Showing posts with label nikon d200. Show all posts
Showing posts with label nikon d200. Show all posts

Nikon D200 10.2MP Digital SLR Camera with 18-200mm f/3.5-5.6G ED-IF AF-S VR DX Nikkor Zoom Lens Review

Nikon D200 10.2MP Digital SLR Camera with 18-200mm f/3.5-5.6G ED-IF AF-S VR DX Nikkor Zoom Lens
Average Reviews:

(More customer reviews)
No matter how you slice it, this is a great camera.
If you're considering this camera you likely to be in one of two camps: A Nikon person trying to determine whether or not to buy the N50, N70 or the D200; or you already know you want something more on the pro end of the pro-amateur spectrum and are trying to choose between a Nikon and a Canon. If you're in the latter camp then you can't go wrong with either the D200 or any of Canon's offerings. They both make excellent cameras. If you're already a Nikon person, get the Nikon; if you're already a Canon person, get the Canon.
That said, I'm a Nikon person, and after 5 years of having fun with my film-based N80 I wanted to make the leap into real digital photography. I say real, because I've had a Canon Sureshot for 4 years and it's great for snapshots, but when it comes to landscapes or dealing with any kind of lighting issues, it just doesn't measure up. Since I'm a Nikon person (all my lenses work with the new digital SLRs) I looked at the N50, N70 and D200. There are plenty of sites out there that compare these three cameras (against each other and the competition) to death, so I won't bother with all the details.
We buy cameras to take a variety of different pictures and my choice was driven by my needs, so my review is going to be colored by the kinds of pictures I tend to take. My favorite pastime is landscape photography. For this, any of the three cameras will take great pictures. The 6 mega pixels on the N50 and N70 are more than enough to take great pictures - I've got a 20x30 poster of Yosemite's Half Dome taken with a friend's N70 that is as crisp as anything I've seen. Having 10mps gives me more room to play with when it comes time for cropping, though, and that's always nice, but hardly a reason to shell out an extra grand.
My next favorite photography subject is my yellow lab, Happy. If he's standing or sitting still, then all three of these cameras take excellent portrait shots. But when he's moving, such as launching himself off the end of a pier to fetch a toy in the lake, the D200 really shines. Its 5fps burst mode takes perfect pictures. It focuses each shot and with its rich 25 picture buffer built into the camera, I've yet to fill it up. What this means is that it doesn't matter what speed your memory card is. The camera takes its pictures and puts them into its buffer. Then a separate set of processors moves the picture from the buffer to your memory card. I would have to hold the button down for over 8 seconds before the burst mode would slow down (it would simply slow down to the speed of your memory card here - it wouldn't stop taking pictures). This clarity of the pictures in burst mode is what made me choose the D200, and with the 18-70mm DX kit lens you'll get some brilliant photos.
While all three cameras let you take great picture, the D200 makes it very easy to change the most often used settings. Picture quality (e.g. resolution and depth), White Balance and ISO can be changed by holding down a single button with your left hand and rotating the command dials with your right. This means you don't have to take your eyes off of what you're looking at through the viewfinder in order to change these settings, and I find myself changing at least one of these on almost every picture I take. To be sure, you can change them on the N50 and N70 as well, but just not as quickly or easily.
Other things I liked about the D200 are:
o Build. It's made of metal and has a very nice heft to it. The D50 and D70, much like my N80, are made of a very good plastic, and I've never had any problems with the N80, but the D200 just feels good
o LCD. The 2.5 inch LCD makes it easy to determine whether or not you're happy with a picture in the field.
o Color. The auto white balance for the D200 is awesome and the colors are brilliant.
o 4 settings banks. You can preprogram four settings (ISO, WB, Picture Quality, etc) so you can get to it quickly.
One last point - the D200 is very difficult to get a hold of these days, but it's slightly easier to get in kit form (which comes with a lens). The 18-55mm lens is nice, but I prefer the 18-70mm (remember, with digitals you have to multiply the focal length by 1.5 to compare it with their film counterparts, so the 18-70 for digital is more like a 28-105 for film). The 18-70mm kit will run you about $300 more than the body itself, and it's worth it.
If you don't already have a big zoom lens then the new 18-200mm Nikon VR lens is awesome (equivalent to 28-300 for film). It takes stunning pictures and has all the zoom you're likely to need. It runs between $700 and $800 and is even harder to get than the D200 (which is why I don't have one yet :-).
In summary, you can't go wrong with any of these Nikons. The D200, however, is definitely the king of the hill. Happy picture takine!


Click Here to see more reviews about: Nikon D200 10.2MP Digital SLR Camera with 18-200mm f/3.5-5.6G ED-IF AF-S VR DX Nikkor Zoom Lens

The Nikon D200 DSLR promises an extremely satisfying shooting experience, with a winning combination of quality, performance, construction and advanced system features. Employing a newly developed 10.2 effective megapixel Nikon DX Format CCD image sensor, the D200 captures images with remarkable resolution and clarity.

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Nikon SB-800 AF Speedlight for Nikon Digital SLR Cameras - Old Version Review

Nikon SB-800 AF Speedlight for Nikon Digital SLR Cameras - Old Version
Average Reviews:

(More customer reviews)
I won't repeat the wealth of information the other kind reviewers have already given. I'll just focus on why I decided to cough up the extra $100 to get the SB-800 instead of the less powerful SB-600.
Compared to the SB-600, the SB-800 has the following extra features:
1) Much more powerful, as reflected in the GN.
2) Slightly faster recycle time with the standard four AA batteries. It also comes with a battery holder that holds a fifth battery which cuts down recycle time by 1/3 to 1/2.
3) The SB-800 has non-TTL auto and auto aperture modes. (More on this later.)
4) In wireless remote mode, the SB-800 can act both as the master and slave, whereas the 600 can only be a slave.
5) It comes with a useful diffusion dome, which won't even fit on the SB-600.
6) The SB-800 package also includes two colored gel filters.
7) The SB-800 can do repeating flash (in the same exposure), for a strobe effect.
Basically, both the 600 and 800 support Nikon's latest flash technologies, i-TTL (supported by the D70 and D2H only) and CLS (creative lighting system), in addition to all the TTL (through the lens) flash modes Nikon introduced in the past. The 600 is really a prosumer-level flash that's either TTL or manual, whereas the 800 is pure pro-grade with a lot of modes and options. The manual, evidently written by a Japanese manual writer, attests to its sophistication; understanding the manual will really require a Ph.D. in yoga so you don't stress yourself out.
The 800's auto modes are what won me over in the end. The auto modes can set the flash output automatically on Nikon bodies that do not support any TTL (through the lens) mode. On those bodies, with the 600 you'd have to resort to manual, which is simply a pain in the butt, not to mention prone to error. The two non-TTL auto modes on the 800 are auto aperture and auto. You'll need to study the manual very carefully to figure out the difference; I still haven't, but I'm already enjoying the auto aperture mode. The availability of auto modes also means the 800 can be used on a wide range of Nikon bodies than the simpler 600.
If you are deciding between the 600 and the 800 like I was, ask yourself the following questions:
1) Do you have an extra $100-$150 to spend? If yes, the 800.
2) Do you plan to use the external flash a lot? If yes, the 800.
3) Do you have Nikon bodies (usually older manual ones) that do not support TTL (you can find out in the camera's user's guide)? If yes, the 800.
4) Do you plan to do a lot of wireless flash photography and take full advantage of Nikon's Creative Lighting System? If yes, the 800.
5) If you want to get a diffusion dome that fits the flash, get the 800.
In the end, I think the SB-800 is a better long-term investment than the SB-600, despite the higher price. It's much more powerful and flexible, and even though it's an overkill for me right now, I imagine when my flash photography improves (and I'm trying very hard right now), it'll prove a very worthy investment.
Feel free to drop me an e-mail at hotmail with any questions. BTW, if anyone knows of a good web forum that discusses how to use Nikon's flash modes and the CLS, please let us know. Thanks.

Click Here to see more reviews about: Nikon SB-800 AF Speedlight for Nikon Digital SLR Cameras - Old Version

Nikon SB-800 AF Speedlight for Nikon Digital SLR Cameras - Old Version

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NIKON MC30 Remote Cable Release (31.5 in) Review

NIKON MC30 Remote Cable Release (31.5 in)
Average Reviews:

(More customer reviews)
I have yet to use the new Nikon MC-36 10-pin Camera Remote, but I have used the more simple MC-30 10-pin Camera Remote, both of which are listed as compatible with the new Nikon D200 Digital SLR (a departure from the strictly cable release D100 - for better and worse).
The MC-30 is simple and straight forward to use - it is essentially an electrical version of a cable release. I did find it to stick occasionally, but I got used to its feel and minimized it.
The MC-36 is the electronic remote with control capabilities such as timed Bulb shots. VERY HANDY!
Here's the REAL TIP of this review: with both the MC-30 and MC-36 out of stock everywhere, what does a new D200 owner have to do to get cable release? Well, I am using my MC-20 from my F100! I don't know if the MC-36 has more bells and whistles or some fancy digital specific functions, but I have tested my MC-20 and everything works as expected! I did some timed shots in Bulb with no problems.
Though the MC-20 has been discontinued, it is still available used through eBay or possibly your local camera shop. And, probably at a better overall bargain than the MC-30 or MC-36 new (especially with some vendors who do have them charging 50-100% above retail!).

Click Here to see more reviews about: NIKON MC30 Remote Cable Release (31.5 in)

Nikon remote cable release for Nikon N90s & F5. Recommended for preventing camera shake during close-up (macro) photography. Designed for use with Nikon SLR cameras equipped with a 10-pin remote terminal

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Nikon 80-200mm f/2.8D ED AF Zoom Nikkor Lens for Nikon Digital SLR Cameras Review

Nikon 80-200mm f/2.8D ED AF Zoom Nikkor Lens for Nikon Digital SLR Cameras
Average Reviews:

(More customer reviews)
This lens is THE lens to own if you want to shoot indoor sports. The newspaper I work for has me out on a lot of volleyball, hockey and basketball beats, and this lens does not come off my camera. I have taken this lens out to soccer games and baseball games but use it mainly as back up. If you want to shoot these sports you'll want something up in the 300-400 range. Soccer especially.
The 2.8 aperture is a must for these low (and orange/brown) light situations. I was using a 200mm f4 but fell just short of being able to freeze the action perfectly without any blur. The little bit of extra light makes a world of difference.
I shoot with a D80 and find that I can keep my ISO down around 400 and be very comfortable with the results. In my situation (newsprint) I could go as high as 800 and be alright with it, but the glass in this lens lets me keep it low.
If you are in the fence, pick this lens up. For under 1000 bucks you can't beat it. It's ultra wide, and doesn't lose any sharpness at 2.8.
The only situation where you should not buy this lens is if you own a D40 or D40x. These bodies will not support the AF function of this lens, and seeing as how this is a great medium tele sports lens, not having AF would make this lens a bust.
They make a version with a built in motor that will communicate the D40 and D40x but it'll cost you close to 800 more.
As a side note this lens is heavy (as are most 2.8 tele lenses) There is a lot of big glass in this lens and after an hour or so of shooting hand held you will really want a mono pod. This lens has a great tripod shoe, so don't be afraid to throw it up on mono and go to town, your arms will appreciate the help
One final note. If you are undecided about this lens because it does not have any sort of optical stabilization or vibration reduction consider what you will be using this for. If you are shooting sports or action you wont need and it wont use it. If you are shooting from a tripod or good mono pod, you wont need and wont use it. The VR is only good in handheld situations when the object you are photographing is stationary.
This lens is a 5 star lens


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80-200mm D-Series Zoom lens for Nikon cameras

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Nikon DK-21M Magnifying Eyepiece for Nikon D200 Digital Camera Review

Nikon DK-21M Magnifying Eyepiece for Nikon D200 Digital Camera
Average Reviews:

(More customer reviews)
I bought this for my D70, which suffers from low magnification compared to my old film SLR's. Fits and works well but 1.17x is not a dramatic increase in size. Good quality coated optics, as expected.
Fits other Nikons with rectangular eyepieces also, but probably only usable with digital cameras that have a diopter adjustment. Incidently, the picture on the Amazon site is the wrong part, at least as of 07/01/2006.

Click Here to see more reviews about: Nikon DK-21M Magnifying Eyepiece for Nikon D200 Digital Camera

The Nikon DK-21M is a magnifying eyepiece for use with Nikon D200. Featuring a 1.17x magnification, the eyepiece enhances visibility and reduces eye strain. It is easy to attach and remove, and also fits the Nikon D100 and F80.

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Nikon BM-6 Replacement LCD Monitor Screen Cover for Nikon D200 Digital SLR Camera Review

Nikon BM-6 Replacement LCD Monitor Screen Cover for Nikon D200 Digital SLR Camera
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(More customer reviews)
you have to have a spare cover when you are working with an expensive camera. Very good buy, protects your investment

Click Here to see more reviews about: Nikon BM-6 Replacement LCD Monitor Screen Cover for Nikon D200 Digital SLR Camera

Replacement BM-6 LCD Monitor Cover for Nikon D200 DSLR camera.

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Nikon MH-18a Quick Battery Charger for the EN-EL3e Battery compatible with Nikon D80, D200, D300 and D700 Digital SLR Cameras Review

Nikon MH-18a Quick Battery Charger for the EN-EL3e Battery compatible with Nikon D80, D200, D300 and D700 Digital SLR Cameras
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(More customer reviews)
I'm always looking for products that will work internationally - this adapts automatically to different voltages, and seems to charge my batteries efficiently.
The cable is separate, so if you want to get a short one for travel, you can.
I use it for my D50 and D200 - no issues at all.

Click Here to see more reviews about: Nikon MH-18a Quick Battery Charger for the EN-EL3e Battery compatible with Nikon D80, D200, D300 and D700 Digital SLR Cameras

The Quick Charger MH%2D18a is smaller than the MH%2D18 it replaces%2C and is capable of charging the EN%2DEL3a%2C EN%2DEL3e%2C and EN%2DEL3 batteries%2E

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Click here for more information about Nikon MH-18a Quick Battery Charger for the EN-EL3e Battery compatible with Nikon D80, D200, D300 and D700 Digital SLR Cameras

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Nikon D200 10.2MP Digital SLR Camera (Body Only) Review

Nikon D200 10.2MP Digital SLR Camera (Body Only)
Average Reviews:

(More customer reviews)
No matter how you slice it, this is a great camera.
If you're considering this camera you likely to be in one of two camps: A Nikon person trying to determine whether or not to buy the N50, N70 or the D200; or you already know you want something more on the pro end of the pro-amateur spectrum and are trying to choose between a Nikon and a Canon. If you're in the latter camp then you can't go wrong with either the D200 or any of Canon's offerings. They both make excellent cameras. If you're already a Nikon person, get the Nikon; if you're already a Canon person, get the Canon.
That said, I'm a Nikon person, and after 5 years of having fun with my film-based N80 I wanted to make the leap into real digital photography. I say real, because I've had a Canon Sureshot for 4 years and it's great for snapshots, but when it comes to landscapes or dealing with any kind of lighting issues, it just doesn't measure up. Since I'm a Nikon person (all my lenses work with the new digital SLRs) I looked at the N50, N70 and D200. There are plenty of sites out there that compare these three cameras (against each other and the competition) to death, so I won't bother with all the details.
We buy cameras to take a variety of different pictures and my choice was driven by my needs, so my review is going to be colored by the kinds of pictures I tend to take. My favorite pastime is landscape photography. For this, any of the three cameras will take great pictures. The 6 mega pixels on the N50 and N70 are more than enough to take great pictures - I've got a 20x30 poster of Yosemite's Half Dome taken with a friend's N70 that is as crisp as anything I've seen. Having 10mps gives me more room to play with when it comes time for cropping, though, and that's always nice, but hardly a reason to shell out an extra grand.
My next favorite photography subject is my yellow lab, Happy. If he's standing or sitting still, then all three of these cameras take excellent portrait shots. But when he's moving, such as launching himself off the end of a pier to fetch a toy in the lake, the D200 really shines. Its 5fps burst mode takes perfect pictures. It focuses each shot and with its rich 25 picture buffer built into the camera, I've yet to fill it up. What this means is that it doesn't matter what speed your memory card is. The camera takes its pictures and puts them into its buffer. Then a separate set of processors moves the picture from the buffer to your memory card. I would have to hold the button down for over 8 seconds before the burst mode would slow down (it would simply slow down to the speed of your memory card here - it wouldn't stop taking pictures). This clarity of the pictures in burst mode is what made me choose the D200, and with the 18-70mm DX kit lens you'll get some brilliant photos.
While all three cameras let you take great picture, the D200 makes it very easy to change the most often used settings. Picture quality (e.g. resolution and depth), White Balance and ISO can be changed by holding down a single button with your left hand and rotating the command dials with your right. This means you don't have to take your eyes off of what you're looking at through the viewfinder in order to change these settings, and I find myself changing at least one of these on almost every picture I take. To be sure, you can change them on the N50 and N70 as well, but just not as quickly or easily.
Other things I liked about the D200 are:
o Build. It's made of metal and has a very nice heft to it. The D50 and D70, much like my N80, are made of a very good plastic, and I've never had any problems with the N80, but the D200 just feels good
o LCD. The 2.5 inch LCD makes it easy to determine whether or not you're happy with a picture in the field.
o Color. The auto white balance for the D200 is awesome and the colors are brilliant.
o 4 settings banks. You can preprogram four settings (ISO, WB, Picture Quality, etc) so you can get to it quickly.
One last point - the D200 is very difficult to get a hold of these days, but it's slightly easier to get in kit form (which comes with a lens). The 18-55mm lens is nice, but I prefer the 18-70mm (remember, with digitals you have to multiply the focal length by 1.5 to compare it with their film counterparts, so the 18-70 for digital is more like a 28-105 for film). The 18-70mm kit will run you about $300 more than the body itself, and it's worth it.
If you don't already have a big zoom lens then the new 18-200mm Nikon VR lens is awesome (equivalent to 28-300 for film). It takes stunning pictures and has all the zoom you're likely to need. It runs between $700 and $800 and is even harder to get than the D200 (which is why I don't have one yet :-).
In summary, you can't go wrong with any of these Nikons. The D200, however, is definitely the king of the hill. Happy picture takine!


Click Here to see more reviews about: Nikon D200 10.2MP Digital SLR Camera (Body Only)

RE)NIKON D200 DIGITAL SLR BODY

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Nikon MB-D200 Multi-Power Battery Pack for the D200 Digital Camera (Retail Packaging) Review

Nikon MB-D200 Multi-Power Battery Pack for the D200 Digital Camera (Retail Packaging)
Average Reviews:

(More customer reviews)
I don't expect to have anything at all go wrong with this type of an
accessory and so far it works great.
For me the ability to have the second battery online alone would justify the cost. My grip rarely comes off because I like the added size, weight and feel much more with it mounted than I do using the camera alone. In particular when using a Nikkor zoom or even the 105mm micro. Just balances everything out very nicely and gives me a more secure feeling holding the camera.
Note that it has a slot to store your battery compartment cover from the D200 that keeps that piece secure and easy to find when you decide to use the camera without this attachement.
That is one example of the thought Nikon put into this grip. Another would be the AF button and shutter release placed just where you need them for vertical capture.
People have asked so I might as well mention that I feel just as secure mounting this unit to the tripod as I would mounting the camera directly.
Great menu interface! You get seperate readings for each when you access Battery Info via the Set Up menu. Information displayed includes the percentage of charge for each unit plus the overall status of each battery. Status being indicated by the left to right scale showing overall condition by a needle wavering in between New and Replace. Above that and on the same screen are a L and R column for each slot showing percentage of battery power left. You also get a number representing how many shots have been taken with each battery!
Something to think about before you write a review about the battery and claim others lack understanding!
Included is a plastic tray that accepts eight various AAA batteries for use when the stock EN-EL3e units you use are drained. This is for when you just have to keep shooting. The way I use this tray is to carry spare batteries most likely intended for the SB800 flash unit. It does that job very well!
Good luck!

Click Here to see more reviews about: Nikon MB-D200 Multi-Power Battery Pack for the D200 Digital Camera (Retail Packaging)

The Nikon MB-D200 Multi-Power Battery Pack holds two EN-EL3e Lithium-Ion rechargeable batteries, effectively doubling your total shooting time or holds the MS-D200 AA Battery Holder (included) so users can use AA batteries as a power backup. The pack also provides an AF-on button, vertical firing release with lock and front and rear command dials. Requires one or two EN-EL3e or six AA batteries (not included).
What's in the Box: MB-D200 Battery Pack, MS-D200 AA Battery Holder, user manual.

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Nikon D200 10.2MP Digital SLR Camera with 18-70mm AF-S DX f/3.5-4.5G IF-ED Nikkor Zoom Lens Review

Nikon D200 10.2MP Digital SLR Camera with 18-70mm AF-S DX f/3.5-4.5G IF-ED Nikkor Zoom Lens
Average Reviews:

(More customer reviews)
No matter how you slice it, this is a great camera.
If you're considering this camera you likely to be in one of two camps: A Nikon person trying to determine whether or not to buy the N50, N70 or the D200; or you already know you want something more on the pro end of the pro-amateur spectrum and are trying to choose between a Nikon and a Canon. If you're in the latter camp then you can't go wrong with either the D200 or any of Canon's offerings. They both make excellent cameras. If you're already a Nikon person, get the Nikon; if you're already a Canon person, get the Canon.
That said, I'm a Nikon person, and after 5 years of having fun with my film-based N80 I wanted to make the leap into real digital photography. I say real, because I've had a Canon Sureshot for 4 years and it's great for snapshots, but when it comes to landscapes or dealing with any kind of lighting issues, it just doesn't measure up. Since I'm a Nikon person (all my lenses work with the new digital SLRs) I looked at the N50, N70 and D200. There are plenty of sites out there that compare these three cameras (against each other and the competition) to death, so I won't bother with all the details.
We buy cameras to take a variety of different pictures and my choice was driven by my needs, so my review is going to be colored by the kinds of pictures I tend to take. My favorite pastime is landscape photography. For this, any of the three cameras will take great pictures. The 6 mega pixels on the N50 and N70 are more than enough to take great pictures - I've got a 20x30 poster of Yosemite's Half Dome taken with a friend's N70 that is as crisp as anything I've seen. Having 10mps gives me more room to play with when it comes time for cropping, though, and that's always nice, but hardly a reason to shell out an extra grand.
My next favorite photography subject is my yellow lab, Happy. If he's standing or sitting still, then all three of these cameras take excellent portrait shots. But when he's moving, such as launching himself off the end of a pier to fetch a toy in the lake, the D200 really shines. Its 5fps burst mode takes perfect pictures. It focuses each shot and with its rich 25 picture buffer built into the camera, I've yet to fill it up. What this means is that it doesn't matter what speed your memory card is. The camera takes its pictures and puts them into its buffer. Then a separate set of processors moves the picture from the buffer to your memory card. I would have to hold the button down for over 8 seconds before the burst mode would slow down (it would simply slow down to the speed of your memory card here - it wouldn't stop taking pictures). This clarity of the pictures in burst mode is what made me choose the D200, and with the 18-70mm DX kit lens you'll get some brilliant photos.
While all three cameras let you take great picture, the D200 makes it very easy to change the most often used settings. Picture quality (e.g. resolution and depth), White Balance and ISO can be changed by holding down a single button with your left hand and rotating the command dials with your right. This means you don't have to take your eyes off of what you're looking at through the viewfinder in order to change these settings, and I find myself changing at least one of these on almost every picture I take. To be sure, you can change them on the N50 and N70 as well, but just not as quickly or easily.
Other things I liked about the D200 are:
o Build. It's made of metal and has a very nice heft to it. The D50 and D70, much like my N80, are made of a very good plastic, and I've never had any problems with the N80, but the D200 just feels good
o LCD. The 2.5 inch LCD makes it easy to determine whether or not you're happy with a picture in the field.
o Color. The auto white balance for the D200 is awesome and the colors are brilliant.
o 4 settings banks. You can preprogram four settings (ISO, WB, Picture Quality, etc) so you can get to it quickly.
One last point - the D200 is very difficult to get a hold of these days, but it's slightly easier to get in kit form (which comes with a lens). The 18-55mm lens is nice, but I prefer the 18-70mm (remember, with digitals you have to multiply the focal length by 1.5 to compare it with their film counterparts, so the 18-70 for digital is more like a 28-105 for film). The 18-70mm kit will run you about $300 more than the body itself, and it's worth it.
If you don't already have a big zoom lens then the new 18-200mm Nikon VR lens is awesome (equivalent to 28-300 for film). It takes stunning pictures and has all the zoom you're likely to need. It runs between $700 and $800 and is even harder to get than the D200 (which is why I don't have one yet :-).
In summary, you can't go wrong with any of these Nikons. The D200, however, is definitely the king of the hill. Happy picture takine!


Click Here to see more reviews about: Nikon D200 10.2MP Digital SLR Camera with 18-70mm AF-S DX f/3.5-4.5G IF-ED Nikkor Zoom Lens

The Nikon D200 DSLR promises an extremely satisfying shooting experience, with a winning combination of quality, performance, construction and advanced system features. Employing a newly developed 10.2 effective megapixel Nikon DX Format CCD image sensor, the D200 captures images with remarkable resolution and clarity.

Buy Now

Click here for more information about Nikon D200 10.2MP Digital SLR Camera with 18-70mm AF-S DX f/3.5-4.5G IF-ED Nikkor Zoom Lens

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Nikon DR-6 Right Angle Viewfinder (Rectangular Slip-On) Review

Nikon DR-6 Right Angle Viewfinder (Rectangular Slip-On)
Average Reviews:

(More customer reviews)
This right angle viewer is made with the highest quality optics. It exceede my expectations. I shoot a lot of Kindergarten students and need a low angle of view. This piece is easily slipped on and allows downward viewing (with correct orientation of subjects) without sitting on the ground. I would recommend this viewfinder to anyone needing a quality right angle viewfinder. Mine is attached to a Nikon D200.

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Right Angle Viewing Attachment attaches to the finder of Nikon 35mm SLR Cameras.With this attachment, the viewfinder image is viewed at right angles (via the built-in roof prism) to the camera's optical axis - a feature that is very convenient when shooting from low (or high) viewpoints or when normal finder viewing is difficult, as in close-up work or photomicrography. The DR-6 allows you to set the reproduction ratio to either 1:1 or 1:2 The DR-6 is fitted with a prism to maintain the image un reversed and erect A built-in diopter adjustment ring allows you to adjust the diopter from -8.0m to +3.8m at 1:1 and -5.0m to +6.0m at 1:2 reproduction ratio. The DR-6 is slip on mount designed with a for Rectangular-eyepiece camerasThe DR-6 fits the following cameras D200, D300, D3000, D300S,D3100, D40, D40x, D50, D60, D70,D7000, D70S, D80, D90F80/N80, F75/N75, F65/N65, F55/N55, F50/N50, F601/N6006, F401/N5005, F401S/N4004, F301/N2000, FM10, FE10, FG-20, FG, EM, PRONEA 600I/6ICannot be adapted for use on cameras not having a rectangular viewing eyepiece

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Nikon EN-EL3e Rechargeable Li-Ion Battery for D200, D300, D700 and D80 Digital SLR Cameras Review

Nikon EN-EL3e Rechargeable Li-Ion Battery for D200, D300, D700 and D80 Digital SLR Cameras
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To begin with, if you're looking at this battery, you might have a D200. If so, you have no choice in the matter. Whether it's 1 star or 5, if you don't buy this battery you have a $1,700 paperweight (and yes, I'm the proud owner of a D200 in non-paperweight mode).
Second, the battery is not what's at fault here. The D200 is an energy monster. It sucks these poor little guys dry like a starved man at a all-you-can-eat. (This is the price of the incredible functionality offered by the D200. If you want longer bettery life, you'll have to give up MUCH of what makes the D200 the powerhouse it is.) The EL3e performs wonderfullly in the D70/50, providing slightly longer life than the recalled EL3a (the third contact on the EL3e is for the D200 only. The 70 & 50 both ignore it).
Bottom line: There is nothing wrong with this battery. If you have a D70 or D50, buy with the assurance it will take many, many shots on a single charge. If you have a D200, buy because you have to then realize that *you* determine how long the battery lives. A VR lens will cut an already "short" battery life even more. So, you can complain about the battery being the issue or the D200 being the issue. Only the latter is correct. If you want long battery life, go back to the D70.
Personal rant: The D200 is worth the reduced battery life in so many ways that I'm actually annoyed with those that complain about this. Sure, the battery could last longer, but why stop there? I'D like 20Mp, ISO speeds to 3200 with no noise at all, a 10-400mm VR lens tack sharp at all apertures with f/1.4 throughout. But you know what? Not gonna happen. The D200 provides FAR more capability than what you actually paid for (just ask D2X users), so stop whining about short battery life. There's no such thing as the perfect camera. The D200 comes so close, however, it's almost sacriligious to whine about it. By all means, let's teach Nikon a lesson! How dare they give us this camera at 2/3 of what they could *easily* sell it for and not give us 800 RAW's/charge? >:(
And FWIW, you most certainly CAN get 1800 JPG's from one charge, You just have to do it like Nikon did. Yes, their tests are unrealistic in that respect, but if you're so upset about it, return the camera and let someone who will appreciate it have their turn...
PS To "Dwarfbug" why did you give the *battery* 2 stars? These reviews are exactly that: reviews. Speak about the product in question. Don't just respond to someone's review and drop 2 stars with no explanation why. And also speak about something you know. There is no recall on the D200. There is a recall on the EN-EL3 which will not work in the D200 anyway. It is a D50/D70 battery and is replaced with either the EN-EL3a or the EN-EL3e (the "e" being a pretty sweet deal (some even resell them to D200 users a buy TWO 3rd party EN-EL3a's (Targus, etc))).

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NIKON EN-EL3 E BATTERY (25334)

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Nikon WT-3A Wireless Transmitter for Nikon D200 Digital SLR Camera Review

Nikon WT-3A Wireless Transmitter for Nikon D200 Digital SLR Camera
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I'm a pro photog and have owned Nikons since 1985. I had a little problem at one point. I originally set it up using the auto-assign to link it to my 17" Mac G4 Powerbook. Worked great. Then a couple weeks later I noticed an update available for the WT-3a software, so I d/l'd it and loaded it (just because I like to be up-to-date and I wanted to add a couple more configurations I needed to use).
All of a sudden I couldn't get it to connect. First I want to say that I have NEVER had better tech support than what I got from Nikon - and it's 24/7! They rock. Anyway, to make a long story short, after dumping the old config and setting it up with manually assigned IP addresses it has worked flawlessly ever since. Tip: To do it manually, just pick any two IP's within the same range; save an Airport peer-to-peer (computer-to-computer - whatever you want to call it); name them the same; budda bing.
Side note: I shoot in Raw+Basic L-jpg (D200) and I found the time-to-display solely using Camera Control Pro a little slow (5 to 10 secs) (BTW, I use it for shooting product both in my studio and on-location - great client impresser!). I find that setting CCP up to send it to PictureProject for display is much faster; it sends the jpeg first so you get a view in under 3 seconds. Also, be sure and remove the CF card or what happens is it writes to the card BEFORE sending it wirelessly to your computer, thus increasing your wait time. Remove the card and that interim step is eliminated.
Yeah, a bit overpriced but a great device! Don't leave it on the camera when you're not using it. The exposed USB is vulnerable to damage. If you like the bigger feel in your hand, as I do, buy the MB-200 battery pak for field shooting; it's worth it for the extra battery life anyway. It uses up one battery before moving to the second - I carry a third and change it out when the first battery goes or gets low.
Cheers and remember, it's the Light that's magic! Work The Light baby! An hour after sunrise it's pretty much over until and hour before sunset!

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Nikon's new wireless transmitter featuring IEEE802.11 b/g technology, along with easy-to-use and set up Transfer, PC and Print modes. Powered by a single EN-EL3e battery and providing functionality, a vertical shutter release button as well as front and rear command dials, the WT-3A delivers much more than outstanding wireless technology and performance. The WT-3A allows D200 photographers expanded system versatility.

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NIKON MC-36 Multi-Function Remote Cord ( 33.5 inches ) Review

NIKON MC-36 Multi-Function Remote Cord ( 33.5 inches )
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I find this remote (MC-36) very useful and well built. I use it mainly for shooting single shots from a tripod to remove my fat fingers from the camera - thus removing camera shake when I would push the shutter release. The shutter button on the unit is large and easy to press. You can lock out all other buttons on the remote except the shutter button, therefore you don't press the Set button by mistake. Battery life seems reasonable. Batteries are not included - you need 2 AAA. Display is fine and has a backlight function. Fits well in your hand.
I wish the cord was a little longer, but it seems acceptable. The cord connects to the camera via the standard 10 pin connector with the bonus of a durable metal screw-in adapater thus holding it in place securely.
For those that want to be crazy, as what is life worth living if you can't be a little crazy, it's programmable for timed shooting where you can program up to 999 shots with 99 hours, 99 minutes and 99 seconds between each shot... of course, I can't think of a reason I would want to do that, but it's cool having the option - and what is life without options? You can get a lot more practical on the timed shooting also, where you can program in any number of shots (up to 999) over the course of any short (1 sec minimum) or long duration with interval times between shots. Programming is straight forward once you decide on frequency and interval times - the decision graph they give you in the manual leaves a little to be desired. The unit will beep when you are 3 seconds from the next timed shot - you can turn it off if you like. Countdown timer to next shot is shown on the display.
I guess if I had a real gripe it would be about the size of the manual. I like to pack manuals in my bag, as I am getting old and I forget. This manual comes in many different languages - all in the same manual. So I ripped out the 9 pages I needed as I didn't want to carry the 60 page thing around due to the weight. If you buy this you will know what I mean when you see the manual. I have no problem with multi-language manuals, but why not include them as seperate by language so I can recycle the ones I don't want and keep only the pages I need.
You want the ultimate captured memories of your kids growing up? Set up the tripod next to the crib and program in a shot every day for the next 999 days and watch your kids grow up on film (or on your hard drive if you are digital). Nice.
Not cheap in price, but very nice in functionality.
Edited 1/12/08: I broke down and bought a D300 (I couldn't resist) and it works just fine on it also. I am still using this remote after 8 months and I am still loving it. I use it anytime I put the camera on a tripod.

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MC-36 Multi-Function Remote Cord (33.5 innikon store acs nikonstoreacces1 Nikon-Accessories-Store Nikon-Accessory-Store

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