Nikon D5000 12.3 MP DX Digital SLR Camera with 18-55mm f/3.5-5.6G AF-S DX "VR" and 55-200mm f/4-5.6G ED IF AF-S DX "VR" Zoom-Nikkor Lens + 8GB Deluxe Accessory Kit Review

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(More customer reviews)I've had this camera for about a year now and I'm extremely happy with the purchase. I've taken beautiful pictures with it and I've had some made into prints as large as 20" x 30" with excellent detail and clarity. The camera isn't quite commercial or professional grade but it does not claim to be so. The lenses that come with it are very high quality - though not top quality. Again, this is exactly what it claims to be.
I have been able to take a variety of pictures in different styles. I take plenty of nature shots and a lot of pictures of my dogs as they run around. I'm to capture them very easily without blurring or streaking in most lighting conditions (low light will definitely affect the autofocus - I like to use the burst mode to get the right pictures of the dogs and that doesn't go well if the lighting is too dim).
Just to test the camera's abilities, I took a flash shot of my ceiling fan on high speed and the camera was able to take a great picture of the blades such that the fan does not even appear to be on.
The attenuating screen has proven to be useful on occasion when I want to hold the camera high to get a picture over a crowd or obstacle but in reality I don't use it too often.
The video quality is very good. If I had a complaint here it would be that the video length is limited to 5 minutes. Also, be sure to use a high speed card or the video might cut out in much less than 5 minutes to catch up to the write.
The auto mode works very well and in most circumstances this camera works beautifully as a point-and-shoot but it also gives full control over shutter and aperture settings. I've enjoyed playing with some artistic use of extended shutter times in a pitch black room with a match.
Bottom line: if you are a professional or you are looking to take truly professional pictures then you probably aren't looking at this camera to begin with. If you are an amateur/consumer level buyer who wants to take beautiful pictures in high resolution then this camera is simply great. (Maybe I should have given it 5 stars.)

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A remarkable blend of simplicity and highly-advanced DSLR capabilities, the compact and powerful D5000 offers breathtaking 12.3-megapixel image quality, along with a flexible, Vari-angle, Live View monitor for fresh picture-taking perspectives. Nikon's EXPEED image processing further enhances performance, contributing to split-second shutter response and continuous shooting at up to 4 frames-per-second to capture fast action and precise moments perfectly.The D5000's 24-fps HD D-Movie mode with sound captures video clips with amazing clarity--offering new and exciting creative opportunities. Fast, accurate 11-point autofocus with 3D Tracking, teamed with famous NIKKOR optics, assures incredible image sharpness, while active image sensor cleaning combats annoying dust automatically. Featuring a convenient built-in flash, 19 automatic exposure Scene Modes to make the impossible easy and 23 Custom Setting options to fit your preferences, as well as 14 in-camera image retouching functions, the D5000 is the perfect DSLR, beginning with performance to meet your picture-taking tomorrows.Nikon AF-S DX-Nikkor 18-55mm f3.5-5.6G VR, a lens featuring a built-in Silent Wave Motor and Vibration Reduction (VR). The AF-S DX-Nikkor 18- 55mm f3.5-5.6G VR is an affordable, and compact, 3x zoom lens covering the most frequently used focal range of 18-55mm with amazing versatility.Nikon 55-200mm f/4-5.6G ED AF-S VR DX Zoom-Nikkon lens: with 35mm equivalent of 82-300mm * Vibration Reduction allows in-focus shots with longer exposure times (up to three shutter speeds slower) * Silent Wave Motor for fast, quiet focusing * ED (Extra-low Dispersion) glass lens element for superior optical performance * Super-integrated coating minimizes ghosting and flare for more vivid images in dim lighting.++PLUS++ 8GB Deluxe Accessory Kit: Loaded with extremely useful accessories.

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Nikon D90 12.3MP Digital SLR Camera (Body Only) Review

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(More customer reviews)I am far from a professional photographer, but I take it as seriously as possible while still referring to it as a hobby. I take mostly pictures of people at events and many of my baby son without flash in low light situations.
I had been using a Nikon D40x for 1 year and very early reached my limitation with that camera. The Nikon D40x has very nice image quality, but the camera's interface is not suited for a more serious shooter who wants quick single button or dial access to such shooting parameters such as white balance, shooting mode, metering mode, etc. I also felt very limited by the D40x not having an in-body focus motor that would allow me to use non AF-I/AF-S lenses (which are lenses without the focus motor built-in).
The Nikon D40x limitations were severe enough that I was about to consider purchasing a Canon 40D until the Nikon D90 appeared just in time. PROS:
1. Fantastic set of separate buttons on the camera to control parameters like ISO, white balance, metering, autofocus, image quality, shooting mode, etc.
2. Two command dials
3. High resolution 920K pixel LCD screen (like the one on the Nikon D300)
4. 12.3 megapixel CMOS sensor
5. Low noise high ISO capability (for low light shooting) I can shoot ISO 1600 with good image quality with this camera, while on my D40x I could only shoot with ISO 400 and obtain acceptable IQ. I will even use ISO 3200 frequently with very usable results!
6. Separate top-viewing LCD screen in addition to the rear high res screen, to show shooting parameters constantly
7. In-body focus motor which allows the use of Nikon's non AF-I/S lenses, including wonderful and CHEAP prime lenses such as the Nikkor 50mm 1.8 (~$100 lens!)
8. Continuous shooting of 4.5 frames per second
9. Small size, although larger than the D40/D40x/D60, it is still substantially smaller in the hand than the D300/D3
10. 720p 24fps MPEG video shooting capability with incredible ability to use depth of field that I cannot achieve with my Sony High-Def camcorder.
11. Eleven auto-focus points (not as nice as the 51 points on the D300, but substantially better than my D40x with its 3 points)
12. GPS option
13. HDMI output
14. Enormous number of options to customize camera and shooting settings to fit your style of shooting
15. Fantastic image quality right out-of-box if you don't want to do any post processing
16. Terrific build quality
17. Top notch camera ergonomics (but this will be a very personal opinion that differs for each shooter)CONS:
1. "Rolling shutter" phenomenon while recording video: The D90 CMOS sensor has the same problem that other CMOS video recorders have when recording video. If you move the camera, especially horizontally, you get a "jelly" or "rubberbanding" effect where the image wobbles significantly. It is nice to have the video features, which looks very sharp at 720p, but it is NOT a substitute for a video camera. If you use a tripod, and do not do quick zooms/pans, the video quality is excellent. Without a tripod, however, you may get nauseous watching a wobbly video. The sound is also in monoaural.
2. 1/200 flash synch: Not a problem for me, but it might be for you.
3. No weather sealing: This is found on the Nikon D300/D3 and even on similarly priced models from other camera companies
4. The buffer will fill up after about 8 continuous RAW + JPG (FINE) shots. This number differs depending on the shooting parameters that you will choose. If you shoot primarily JPG, the buffer seems to allow a very large number of continuous shots, but I have not quantified this for JPG only.TIPS:
1. Get the FREE Nikon ViewNX software from Nikon's site as your 1st step in your workflow. This will let you examine your RAW images that you can process for either Nikon CaptureNX2 to do further RAW processing or just export to JPG or TIFF for a JPG/TIFF editor such as PhotoShop.
2. Recommend buying the Nikon CaptureNX2. It is a RAW converter (if you shoot in RAW) that will read the camera settings properly for export to JPG or TIFF. Capture NX2, however, is not as slick as the Adobe products and Capture NX2 requires a fairly powerful computer, otherwise it can run pretty slowly on a PC > 3 years old.
3. If you use JPEGs out-of-camera, consider increasing the sharpness above the default 3 or 4. Nikon uses a very conservative sharpening default setting. Nikon has also decided to change the default JPEG images to match the higher end D3/D700/D300 cameras which produce more neutral images. Consequently, the D90 images that are less punchy than the D40/D40x/D60/D80, so you may also want to turn up the in-camera saturation and contrast.The Nikon D90 has all of the interface features that serious and even professional photographers need with wonderful image quality.

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Fusing 12.3-megapixel image quality inherited from the award-winning D300 with groundbreaking features, the D90's breathtaking, low-noise image quality is further advanced with EXPEED image processing. Split-second shutter response and continuous shooting at up to 4.5 frames-per-second provide the power to capture fast action and precise moments perfectly, while Nikon's exclusive Scene Recognition System contributes to faster 11-area autofocus performance, finer white balance detection and more. The D90 delivers the control passionate photographers demand, utilizing comprehensive exposure functions and the intelligence of 3D Color Matrix Metering II. Stunning results come to life on a 3-inch 920,000-dot color LCD monitor, providing accurate image review, Live View composition and brilliant playback of the D90's cinematic-quality 24-fps HD D-Movie mode.

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Nikon TC-20E II (2.0x) Teleconverter AF-S for Nikon Digital SLR Cameras Review

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(More customer reviews)I use the TC-20E II with a 400mm f2.8 ED IF AF-S, and it's superb. I was concerned whether there would be a reduction in sharpness, and perhaps there is a touch (but perhaps that's also a product of shooting at 800mm and ANY camera shake being noticeable), but this 2x converter is much sharper than the TC-14E 1.4x I also own. Yes, these newer converters must be used with the newer lenses, as others have mentioned.

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2.0x AF Teleconverter for use with Nikon AF lenses for Nikon SLR cameras

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Nikon D60 10.2MP Digital SLR Camera with 18-55mm f/3.5-5.6G AF-S DX VR Nikkor Zoom Lens Review

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(More customer reviews)I've been using Canon PowerShot point-and-shoot digital cameras for the past 6 years, and because they're so small, portable, and unobtrusive, I've ended up taking a lot more photos that I ever did, because I had my camera with me. The good thing is that I've taken a lot more pictures, and most of them have been very good (the camera gets much of the credit here). But the bad thing is that I started to reach the limits of what a point-and-shoot camera can do.
The biggest problems I had with my compact point-and-shoot camera was the lag between shots and the generally poor performance in low-light settings. For most shots, these weren't big problems, but when they were a problem, they were a huge problem, and there's not much you can to solve it without moving to a better camera. I don't think I'm the first person to reach a brick wall when using compact digital cameras, which is why there are now some excellent options that don't cost a fortune.
After reading a lot of reviews for digital SLR cameras online, I narrowed it down to two choices: the Sony A300 or the Nikon D60. I love my compact Canon, but I wasn't all that impressed with the Canon dSLR's that I looked at, either in terms of price or features.
The Sony is priced very competitively and offers some great features, such as auto-focus and image stabilization built into the camera itself, not relying on the lens. The A300 also has live preview on the LCD screen, which the D60 doesn't offer (live preview is what you get on a compact camera: you see what you are shooting as you take the picture). Finally, the A300 has more focus points than the Nikon. I spent a long time in several stores doing side-by-side comparisons of these two cameras. After many test shots, I finally chose the D60 for the following reasons: it felt more compact and less heavy than the Sony, I liked the way the lens felt when I was zooming, its LCD menu system was much clearer and more intuitive, and the Nikkor family of lenses is unbeatable. With a dSLR, it really gets down to which line you want to commit to for future lens purchases. I wasn't sure I wanted to go with Sony, when Nikon is well-known for quality optics.
I ordered the D60 from Amazon and I'm glad I did, since they have a 30-day price match policy. If the price of the camera decreases within 30 days of your purchase, all you have to do is email Amazon, and they'll credit you with the difference. The price of the D60 went down three times after my purchase (it's even lower now, but I've passed my 30 days), and Amazon was fast to process the refund for each decrease. Please note that it's your responsibility to check on the current price. Amazon will not notify you that the price has gone down, and why should they? So if you do buy this from Amazon, be sure to check every couple of days to see what the current price is.
As for the camera and the lens, I couldn't be happier. I love how it feels and how easy it is to use, at least for basic shots. Of course it won't fit in my pocket the way my point-and-shoot did, but it's not nearly as huge or heavy as I'd expected. The kit lens has VR (vibration reduction) which is a good thing to have, and it's well balanced with the compact body of this camera. In other words, the camera doesn't point down under the weight of the lens. Everyone who has tried out my new camera has commented on how compact and ergonomic it feels.
The camera works extremely well in low-light settings, with or without flash (you can defeat the flash if you want, and I find that in many situations, I get better results that way). The flash is a lot more powerful than what you get on a compact camera, and the coverage is more even.
So far, I've mainly used the "auto" mode, but I've taken some pictures in macro mode. It's graat to be able to take pictures in rapid succession, without having to wait the way you do with a point-and-shoot. Most important of all, the image quality is outstanding. The difference is noticeable and consistently better than what I was getting with my point-and-shoot.
The LCD menu is intuitive and visually appealing. That was one of the reasons I went with the Nikon in the first place, and I haven't been disappointed. By pressing the right button as you move the mode dial, you can see a description of what each mode does, which is very helpful. It's sort of like having a "help" system built into the camera, without having to carry around the instructions. Having said that, the instruction manual is really quite good. It won't teach you everything you need to know about digital SLRs, but it does a good job of explaining the camera's features. Nevertheless, I recommend buying a more extensive guide book which is specific to the Nikon D60 (there is one by David Busch which is currently available, and several more are scheduled to appear within the next couple of months).
So, I love this camera, especially at the very reasonable price point. However, there are some things that you should consider before making a final decision. First, the D60 will only provide auto-focus with Nikkor AF-S lenses. That means that most Nikon "prime" lenses will require manual focusing. That wasn't a big deal for me, but it is a limitation. Second, the D60's 3 focus points put it at the low end for this feature. Third, the D60 uses SD cards, while the Sony uses Compact Flash cards, as do many higher-end dSLRS. This isn't really a plus or minus, since SD cards are generally less expensive than Compact Flash, but some users say that Compact Flash cards may be more durable in the long run (they're larger and thicker). Finally, unlike the Sony, the D60 does not provide live preview. In other words, you don't see the image on the LCD until after you have taken it.
With all of that, I'm very pleased with my decision and I am having a lot of fun with my Nikon D60. If you're ready to move up from your point-and-shoot to a dSLR, you cannot go wrong with the D60.

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Nikon introduces the new D60 digital SLR camera, to provide stunning picture quality and versatility in an easy-to-use, compact camera design. The New D60 Digital SLR joins Nikon's award-winning line of D-series digital SLR cameras and shares a form similar to the D40 ? Nikon's smallest D-SLR camera ever. With 10.2 effective megapixels and a wealth of innovative and user-friendly features, the D60 enables both photo enthusiasts and those new to digital SLR photography to capture incredible images like never before. Nikon D60 Features at a Glance Extraordinary 10.2-Megapixel DX-format Nikon Picture Quality Includes AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR (Vibration Reduction) Lens Fast Startup and Split-Second Shutter Response Shoots Continuously at up to 3 Frames per Second Active Dust Reduction System with Airflow Control Easy Operation with Intuitive Controls Up to 500 Pictures per Battery Charge Based on CIPA battery testing standards Bright, 2.5-Inch Color LCD Monitor with 170-Degree Wide-Angle Viewing Nikon's Smallest Digital SLR Ever! Automatic Exposure with 8 Digital Vari-Program Scene Modes In-Camera Editing Functions Users will immediately appreciate the D60's fast 0.18-second start-up time and split-second shutter response, which combine to eliminate the frustration of shooting lag ? a common issue with many point-and-shoot digital cameras. With a fast and accurate autofocus and the ability to shoot continuously at up to three pictures-per-second, the D60 faithfully captures pictures that other cameras often miss. The D60 does all this while delivering extraordinarily vivid and detailed pictures, ensuring that fleeting expressions, special moments and memorable events are captured beautifully. Packaged with Nikon's new AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR image stabilization lens, the D60 camera and lens outfit delivers striking image sharpness. What's more, Nikon's p

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Nikon WC-E67 Wide-Angle Converter Requires UR-E20 Adapter Ring Review

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(More customer reviews)The lens quality is excellent, especially for an adapter. But I would expect no less from Nikon. My only criticism is that the theoretical 35mm film equivalent result should have been just under a 24mm lens. However, the actual results seem to be not as wide as that, but somewhere just a bit wider than a 28mm lens.

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This compact wideangle converter lens extends the angle of your COOLPIX by a factor of 0.67: requires use of a converter adapter. Wide Lens Adapter WC-E67

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Nikon D80 10.2MP Digital SLR Camera (Body only) Review

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(More customer reviews)[Following is a reprint of my body only review. I placed a review of the lens at the end.]
The Nikon D80, destined to replace the popular D70 series, is a great camera for Nikon fans who wish to upgrade from their D50s, 70s or 100s. It's also attractive enough to maybe get a few people to jump ship!
Here's the highlights:
1) 10.2 megapixel. A substantial upgrade from the 6mp of the older cameras, performance should be very comparable to the highly regarded D200 camera;
2) 11-point AF system. Similar again to the D200 in performance (though not as easy to change);
3) Large viewfinder (.94x magnification). Again, taken from the D200, this is a clear improvement over the previous cameras. Spec wise, this is also better than all the competition, even though other, personal preference factors need to be taken into consideration (such as layout of LCDs and focusing points).;
4) 2.5" LCD. Not only is it larger, it can also be viewed at a much wider angle--particularly handy when locked to a tripod.
The camera is small for Nikon (about like the D50), but has a good, firm grip for those with medium to larger hands. Controls are well thought out--easy to get to and use. Dampening of mirror noise is better than its competition.
Nikon's use of the SDHC format should be commended. These small cards will have no real disadvantage to the older CF hards once the HC versions start hitting the shelves, and should relieve the danger of "bent pins".
Things you've liked about previous Nikons have been retained. The D80 uses inexpensive wireless & wired remotes, and it still allows the built-in flash to control other Nikon Speedlights remotely.
Compared to the competition, the Canon Rebel XTi & Sony Alpha 100, the Nikon starts a bit in the hole, considering it's the most expensive camera (by $200 & $100, respectively). The XTi offers a nice "anti-dust" hardware & software solution; while the Sony offers in camera stablization. Both use the rear LCD for info status. While many may prefer the traditional LCD on top (like the D80), the rear LCD does have the advantage of being considerably larger text for older eyes (and on the Alpha, rotates when you rotate the camera for verticals). Too bad the D80 doesn't give you this option as well.
The XTi is smaller and lighter, maybe too small for many people. The XTi also does not offer wireless capability with the built-in flash (like D80/A100). It's battery (hence capacity) is a bit smaller.
The Alpha 100 being Sony's first modern digital SLR means that getting lenses and accessories my be a bit more difficult (even though it uses a lot from the older Maxxum cameras). It's also a bit noiser in its operations.
The D80 adds more AF selections than either of the above cameras, has nice enhancements like grid lines and double exposures. It also comes with a protective cover for the rear LCD.
Lens wise, they greatly outnumber those offered by Sony, particularly in any considered "Pro" grade. While Canon can compete in "Pro" grade with Nikon (particularly in longer length lenses), Nikon has a bit of advantage in wider angles for digital. Nikon only offers one size digital sensor, where as Canon must offer two series (for 3 different chip sizes).
Is the D80 worth the money? For anyone with Nikon lenses, undoubtedly. My recommendation for anyone with Canon EF or Minolta Maxxum lenses: look at those cameras first...but be sure to look at the D80 before you buy.
Lens review: Tremendous! The Nikkor 18-135 gives everybody what they want, an affordable lens with above average quality.
First, the 18-135 range is excellent for a kit lens, equivalent of a 27-200 in 35mm photography. It looks great, zooms smoothly, and balances well. The Silent Wave focusing motor is quiet, quick and smooth, and allows immediate manual focus (no hunting for switches). The internal focus is great for anyone using polarizing filters, and allows for a more efficient tulip shaped lens hood (supplied).
Second, the image quality is very good. The aperture is of average size, so don't expect images to jump out like large aperture lenses, but quality is good throughout the range.
Third, Nikon always includes a better than average 5 year warranty in the US on their lenses.
The only negative is that I always prefer a metal lens mount to a plastic one, although the latter keeps both the weight and cost down.

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The D80 packs high performance and high resolution into a body that is more compact and slimmer than previous Nikon digital SLR cameras. True to Nikon's commitment to intuitive operation, the size, layout and operation of all buttons and controls are designed for maximum ease of use.

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Nikon GP-1 GPS Unit for Nikon Digital SLR Cameras Review

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(More customer reviews)Picked this up for my wife for our current trip to Hong Kong and Vietnam (we're in Vietnam at the moment) and I just couldn't wait to get back to write this review.
The good:
- It adds GPS data to your photos.
- 3 indicators of GPS quality (red, flashing green - accurate, solid green - most accurate).
The bad:
- The sync time is so bad as to make this unusable. It takes minutes to sync, even outside. Get a full "solid green" sync, power off the unit, power it back on and it can take several minutes to sync.
- It only works outdoors. And by outdoors I mean a completely unobstructed view of the skies. Don't hold your hand over it, not in a car, train, bus or standing just inside a window or under a tree - outside straight up to the stars.
- Popup flash does not work when the GPS unit is attached to the hot shoe (not enough clearance for it to rise).
Our experience:
The very first thing you'll do is disable AF-S auto enable/disable meaning that GPS unit will always draw power even when the camera is on and you're not shooting. Why? Because if it's auto on/off with AF-S, it will turn on and off constantly, never syncing up.
The very second thing you'll do is stop turning your camera on and off when you're not shooting. My wife had to train herself to negate one of her favourite things about D-SLRs - instant on/off, because every time she powered off the body, it would take forever to re-sync when she wanted another quick snapshot a few minutes later. And this was outside! Be prepared to bring extra batteries (my wife and I have 4 among our two bodies).
I'm eBay'ing this as soon as we get home. HUGE disappointment.
Somehow every cell phone in existence can get GPS inside of a house and car, yet this dedicated $200 device which costs the same or more than some cellphones with GPS (like the iPhone) can't do its one thing well. Color us disappointed :-(
Please, don't reward Nikon by buying this. It's terrible.

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Geotag (image positioning information of pictures such as latitude, longitude [Geodetic System WGS84]) can be added to the image. Correlation between pictures and maps is supported by GPS function in conjunction with ViewNX version 1.2 software (no-charge download) and my Picturetown.

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Nikon D5000 Digital SLR Camera Kit with 18-55mm Vr Lens and Tamron Zoom Telephoto Af 75-300mm Lens + SSE Best Value 16gb Accessory Package Review

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(More customer reviews)My zoom lens is supposed to have a AF-M switch to set for auto focus or manual. It is only a manual, without the switch, even though the instruction sheet shows where the AF-M switch is supposed to be.The company supplier, Sunset Electronics was very quick to replace the zoom lens with the correct type.
The Zeiko lens cleaning solution is a DO NOT USE product. It came as part of the cleaning kit and I put a very small amount on the cleaning cloth provided to clean the regular AF lens that came with the Nikon D5000 and the solution darkened the lens and would not come off. It was not water soluble and would bunch up when using a damp microfiber cloth. The Zeiko co. tried to tell me that the solution was simply a very small fraction of alcohol to water mixture.If that were true it would have evaporated quickly. Again, Sunset Electronics was very helpful by replacing this lens also!


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The Nikon D5000 digital SLR incorporates numerous pro-quality imaging technologies normally found in pricier Nikon DSLRs in a smaller, less-expensive Nikon DX-format camera body. Key among these features are the same 12.9 megapixel CMOS sensor found in the Nikon D90, High-Definition video capture (with sound), a 2.7" variable-angle LCD, Live View for composing stills or video from most any point-of-view, an 11-point autofocus system with Focus Tracking, and 3D Color Matrix II metering.Other advanced Nikon features found in the D5000 include the ability to shoot in RAW, 3 levels of JPEG compression, or RAW+JPEG image capture, burst-rates up to 4 fps, an EXPEED image processor, and a 3-tier dust-removal system.AVI-format video clips can be captured at 3 levels of compression in lengths up to 20 minutes with the ability to apply exposure compensation when shooting in Program, Shutter-priority, Aperture-priority, and Manual modes.Factory Supplied AccessoriesEN-EL9a Rechargeable Li-ion BatteryMH-23 Battery ChargerDK-5 Eyepiece Shield (Replacement)DK-24 Rubber EyecupUC-E6 USB CableEG-CP14 A/V CableAN-DC3 Camera StrapBS-1 Hot-Shoe CoverBody CapSoftware Suite CD-ROM (incl. ViewNX)1-Year Nikon U.S.A. WarrantySunset Electronics Package IncludesNikon D5000 Digital SLR CameraNikon 18-55mm f/3.5-5.6G VR AF-S DX LensTamron Zoom Telephoto AF 75-300mm Lens for Nikon 2 Replacement Nikon EN-EL9a BatteriesBattery Charger for Nikon EN-EL9a2 Professional UV Filters 52mm for Camera16GB Hi Speed Error Free SD Memory CardHi Speed SD Card Reader2 Lens HoodsDigital FlashSoft Deluxe Carrying Case50 inch Size TripodLCD Screen ProtectorsStarter KitExclusive Sunset Electronics Cleaning Cloth

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Nikon Coolpix L22 12.1MP Digital Camera with 3.6x Optical Zoom and 3.0-Inch LCD (Red-primary) Carrying CaseCrown Compact Travel Case (Black) Review

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(More customer reviews)Nice looking little case. Shipping was quick. The only down side to the purchase is that when I got it out of the mailing bag and unzipped it to look it over, the tab of the zipper came off in my hand. I used a pair of needle nosed pliers to put the tab back on and it scraped a bit of the black paint off of it. (Not so you would notice if you weren't aware of it.) I sort of hated giving it as a gift with it that way though.

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Carry you camera in this stunning Compact Travel Case for your personal digital camera! This case opens vertically for easy access, and with the dual elastic side sleeves, it will keep your camera secure when opening and closing. The rubberized zipper dual zippers are easy to open and will keep device secure. The exterior shell is hard to offer premium protection and the interior is lined with a spandex blend that won't scratch your camera. Use the ring clasp or the belt loop to attach it to bags, purses, backpacks, messenger bags, etc. Don't be caught with this camera case!

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Nikon D3S 12.1 MP CMOS Digital SLR Camera with 3.0-Inch LCD and 24fps 720p HD Video Capability (Body Only) Review

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(More customer reviews)Update: Images up to ISO 51,200 have very acceptable levels of noise (very little). Worst case, I touched up with Dfine 2.0 (noise reduction software) and they look nearly perfect. I experimented with the movie mode. The camera took some very nice looking videos in extremely low light. I don't know what ISO it used, but it must be hitting ISO 102,400 at times. The video and sound using the internal microphone are really good. I may add an external stereo mic in the future if I shoot video. I should have known, you can't shoot movies in vertical format -- of course -- but I did take some that way before I realized that format doesn't work when you play back on a TV.
I've now got a growing collection of images in various conditions and remain extremely pleased with this camera.
-----------------
I received my new Nikon D3S only a couple of days ago, and my early testing of this camera has already proven it to be much more than I expected. I took a few dozen test shots in nearly complete darkness and with relatively little noise the shots look like they were taken in fairly bright lighting. I am very impressed. In fact, I would even say they are unbelievable.
I love the new "info" button. I passed over the written material before the camera arrived thinking: who cares. Well, I find it to be an extremely helpful feature. When you press the "info" button, it shows not only the exposure settings, but gives you immediate access to several of the relevant menu options that you can then immediately access and make changes. I find this to be very quick and useful.
The D3S seems a bit bigger than my Nikon D2Xs and other professional bodies I use, but it feels like it's built absolutely solid. Of course, since the D3S is an FX (full frame) sensor, I have heavier lenses attached and in my bag too. I love the D3S ergonomics and the programmable function and other buttons (programmable AE/AL and Preview button). I hate to fumble with menus in the field (sorry Canon 1ds Mark III and 5D Mark IV and others, but Nikon has you beat here), and the Nikon gives fast access to all the key settings.
I haven't done extensive image tests yet, but my first impression is the images are superb, color is very accurate and auto focus is very fast and accurate, even in what I'd call "no light." I have usable images at ISO 102,400 (an amazing seven full stops better than other pro-bodies I use). At this point, I still can't believe how good images look at ISO 102,400, and images at ISO 51,200 and 25,600 look nearly perfect with either no high ISO NR (noise reduction) or standard NR.
Looking at my images at high magnification and they appear much clearer than even higher megapixel resolution bodies I use. I am now finally convinced beyond any doubt that megapixel is more of a marketing ploy than meaningful for professional photographers and other factors are more important.
As a pro who uses high end digital bodies, this is my first choice (maybe my only choice) for most assignments. I do a fair amount of studio work and thought I might opt for the Nikon D3X or even a Canon body since high ISO is not important, but this camera is so good I may use it for all my photography work in all conditions. If I really need high-end studio shots, I'll perhaps use my Mamiya with a digital back or even rent a Hasselblad.

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The D3S is uniquely qualified to meet the changing needs of photographers whose assignments demand 100% from them and their equipment. Leading with uncompromising FX-format multimedia versatility and engineered for demanding professional use at up to 9 fps, the D3S' rugged magnesium alloy construction, comprehensively sealed against dust and moisture, delivers on its promises of superiority. Exacting moments in time are captured to an expanded buffer, allowing continuous capture of up to 82 JPEG (fine) or 36 14-bit NEF (RAW) images. Nikon's newly engineered, original 12.1-megapixel CMOS sensor, teamed with exclusive technologies such as EXPEED image processing, Nikon's Scene Recognition System and a fast, accurate 51-area AF system, work together to assure that both still and smooth 24 fps HD video files exhibit incredible edge-to-edge sharpness, rich color depth and broad tonal range, while barrier-breaking performance enables low-noise ISO sensitivity to 12,800. Expanded ISO sensitivities of 25,600, 51,200 and an astounding 102,400, shatter many long-standing rules of photography. Audio to accompany HD video is preserved with a built-in microphone, while high fidelity stereo sound is recorded through the external Mic input using an optional microphone. More proven technologies include Nikon's renowned 1,005-pixel RGB 3D Color Matrix Metering II, assuring exacting exposure evaluation and white balance detection. Precise image review and menu access comes to life with the D3S' tempered glass-protected and individually factory-calibrated 3-inch, 921,000-dot Live View monitor.A self-diagnostic shutter, tested to beyond 300,000 cycles, and a myriad of inherent benefits stemming from decades of Nikon design experience, round out the D3S' qualifications to meet the needs of professional photographers.

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Nikon SB-700 AF Speedlight Flash for Nikon Digital SLR Cameras Review

Average Reviews:

(More customer reviews)I'm a big fan of the Nikon CLS wireless flash system and I have several Nikon speedlights that I use for high quality portable lighting. Overall, the system works really well, and armed with a few flashes and some simple clamps, I can get creative off-camera lighting nearly anywhere (for on-camera flash, I tend to use the Quantum units). Yes, it's infrared line-of-sight and doesn't have the range of other radio systems, but for me, it's fine.
I have a pair of SB900 flashes and have been very impressed with them in terms of light quality, ease of use and so on - my only complaint is the bulk and weight. I also have a few SB600 units, which are more compact - but they don't offer the same even, high quality lighting I get with my SB900. For whatever reason, I always find the SB600 too hot in the center, and somehow "harsh". I end up using various diffuser attachments, and by then, I get all the bulk of the SB900, and only half the output.
I figured I'd try an SB700, hoping to get light quality of the SB900 in a smaller, more convenient package. So far, I haven't been disappointed.
Operationally, the SB700 is very similar to the SB900 - mostly the same menus, switches and options. This is a blessing for me because the older SB600 was so different from the SB900 that I'd have to spend a lot of time figuring out how to get it to do what I wanted.
The power, light quality and recycle time are also quite good on the SB700. I get recycle time under 3 seconds with Lithium batteries, and light output seems to be within about 30% of the SB900. All the SB900 options are available, including zoom, "even" flash (less falloff in the corners) and so on. The device weighs in at about a pound with batteries and it's notably smaller than the big brother SB900 (but heavier than the SB600). Construction quality is about what you'd expect, and there are even optional weather "boots" that cover the hotshoe contact so water can't seep between the flash and your camera in damp locations.
Some have complained about the SB900 and it's thermal shutdown feature. The SB700 seems to work differently - when it detects temperatures rising, it slows down the recycle time, giving the flash tube time to cool. I suppose this is better than the SB900 (which just stops working if the flash tube hits a certain temperature).
The one complaint others have pointed out is that there's no standard PC jack, making it difficult to operate the flash via a standard PC cord. There are various alternatives if you need this capability, including an add on device with a hot shoe to PC adapter, but it can be annoying if you have accessories requiring PC cord connections.
Otherwise, I think it's a fine flash that Nikon owners will appreciate. Definitely recommended, either as part of an ambitious system or as your only flash.

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The next great speedlight from Nikon is here, introducing the Nikon SB-700, a high-performance portable flash with a host of new features designed to make flash photography simple, accurate and creative. The SB-700 is for photographers looking for an on-camera Speedlight offering more power for greater depth-of-field control than the built-in flash or for users looking for a compact Speedlight that can be set up as a Commander or a Remote in wireless flash set-ups as well as those who want to upgrade from their existing or older Nikon Speedlight.

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Nikon 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens for Nikon Digital SLR Cameras Review

Average Reviews:

(More customer reviews)If you take photographs for fun then this is a great lens. I am using it on the ultimate fun camera, a Nikon D40 and the lens completes it very well. I usually don't analyse things to death like photographing text from a Newspaper or grid patterns to measure sharpness or distortion. I just use it to take pictures and observe the results like a normal person would. Having said that I am quite critical and have had really good cameras with excellent optics.
Overall this lens feels like it is a really good product and feels very robust and well made. It is well finished and shows good attention to detail and quality control. The two rings (zoom and focus) feel and glide very well. albeit with a very slight plastic sliding sound. The switches feel fairly OK and generally everything seems like it will last a very very long time. Of course it cannot match a mid 80's Nikon prime lens but it is hard to make such a comparison. Firstly they are built differently with different numbers of components and secondly they are used differently.
Personally I don't understand the difference that a steel camera mount would make over the plastic one this lens has. I suppose if you remove and replace the camera lots of times then it could make a difference. Although having said that a plastic surface on the lens would be kinder the steel mount on the camera. Plastic being self lubricating would prevent both from being scratched. I don't sleep less well at night because of it.
Visually the lens looks a bit plain and lacks the silver ring that the 18-55 came with. It also lacks an writing on the forward business end of the camera. There are also no markings for focal length.
One thing about this lens that I do find very annoying is the extremely fiddly lens cap. Because of the way they moulded the cap the two surfaces you press together to unclip it from the lens front are very short and smooth and have an angle on them that makes the fingers slip off. As a consequence the lens cap has fallen out my hand onto the floor a few times. That is something to remember if you are standing on a grate, a dirty floor or on a clifftop. This is a common problem with the 18-135 and 18-200 lenses.
Now to the lens' performance. It focuses extremely fast and very silently. It has a very useful reach. I have found you can overcome the smaller minimum aperture with a higher zoom and this gives really good bokeh for portraits. The VR works a treat as well. In combination with the camera's really good performance at high ISO it makes it very capable at photographing the insides of restaurants and houses without the need for flash to ruin the colour balance.
The lens is very sharp. The photographs I took came out very well. I have no issues with them whatsoever and anything that went wrong in taking those images I would put down to my relative inexperience.
The lens did not have any negative effects on the colour, I didn't notice any purple fringing or anything other than really pleasant results. Overall I am actually very happy with the sharpness and detail this lens captures.
I am wondering whether to use a UV filter and am not sure about using the petal design hood. There are all sorts of views about the advisability or otherwise of these items.
Other products I compared this to are the 18-55 lens my D40 came with. In its own right it is an excellent lens and seems sharp. It does feel a bit on the lightweight side compared to the 18-105. The 18-135 I tried felt a little bit crude in how the zoom ring moved. It didn't feel as well finished compared to the 18-105 and made plastic sliding sounds when operating the zoom ring. That lens was very sharp too but holding it steady at 135mm was a bit difficult.
I used a 50mm 1.4 manual focus lens from the 80s that had awesome bokeh but was otherwise a pain to use. The other lens I tried was the 18-200mm which was an awesome lens. It had a focus that seemed even faster than the one on the 18-105 but it was a little too big and made the camera feel very front heavy. Because of that it lost a bit of the fun factor. Along with the fact that it was almost 3 times more expensive I am glad I bought the 18-105.
I paid A$385 at Ted's in Highpoint. $385 would equate to US$246 in November 2008. An 18-200 sells for A$1045. Even the 18-135 often sells for more so I feel I got something of a bargain. The people at Ted's are fantastic for customer service and I'm sorry I didn't buy my D40 from them.
Anyway I hope this review helps someone.

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This 5.8x zoom, designed exclusively for use with Nikon's DX-format, features Nikon's VR image stabilization and is perfect for portraits and action. The wide-ratio 5.8x zoomCompact, versatile and ideal for a broad range of shooting situations, ranging from interiors and landscapes to beautiful portraits--a perfect everyday zoom. Vibration Reduction is engineered specifically for each VR NIKKOR lens and enables handheld shooting at up to 3 shutter speeds slower than would otherwise be possible, assuring dramatically sharper images.

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Nikon EG D100 - Video cable - composite video - RCA (M) - mini-phone 3.5 mm (M) Review

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(More customer reviews)I use this cable with my Nikon D40x. It comes in handy when we are travelling and want to have a quick slide show on a bigger screen. Output can be in PAL or NTSC. Its great to have in your camera bag. I believe the cable comes with the D80 and above. If you don't have one, its wise to get it.

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EG-D100 Video Cable for Nikon D700, D40, D100 and D200 Digital Cameras.

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Nikon D200 10.2MP Digital SLR Camera with 18-200mm f/3.5-5.6G ED-IF AF-S VR DX Nikkor Zoom Lens Review

Average Reviews:

(More customer reviews)No matter how you slice it, this is a great camera.
If you're considering this camera you likely to be in one of two camps: A Nikon person trying to determine whether or not to buy the N50, N70 or the D200; or you already know you want something more on the pro end of the pro-amateur spectrum and are trying to choose between a Nikon and a Canon. If you're in the latter camp then you can't go wrong with either the D200 or any of Canon's offerings. They both make excellent cameras. If you're already a Nikon person, get the Nikon; if you're already a Canon person, get the Canon.
That said, I'm a Nikon person, and after 5 years of having fun with my film-based N80 I wanted to make the leap into real digital photography. I say real, because I've had a Canon Sureshot for 4 years and it's great for snapshots, but when it comes to landscapes or dealing with any kind of lighting issues, it just doesn't measure up. Since I'm a Nikon person (all my lenses work with the new digital SLRs) I looked at the N50, N70 and D200. There are plenty of sites out there that compare these three cameras (against each other and the competition) to death, so I won't bother with all the details.
We buy cameras to take a variety of different pictures and my choice was driven by my needs, so my review is going to be colored by the kinds of pictures I tend to take. My favorite pastime is landscape photography. For this, any of the three cameras will take great pictures. The 6 mega pixels on the N50 and N70 are more than enough to take great pictures - I've got a 20x30 poster of Yosemite's Half Dome taken with a friend's N70 that is as crisp as anything I've seen. Having 10mps gives me more room to play with when it comes time for cropping, though, and that's always nice, but hardly a reason to shell out an extra grand.
My next favorite photography subject is my yellow lab, Happy. If he's standing or sitting still, then all three of these cameras take excellent portrait shots. But when he's moving, such as launching himself off the end of a pier to fetch a toy in the lake, the D200 really shines. Its 5fps burst mode takes perfect pictures. It focuses each shot and with its rich 25 picture buffer built into the camera, I've yet to fill it up. What this means is that it doesn't matter what speed your memory card is. The camera takes its pictures and puts them into its buffer. Then a separate set of processors moves the picture from the buffer to your memory card. I would have to hold the button down for over 8 seconds before the burst mode would slow down (it would simply slow down to the speed of your memory card here - it wouldn't stop taking pictures). This clarity of the pictures in burst mode is what made me choose the D200, and with the 18-70mm DX kit lens you'll get some brilliant photos.
While all three cameras let you take great picture, the D200 makes it very easy to change the most often used settings. Picture quality (e.g. resolution and depth), White Balance and ISO can be changed by holding down a single button with your left hand and rotating the command dials with your right. This means you don't have to take your eyes off of what you're looking at through the viewfinder in order to change these settings, and I find myself changing at least one of these on almost every picture I take. To be sure, you can change them on the N50 and N70 as well, but just not as quickly or easily.
Other things I liked about the D200 are:
o Build. It's made of metal and has a very nice heft to it. The D50 and D70, much like my N80, are made of a very good plastic, and I've never had any problems with the N80, but the D200 just feels good
o LCD. The 2.5 inch LCD makes it easy to determine whether or not you're happy with a picture in the field.
o Color. The auto white balance for the D200 is awesome and the colors are brilliant.
o 4 settings banks. You can preprogram four settings (ISO, WB, Picture Quality, etc) so you can get to it quickly.
One last point - the D200 is very difficult to get a hold of these days, but it's slightly easier to get in kit form (which comes with a lens). The 18-55mm lens is nice, but I prefer the 18-70mm (remember, with digitals you have to multiply the focal length by 1.5 to compare it with their film counterparts, so the 18-70 for digital is more like a 28-105 for film). The 18-70mm kit will run you about $300 more than the body itself, and it's worth it.
If you don't already have a big zoom lens then the new 18-200mm Nikon VR lens is awesome (equivalent to 28-300 for film). It takes stunning pictures and has all the zoom you're likely to need. It runs between $700 and $800 and is even harder to get than the D200 (which is why I don't have one yet :-).
In summary, you can't go wrong with any of these Nikons. The D200, however, is definitely the king of the hill. Happy picture takine!


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The Nikon D200 DSLR promises an extremely satisfying shooting experience, with a winning combination of quality, performance, construction and advanced system features. Employing a newly developed 10.2 effective megapixel Nikon DX Format CCD image sensor, the D200 captures images with remarkable resolution and clarity.

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Nikon ML-L3 Wireless Remote Control for Nikon P7000, D3000, D40, D40x, D50, D5000, D60, D70, D7000, D70s, D80 & D90 Digital SLR Cameras Review

Average Reviews:

(More customer reviews)It's no surprise that when you stand in front of the camera and push the
button, the remote triggers the shutter. There does seem to be some
confusion in reviews, both here and elsewhere, as to the remote's ability
to focus the lens before triggering the shutter.
This remote is capable of focusing the lens before triggering the shutter.
However, it will not focus the lens if the photographer has already
pushed the shutter release button on the camera half way down to focus
the image or if you are shooting in Manual mode and have AF-C set as
the Autofocus mode.
This means that if you are composing a photograph and push the shutter
button half way down to focus the image and you then stand in front of
the camera and push the remote button, the image will not focus
because you've already pushed the camera shutter release button half
way down to focus. To get the image to focus while you are standing in
front of the camera, compose the shot but do not push the camera's
shutter release button half way down, get in front of the camera and
then push the button.

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Nikon ML%2DL3 Remote Control Transmitter for D90%2C D70%2C D60%2C D80%2CD40 and D40X cameras %28SLR Camera Accessories%29 and Lite Touch Zoom Cameras%2E

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Nikon MS-D10 replacement for Nikon MB-D10 Review

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(More customer reviews)I have been using this product for about a month now and it works well. I use sony 15 minute rechargeable AA batteries with my Nikon D300 and they last forever! Best of all it bumps my camera from 6 frames per second to 8!

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Accepts 8 "AA" batteries (not included).

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Nikon MC-DC1 Remote Cord for Nikon D70S & D80 Digital SLR Cameras Review

Average Reviews:

(More customer reviews)Except for the a little bit high price and shipment fees (which is 30% of its price, btw), this is a very useful accessory for Nikon D70s or other model it can apply on.
For me, this cable is extremely useful when I needed long time exposure in Manual B(ulb) mode (over 30 sec)) for city night views or astronomical shootings. It's also useful when I was waiting acrobats' "only moment": after I got everything setup and made sure they are right on the focus and things are in the depth of field, I just sit and waited and pressed. It provides half-way-down releasing press, but the response is not as quick as the body button so it is necessary to count the lag into your own capture.
The plastic is a little bit "plastic"-easy to deform and leaving scratches on the surface and the cable is delicate too (I accedintally clamped it on my tripod's insert plate and almost peel out the cable coating). But since this is a genuine Nikon accessory, I am confident in its quality.
If you need night photography or leisure waiting capture as I do, this would be a necessity. If you just need something to reduce vibration, use timing shooting mode or the infrared remote control, they are better because the cable will easily get into your way and cause accidents. And its length(1 meter/ 3 feet) is not long enough for you to leave the camera, and not short enough (like 60 cm / 2 feet) to get out of the way. Still, for me, it's worth the money.
PS. It take quite a bit of force to plug it into the camera (and out), and it suggests the camera should be off when I do that, which I often forgot.

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%2D Useful for releasing shutter remotely to reduce camera shake%2E%0D%0A%2D Shutter can also be locked in Long Time Exposure %28Bulb%29%2E

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