple Exposure, Time Lapse, Data Imprint and Custom Setting;Lens mount - F bayonet lens mount accepts every Nikon AF and AF-S Nikkor lens.

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