Showing posts with label zoom. Show all posts
Showing posts with label zoom. Show all posts

Nikon 70-300mm f/4-5.6G AF Nikkor SLR Camera Lens Review

Nikon 70-300mm f/4-5.6G AF Nikkor SLR Camera Lens
Average Reviews:

(More customer reviews)
First off, let me tell you that this lens only works fully with the latest Nikon SLRs because it has no aperture ring to set f/stops. You must do that electronically using a D100, D2H, D70, N80, N75, F5 or F100. However, Nikon does provide a nice compatibility chart telling you how to use this lens on older Nikon cameras. So you can use this lens on S and P modes with the N90s, N8008s, N 6000, and N4004. This backward compatibility of lenses and bodies is one of the strongest points of the Nikon system. Even a 24 year old lens can be used with a new Digital SLR, to some extent.
The lens is very light for it's zoom range. It has a reasonably substantial feel, unlike some of the Sigma lenses I've used. It's made of polycarbonate, which is the same stuff the F117 Stealth fighter is made from.
If you shoot lots of portraits, this is the lens to get. The telephoto allows you to throw the background out of focus with relative ease. The lens has a 9 bladed iris, so out of focus elements are rendered in very subtle and beautiful forms. The Japanese call this "Bokeh" and much has been written about it. It's very nice that the Nikon engineers took this aesthetic principal into account when designing this economy lens. Once again, Nikon proves to be a design driven company.
The zoom ring has a nice feel with good manual dampening. Zooming is precise with no "slop" or wobble. Manual focus is about average for a lens of this caliber. It's possible, but no great joy. Since I'm used to the silky feel of Nikon's old AIS lenses, I doubt anything could rate higher. Autofocus for this lens is much better, and seems to be quick and precise. About the only time it balked was when shooting delicate cloudscapes. This is common for AF lenses and simply requires you to quickly disengage the AF on your camera body and rack the lens to "Infinity" setting.
My D70 DSLR made this lens handy to grip and insanely light. The great thing about using this lens on a DSLR is that you end up with a 450mm zoom lens! great for bringing in distant objects. Watch out when shooting against strong backlight, however. This lens seemed to have more than a little "Purple fringing". Shots done in normal lighting conditions exhibit zero fringing, and superb sharpeness. So that's the good news.
Overall this lens is a great bargain and worthy of the Nikkor name. Don't let the low price fool you. Although it's not a Nikkor 80-200 f/2.8 by any means, this lens is highly capable and a great second lens for your D70 Digital SLR or N series 35mm SLR. Nikon USA offers a 5 year warranty FREE if you mail the registration postcard in within 10 days of purchase. So be sure to get that in the mailbox right after buying!

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Nikon 70-300mm f/4-5.6G AF Nikkor SLR Camera Lens

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Nikon Coolpix P80 10.1MP Digital Camera with 18x Wide Angle Optical Vibration Reduction Zoom (Black) Review

Nikon Coolpix P80 10.1MP Digital Camera with 18x Wide Angle Optical Vibration Reduction Zoom (Black)
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If you don't care to know about the art of photography and you don't like to read manuals, don't buy this camera and you can stop reading right here. Otherwise, read on.
I can take any camera and take bad shots with it. But if I use most modern cameras to their full potential, I tend to end up with great shots. By that I mean using correct focus, exposure compensation when necessary, and selecting the proper ISO, shutter speed, and aperture for the situation. Those are just the basics. There are also other adjustments and tweaks like Face Detection, D-Lighting (Nikon's term for bringing out more detail from dark areas of the photo), white balance, etc..
Essentially, if you know how to use all those things (and your camera lets you adjust them yourself), you can end up with some pretty great shots from any camera. You can get creative in ways that auto-only cameras will not allow. Some people end up with blurry shots because they don't know how to take sharper shots. Better shooters can take sharp shots - or they can make them blurry on purpose for an artistic effect. I personally can't stand blurry shots - except for the occasional shots where only the subjects are a bit blurry (to accentuate motion).
This camera has 6 settings that affect the sharpness of the photo - and that doesn't include aperture. One of them is the macro focus setting. Although normally used for close-ups, you can keep it in "macro focus" in most of the different shooting modes (Aperture Priority, Shutter Priority, Program, etc.). The other setting is the Sharpness setting. By default, the camera is in the middle of the scale. Some might consider the middle of the scale to be too soft. Simply click it up to the "sharp" level, or one more for the sharpest level. There are also two clicks down to increase softness. 1 macro + 5 sharpness levels = 6.
Why would someone want a soft (not so sharp) photo? One example is portraits. In general, people don't like portraits of themselves that show every pore and hair on their skin. Softening particular subjects can also convey a delicate beauty - say a ballerina resting on a chair.
So for those who complain about this camera not taking sharp pictures out of the box, all you have to do is turn it up. For extra measure, use a small aperture and a good tripod. You will see the difference.
Not all sub-SLRs offer as many options as the P80. In particular, I like the high-powered zoom, the camera's ability to correct wide angle distortion, the overall compactness (considering the zoom), and the logical way things are laid out. The image tweaking controls that are most useful are also the easiest to access via the circular multi-control on the back. I also like that the flash doesn't pop up unless I want it to (it has a manual switch to pop it up).
The P80 is easy to carry around and covers all the bases (video, wide angle, super zoom, full manual control, etc.). If you know the features of this camera and know how and when to apply them, you'll end up with spectacular shots. It's that simple.
This camera has nice features that you may not always use, but for those special occasions, they are nice to have. One of these features is the ability to move the focus point around. With your trusty tripod set up, you want to get a surfer off to one side, gazing out over the sea. But you don't want the ocean to be in sharp focus because you want to immediately draw your viewer's eyes to the surfer. By clicking the circular button, you move the focus point over the surfer and set the camera to also meter on the focus point (so that the surfer is perfectly exposed). Add a little flash fill if you like, and Voila! Instant art.
Night shots really benefit from an adjustable focus point. Say you want a shot of a lonely lighthouse on a cliff at night. It's off to one side of your shot to give it a more dramatic frame. With the focus point in manual and the camera set to meter on the focus point, move the focus point closer to the lighthouse until what you see in the LCD looks properly exposed. If you have to keep the exact focus point a little bit away from the lighthouse to get the right exposure, no problem, just set the focus to lock on infinity (I'm assuming you aren't standing right next the lighthouse). The same concept will work for public Christmas tree displays at night. To get the right exposure and focus, move the focus point onto or near the tree that most interests you.
Want to take pictures of your friends, and maybe get in the shot yourself? Switch on face detection, hit the self-timer and take your place next to your friends.
The sports mode will have your friends lining up to get their golf swings and tennis serves photographed. The camera shoots 13 frames per second in the default mode, sacrificing everything for speed (aperture, ISO, etc.). So while your shots from this mode won't make the cover of SI, everyone will get a kick out of seeing themselves in a stop motion sequence (up to 30 frames).
The camera has two modes which help you get the best shot in unusual circumstances. In Best Shot Selection mode, it shoots up to ten shots as long as you hold down the shutter release button. Then it automatically selects and saves the sharpest picture in the bunch, discarding the rest. In Exposure Bracketing mode, it applies three different levels of exposure to the same shot. One of them is likely to be just what you wanted. Exposure bracketing can even be fine tuned to your liking (read the manual to learn how).
With a single press of the shutter release, this camera can automatically take and assemble 16 shots, 1.1 seconds apart, into a single picture. You get a picture made of 16 consecutive "scenes". This is good for things like a cat playing with a ball, or you and your buddy making funny faces.
Do you wonder who or what knocks over your garbage cans when you're not home? The P80 can shoot time lapse sequences, firing once every 30 seconds to once every hour. It turns off between shots to conserve power, or you can buy an external power supply.
Hate crooked pictures? Push the DISP button to lay down a grid which you can align with horizontal or vertical objects. The grid also helps you position subjects according to the "Rule of Thirds", which even amateur photographers should know.
The digital zoom is cool! It doesn't just enlarge and crop - it interpolates to fill in detail that might otherwise be lost. If you go full optical and full digital zoom, you can see the craters and "seas" on the moon! Use a tripod, lock the focus on infinity, turn off VR, and use a 2 or 10 second delay to allow the tripod vibration to settle.
I'm quite pleased with my purchase. If you're the creative type and a camera nut (you actually read the manual and experiment), you'll probably be very pleased; producing countless pictures suitable for framing. If you just like to point and shoot, this camera is probably not for you.
But don't just take my word for it. Go to Flickr and do a search on "Nikon P80" to see what this camera can do.

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Nikon Coolpix P80 10.1MP Digital Camera with 18x Wide Angle Optical Vibration Reduction Zoom (Black)

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Nikon 80-200mm f/2.8D ED AF Zoom Nikkor Lens for Nikon Digital SLR Cameras Review

Nikon 80-200mm f/2.8D ED AF Zoom Nikkor Lens for Nikon Digital SLR Cameras
Average Reviews:

(More customer reviews)
This lens is THE lens to own if you want to shoot indoor sports. The newspaper I work for has me out on a lot of volleyball, hockey and basketball beats, and this lens does not come off my camera. I have taken this lens out to soccer games and baseball games but use it mainly as back up. If you want to shoot these sports you'll want something up in the 300-400 range. Soccer especially.
The 2.8 aperture is a must for these low (and orange/brown) light situations. I was using a 200mm f4 but fell just short of being able to freeze the action perfectly without any blur. The little bit of extra light makes a world of difference.
I shoot with a D80 and find that I can keep my ISO down around 400 and be very comfortable with the results. In my situation (newsprint) I could go as high as 800 and be alright with it, but the glass in this lens lets me keep it low.
If you are in the fence, pick this lens up. For under 1000 bucks you can't beat it. It's ultra wide, and doesn't lose any sharpness at 2.8.
The only situation where you should not buy this lens is if you own a D40 or D40x. These bodies will not support the AF function of this lens, and seeing as how this is a great medium tele sports lens, not having AF would make this lens a bust.
They make a version with a built in motor that will communicate the D40 and D40x but it'll cost you close to 800 more.
As a side note this lens is heavy (as are most 2.8 tele lenses) There is a lot of big glass in this lens and after an hour or so of shooting hand held you will really want a mono pod. This lens has a great tripod shoe, so don't be afraid to throw it up on mono and go to town, your arms will appreciate the help
One final note. If you are undecided about this lens because it does not have any sort of optical stabilization or vibration reduction consider what you will be using this for. If you are shooting sports or action you wont need and it wont use it. If you are shooting from a tripod or good mono pod, you wont need and wont use it. The VR is only good in handheld situations when the object you are photographing is stationary.
This lens is a 5 star lens


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80-200mm D-Series Zoom lens for Nikon cameras

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Nikon 28-300mm f/3.5-5.6G ED VR AF-S Nikkor Zoom Lens for Nikon Digital SLR Review

Nikon 28-300mm f/3.5-5.6G ED VR AF-S Nikkor Zoom Lens for Nikon Digital SLR
Average Reviews:

(More customer reviews)
Received this lens 2 days ago and took it around town and to a baseball game to try it out on my D700. Overall I am very pleased with it. The zoom range allows for great flexibility, the autofocus is fast, VR II superb as on other Nikon lenses. While the zoom is not as loose as the early 18-200mm lenses, you do need the included lock for it not to creep if you carry the lens pointed down on your camera. The weight of the lens as other reviewers say is quite comfortable - mine with clear protective filter comes in at 860g, just a touch heavier than the 70-300mm but not something you'd noticed without a scale. Build quality is very solid.
I tested this lens against my 70-300mm f4.5-5.6 VR and the 16-35mm f4 VR and overall I was pleasantly surprised how well the new lens did. Three things potential buyers should be aware of:
1) while the lens is listed as 28-300mm it seems to be neither quite 28mm (the angle of view is slightly narrower than the 16-35mm set to 28mm), nor does it quite extend to 300mm (the 70-300mm gets a bit more enlargement). This is not a big issue in normal use since you'd never know the difference without a side by side comparison, but if you're buying the lens specifically for either extreme of the range be aware of this. I don't have equipment to test so you'll have to wait for professional reviews to tell you exactly what the actual range is in mm.
2) while overall I'm very pleased with the quality - no ghosting during shots I took at the ballgame despite not having Nanocoating - when you compare side by side it is not as sharp as either of the other lenses and has, as is to be expected given the zoom range, more distortion. Again nothing that would jump out at you if you just saw a photograph, but side by side especially at 300mm you do notice that fine details (textures, text) are more crisp when taken with the 70-300mm.
3) The lens very quickly goes to f5.6 - by the time you're at 70mm you're at f5.0, and by 105mm you're at f5.3. Before buying I had wondered how this lens compares to the new 24-120mm f4, and I suspect that lens is slightly sharper and if you shoot a lot at portrait length you will fine the full extra stop (f4 vs 5.6) to be quite useful. Note I have NOT actually tested the 24-120 since it' not available yet. And of course that lens is about 25% more expensive.
Overall I'm very pleased with this lens, and despite the difference in sharpness this lens will be replacing my 70-300mm in my bag for most purposes - pretty much the only time I'd take the 70-300mm would be to specifically shoot wildlife or objects I know will be far away and I'm trying to keep the weight down (and obviously if you're really into wildlife you should get yourself a faster longer range lens than the 70-300mm).
Basically with this lens and the 16-35mm you cover an amazing range in two lenses and both of them are excellent lenses with AFS, VR II, etc.

Click Here to see more reviews about: Nikon 28-300mm f/3.5-5.6G ED VR AF-S Nikkor Zoom Lens for Nikon Digital SLR

The Nikon Nikkor 2191 AF-S 28-300MM ED VR is an ideal lens for FX-format D-SLRs, featuring a 10.7X zoom, close focus to 18” at every focal length and VR II image stabilization. Versatile 10.7x zoom lens with ED glass and VR II image stabilization Versatile zoom lens offers a broad focal length range that's perfect for travel, landscapes, portraits and distant subjects. Plus, the Nikon Nikkor 2191 AF-S 28-300MM ED VR Lens is Optimized for edge to edge sharpness on both FX and DX-format D-SLRs DX-format D-SLR angle of view is equivalent to a focal length of 42-450mm in FX/35mm format. Order the Nikon Nikkor 2191 AF-S 28-300MM ED VR Lens today!

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Nikon 18-35mm f/3.5-4.5D ED-IF AF Zoom Nikkor Lens for Nikon Digital SLR Cameras Review

Nikon 18-35mm f/3.5-4.5D ED-IF AF Zoom Nikkor Lens for Nikon Digital SLR Cameras
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This is just a plain sweetheart of a lens. It covers the useful 18-35 mm range (which is 27-52mm on a Nikon digital SLR, which is a VERY useful range). This lens costs less than half the price of the (expensive) professional Nikon 17-35, and does almost as nice a job. Sufficiently nice, in fact, that most amateurs will not discern much, if any, difference. While not built like a tank, I think that the quality of construction on this one is excellent, and more than adequate for enthusiastic amateurs and even some pros.
On a Nikon digital SLR, which will use the center portion of this lens (due to the size of the sensor in the SLR) you can expect excellent, even spectacular results. This is a fabulous lens for landscape and nature shots, portraits, or just plain walking around taking pictures. Someone who only wanted one lens that was not a telephoto could do much worse than to select this excellent, versatile lens. This one is great for parties, vacations, and the works.
The images I have shot with this lens have all featured superb contrast, are very sharp, and have beautiful color rendition. There just is not a lot not to like about this lens. I give it 4 stars for overall performance, but 5 stars for value and price/performance. Some lenses just get it all together and work and become keepers. This is one of those.

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This lightweight, compact, ultrawide to wide angle zoom lens that has an ED glass element that reduces chromatic aberrations and provides excellent optical performance - even at maximum aperture. An aspheric lens element helps to improve optical performance and compact design and a focus distance of 1(0.3m) to infinity is ideal for landscapes, snapshot, candid, environment, close-up and full-length portrait photography. Other features include: Nikon D-type design provides precise distance information for flash and ambient light exposure processes Internal Focusing design allows for smooth and fast autofocus High-performance Nikon Super Integrated Coating offers excellent color reproduction and minimizes ghost and flare A rounded diaphragm opening makes out-of-focus elements appear more natural Filter attachment does not rotate during focusing or zooming Item Specifications: Product Description: Nikon Zoom-Nikkor wide-angle zoom lens - 18 mm35 mm Lens System: Wide-angle zoom lens Mounting Type: Nikon F Lens Aperture: F/3.5-4.5 Focal Length: 18 mm - 35 mm Optical Zoom: 2 x Min Focus Range: 11.8 in Focus Adjustment: Automatic, manual Lens Construction: 8 group(s) / 11 element(s) Special Functions: Wide angle, zoom Filter Size: 77 mm Length: 3 in Weight: 13 oz

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Nikon 24-120mm f/3.5-5.6G ED IF Autofocus VR Nikkor Zoom Lens Review

Nikon 24-120mm f/3.5-5.6G ED IF Autofocus VR Nikkor Zoom Lens
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This lens gets an unfair bad rap from a lot of amateur snobs and pro-wanna-be's.
After reading all the mixed reviews, I figured at the price it would be a reasonable stopgap while waiting for an 18-200VR. So far I've been more than satisfied with this lens. I get good contrast, and sharp images through the middle 80% of its range. Contrary to some of the negative reviews I've read, focus is reasonably fast, and more than adequate for action sports in good light. Granted it's not a low light lens. I have other lenses for this purpose, but cost me over $900. each and don't have the versatility of this lens.
I finally did receive my 18-200VR, and have to admit it is an improvement due to the added range, but light gathering is comparable, and within the 24-120's range, the two function with about the same results. Overall, average quality of shots taken with both lenses is about the same.
Having said that, even with the 18-200 VR, I still have to use my 85mm 1.4 and 80-200 f/2.8 for shots where extra aperture or sharpness are needed.
In summary, if you plan on having a couple spcialty prime lenses and one multi-purpose zoom, then either the 24-120 or the 18-200 will do as a great walk around lens. Unless you're only going to buy one lens for the life of your camera, why spend the extra money on the latter?

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Features: New cosmetic design Exclusive Silent Wave Motor enables ultra-high-speed autofocusing with exceptional accuracy and powerful super-quiet operation VR operation offers the equivalent of using a shutter speed 3 stops faster at 120mm 2 Extra-Low Dispersion (ED) glass elements for minimized chromatic aberration G Type DX Nikkor is designed exclusively for use with Nikon SLR models where aperture is controlled from body Nikon D-Type design provides precise distance information for flash and ambient light exposure processes 2 Aspherical lens element for low distortion Internal Focus (IF) design for smoother focusing and great body balance Rounded diaphragm to make out-of-focus elements appear more natural First Nikon wide-angle zoom lens with Vibration Reduction (VR) Compact and lightweight Fully compatible with D1X, D1H, D100, F5, F100, N80, N75 and N65

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