Nikon D5000 12.3 MP DX Digital SLR Camera with 18-55mm f/3.5-5.6G AF-S DX "VR" and 55-200mm f/4-5.6G ED IF AF-S DX "VR" Zoom-Nikkor Lens + 8GB Deluxe Accessory Kit Review

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(More customer reviews)I've had this camera for about a year now and I'm extremely happy with the purchase. I've taken beautiful pictures with it and I've had some made into prints as large as 20" x 30" with excellent detail and clarity. The camera isn't quite commercial or professional grade but it does not claim to be so. The lenses that come with it are very high quality - though not top quality. Again, this is exactly what it claims to be.
I have been able to take a variety of pictures in different styles. I take plenty of nature shots and a lot of pictures of my dogs as they run around. I'm to capture them very easily without blurring or streaking in most lighting conditions (low light will definitely affect the autofocus - I like to use the burst mode to get the right pictures of the dogs and that doesn't go well if the lighting is too dim).
Just to test the camera's abilities, I took a flash shot of my ceiling fan on high speed and the camera was able to take a great picture of the blades such that the fan does not even appear to be on.
The attenuating screen has proven to be useful on occasion when I want to hold the camera high to get a picture over a crowd or obstacle but in reality I don't use it too often.
The video quality is very good. If I had a complaint here it would be that the video length is limited to 5 minutes. Also, be sure to use a high speed card or the video might cut out in much less than 5 minutes to catch up to the write.
The auto mode works very well and in most circumstances this camera works beautifully as a point-and-shoot but it also gives full control over shutter and aperture settings. I've enjoyed playing with some artistic use of extended shutter times in a pitch black room with a match.
Bottom line: if you are a professional or you are looking to take truly professional pictures then you probably aren't looking at this camera to begin with. If you are an amateur/consumer level buyer who wants to take beautiful pictures in high resolution then this camera is simply great. (Maybe I should have given it 5 stars.)

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A remarkable blend of simplicity and highly-advanced DSLR capabilities, the compact and powerful D5000 offers breathtaking 12.3-megapixel image quality, along with a flexible, Vari-angle, Live View monitor for fresh picture-taking perspectives. Nikon's EXPEED image processing further enhances performance, contributing to split-second shutter response and continuous shooting at up to 4 frames-per-second to capture fast action and precise moments perfectly.The D5000's 24-fps HD D-Movie mode with sound captures video clips with amazing clarity--offering new and exciting creative opportunities. Fast, accurate 11-point autofocus with 3D Tracking, teamed with famous NIKKOR optics, assures incredible image sharpness, while active image sensor cleaning combats annoying dust automatically. Featuring a convenient built-in flash, 19 automatic exposure Scene Modes to make the impossible easy and 23 Custom Setting options to fit your preferences, as well as 14 in-camera image retouching functions, the D5000 is the perfect DSLR, beginning with performance to meet your picture-taking tomorrows.Nikon AF-S DX-Nikkor 18-55mm f3.5-5.6G VR, a lens featuring a built-in Silent Wave Motor and Vibration Reduction (VR). The AF-S DX-Nikkor 18- 55mm f3.5-5.6G VR is an affordable, and compact, 3x zoom lens covering the most frequently used focal range of 18-55mm with amazing versatility.Nikon 55-200mm f/4-5.6G ED AF-S VR DX Zoom-Nikkon lens: with 35mm equivalent of 82-300mm * Vibration Reduction allows in-focus shots with longer exposure times (up to three shutter speeds slower) * Silent Wave Motor for fast, quiet focusing * ED (Extra-low Dispersion) glass lens element for superior optical performance * Super-integrated coating minimizes ghosting and flare for more vivid images in dim lighting.++PLUS++ 8GB Deluxe Accessory Kit: Loaded with extremely useful accessories.

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Nikon D90 12.3MP Digital SLR Camera (Body Only) Review

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(More customer reviews)I am far from a professional photographer, but I take it as seriously as possible while still referring to it as a hobby. I take mostly pictures of people at events and many of my baby son without flash in low light situations.
I had been using a Nikon D40x for 1 year and very early reached my limitation with that camera. The Nikon D40x has very nice image quality, but the camera's interface is not suited for a more serious shooter who wants quick single button or dial access to such shooting parameters such as white balance, shooting mode, metering mode, etc. I also felt very limited by the D40x not having an in-body focus motor that would allow me to use non AF-I/AF-S lenses (which are lenses without the focus motor built-in).
The Nikon D40x limitations were severe enough that I was about to consider purchasing a Canon 40D until the Nikon D90 appeared just in time. PROS:
1. Fantastic set of separate buttons on the camera to control parameters like ISO, white balance, metering, autofocus, image quality, shooting mode, etc.
2. Two command dials
3. High resolution 920K pixel LCD screen (like the one on the Nikon D300)
4. 12.3 megapixel CMOS sensor
5. Low noise high ISO capability (for low light shooting) I can shoot ISO 1600 with good image quality with this camera, while on my D40x I could only shoot with ISO 400 and obtain acceptable IQ. I will even use ISO 3200 frequently with very usable results!
6. Separate top-viewing LCD screen in addition to the rear high res screen, to show shooting parameters constantly
7. In-body focus motor which allows the use of Nikon's non AF-I/S lenses, including wonderful and CHEAP prime lenses such as the Nikkor 50mm 1.8 (~$100 lens!)
8. Continuous shooting of 4.5 frames per second
9. Small size, although larger than the D40/D40x/D60, it is still substantially smaller in the hand than the D300/D3
10. 720p 24fps MPEG video shooting capability with incredible ability to use depth of field that I cannot achieve with my Sony High-Def camcorder.
11. Eleven auto-focus points (not as nice as the 51 points on the D300, but substantially better than my D40x with its 3 points)
12. GPS option
13. HDMI output
14. Enormous number of options to customize camera and shooting settings to fit your style of shooting
15. Fantastic image quality right out-of-box if you don't want to do any post processing
16. Terrific build quality
17. Top notch camera ergonomics (but this will be a very personal opinion that differs for each shooter)CONS:
1. "Rolling shutter" phenomenon while recording video: The D90 CMOS sensor has the same problem that other CMOS video recorders have when recording video. If you move the camera, especially horizontally, you get a "jelly" or "rubberbanding" effect where the image wobbles significantly. It is nice to have the video features, which looks very sharp at 720p, but it is NOT a substitute for a video camera. If you use a tripod, and do not do quick zooms/pans, the video quality is excellent. Without a tripod, however, you may get nauseous watching a wobbly video. The sound is also in monoaural.
2. 1/200 flash synch: Not a problem for me, but it might be for you.
3. No weather sealing: This is found on the Nikon D300/D3 and even on similarly priced models from other camera companies
4. The buffer will fill up after about 8 continuous RAW + JPG (FINE) shots. This number differs depending on the shooting parameters that you will choose. If you shoot primarily JPG, the buffer seems to allow a very large number of continuous shots, but I have not quantified this for JPG only.TIPS:
1. Get the FREE Nikon ViewNX software from Nikon's site as your 1st step in your workflow. This will let you examine your RAW images that you can process for either Nikon CaptureNX2 to do further RAW processing or just export to JPG or TIFF for a JPG/TIFF editor such as PhotoShop.
2. Recommend buying the Nikon CaptureNX2. It is a RAW converter (if you shoot in RAW) that will read the camera settings properly for export to JPG or TIFF. Capture NX2, however, is not as slick as the Adobe products and Capture NX2 requires a fairly powerful computer, otherwise it can run pretty slowly on a PC > 3 years old.
3. If you use JPEGs out-of-camera, consider increasing the sharpness above the default 3 or 4. Nikon uses a very conservative sharpening default setting. Nikon has also decided to change the default JPEG images to match the higher end D3/D700/D300 cameras which produce more neutral images. Consequently, the D90 images that are less punchy than the D40/D40x/D60/D80, so you may also want to turn up the in-camera saturation and contrast.The Nikon D90 has all of the interface features that serious and even professional photographers need with wonderful image quality.

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Fusing 12.3-megapixel image quality inherited from the award-winning D300 with groundbreaking features, the D90's breathtaking, low-noise image quality is further advanced with EXPEED image processing. Split-second shutter response and continuous shooting at up to 4.5 frames-per-second provide the power to capture fast action and precise moments perfectly, while Nikon's exclusive Scene Recognition System contributes to faster 11-area autofocus performance, finer white balance detection and more. The D90 delivers the control passionate photographers demand, utilizing comprehensive exposure functions and the intelligence of 3D Color Matrix Metering II. Stunning results come to life on a 3-inch 920,000-dot color LCD monitor, providing accurate image review, Live View composition and brilliant playback of the D90's cinematic-quality 24-fps HD D-Movie mode.

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Nikon D60 10.2MP Digital SLR Camera with 18-55mm f/3.5-5.6G AF-S DX VR Nikkor Zoom Lens Review

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(More customer reviews)I've been using Canon PowerShot point-and-shoot digital cameras for the past 6 years, and because they're so small, portable, and unobtrusive, I've ended up taking a lot more photos that I ever did, because I had my camera with me. The good thing is that I've taken a lot more pictures, and most of them have been very good (the camera gets much of the credit here). But the bad thing is that I started to reach the limits of what a point-and-shoot camera can do.
The biggest problems I had with my compact point-and-shoot camera was the lag between shots and the generally poor performance in low-light settings. For most shots, these weren't big problems, but when they were a problem, they were a huge problem, and there's not much you can to solve it without moving to a better camera. I don't think I'm the first person to reach a brick wall when using compact digital cameras, which is why there are now some excellent options that don't cost a fortune.
After reading a lot of reviews for digital SLR cameras online, I narrowed it down to two choices: the Sony A300 or the Nikon D60. I love my compact Canon, but I wasn't all that impressed with the Canon dSLR's that I looked at, either in terms of price or features.
The Sony is priced very competitively and offers some great features, such as auto-focus and image stabilization built into the camera itself, not relying on the lens. The A300 also has live preview on the LCD screen, which the D60 doesn't offer (live preview is what you get on a compact camera: you see what you are shooting as you take the picture). Finally, the A300 has more focus points than the Nikon. I spent a long time in several stores doing side-by-side comparisons of these two cameras. After many test shots, I finally chose the D60 for the following reasons: it felt more compact and less heavy than the Sony, I liked the way the lens felt when I was zooming, its LCD menu system was much clearer and more intuitive, and the Nikkor family of lenses is unbeatable. With a dSLR, it really gets down to which line you want to commit to for future lens purchases. I wasn't sure I wanted to go with Sony, when Nikon is well-known for quality optics.
I ordered the D60 from Amazon and I'm glad I did, since they have a 30-day price match policy. If the price of the camera decreases within 30 days of your purchase, all you have to do is email Amazon, and they'll credit you with the difference. The price of the D60 went down three times after my purchase (it's even lower now, but I've passed my 30 days), and Amazon was fast to process the refund for each decrease. Please note that it's your responsibility to check on the current price. Amazon will not notify you that the price has gone down, and why should they? So if you do buy this from Amazon, be sure to check every couple of days to see what the current price is.
As for the camera and the lens, I couldn't be happier. I love how it feels and how easy it is to use, at least for basic shots. Of course it won't fit in my pocket the way my point-and-shoot did, but it's not nearly as huge or heavy as I'd expected. The kit lens has VR (vibration reduction) which is a good thing to have, and it's well balanced with the compact body of this camera. In other words, the camera doesn't point down under the weight of the lens. Everyone who has tried out my new camera has commented on how compact and ergonomic it feels.
The camera works extremely well in low-light settings, with or without flash (you can defeat the flash if you want, and I find that in many situations, I get better results that way). The flash is a lot more powerful than what you get on a compact camera, and the coverage is more even.
So far, I've mainly used the "auto" mode, but I've taken some pictures in macro mode. It's graat to be able to take pictures in rapid succession, without having to wait the way you do with a point-and-shoot. Most important of all, the image quality is outstanding. The difference is noticeable and consistently better than what I was getting with my point-and-shoot.
The LCD menu is intuitive and visually appealing. That was one of the reasons I went with the Nikon in the first place, and I haven't been disappointed. By pressing the right button as you move the mode dial, you can see a description of what each mode does, which is very helpful. It's sort of like having a "help" system built into the camera, without having to carry around the instructions. Having said that, the instruction manual is really quite good. It won't teach you everything you need to know about digital SLRs, but it does a good job of explaining the camera's features. Nevertheless, I recommend buying a more extensive guide book which is specific to the Nikon D60 (there is one by David Busch which is currently available, and several more are scheduled to appear within the next couple of months).
So, I love this camera, especially at the very reasonable price point. However, there are some things that you should consider before making a final decision. First, the D60 will only provide auto-focus with Nikkor AF-S lenses. That means that most Nikon "prime" lenses will require manual focusing. That wasn't a big deal for me, but it is a limitation. Second, the D60's 3 focus points put it at the low end for this feature. Third, the D60 uses SD cards, while the Sony uses Compact Flash cards, as do many higher-end dSLRS. This isn't really a plus or minus, since SD cards are generally less expensive than Compact Flash, but some users say that Compact Flash cards may be more durable in the long run (they're larger and thicker). Finally, unlike the Sony, the D60 does not provide live preview. In other words, you don't see the image on the LCD until after you have taken it.
With all of that, I'm very pleased with my decision and I am having a lot of fun with my Nikon D60. If you're ready to move up from your point-and-shoot to a dSLR, you cannot go wrong with the D60.

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Nikon introduces the new D60 digital SLR camera, to provide stunning picture quality and versatility in an easy-to-use, compact camera design. The New D60 Digital SLR joins Nikon's award-winning line of D-series digital SLR cameras and shares a form similar to the D40 ? Nikon's smallest D-SLR camera ever. With 10.2 effective megapixels and a wealth of innovative and user-friendly features, the D60 enables both photo enthusiasts and those new to digital SLR photography to capture incredible images like never before. Nikon D60 Features at a Glance Extraordinary 10.2-Megapixel DX-format Nikon Picture Quality Includes AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR (Vibration Reduction) Lens Fast Startup and Split-Second Shutter Response Shoots Continuously at up to 3 Frames per Second Active Dust Reduction System with Airflow Control Easy Operation with Intuitive Controls Up to 500 Pictures per Battery Charge Based on CIPA battery testing standards Bright, 2.5-Inch Color LCD Monitor with 170-Degree Wide-Angle Viewing Nikon's Smallest Digital SLR Ever! Automatic Exposure with 8 Digital Vari-Program Scene Modes In-Camera Editing Functions Users will immediately appreciate the D60's fast 0.18-second start-up time and split-second shutter response, which combine to eliminate the frustration of shooting lag ? a common issue with many point-and-shoot digital cameras. With a fast and accurate autofocus and the ability to shoot continuously at up to three pictures-per-second, the D60 faithfully captures pictures that other cameras often miss. The D60 does all this while delivering extraordinarily vivid and detailed pictures, ensuring that fleeting expressions, special moments and memorable events are captured beautifully. Packaged with Nikon's new AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR image stabilization lens, the D60 camera and lens outfit delivers striking image sharpness. What's more, Nikon's p

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Nikon D80 10.2MP Digital SLR Camera (Body only) Review

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(More customer reviews)[Following is a reprint of my body only review. I placed a review of the lens at the end.]
The Nikon D80, destined to replace the popular D70 series, is a great camera for Nikon fans who wish to upgrade from their D50s, 70s or 100s. It's also attractive enough to maybe get a few people to jump ship!
Here's the highlights:
1) 10.2 megapixel. A substantial upgrade from the 6mp of the older cameras, performance should be very comparable to the highly regarded D200 camera;
2) 11-point AF system. Similar again to the D200 in performance (though not as easy to change);
3) Large viewfinder (.94x magnification). Again, taken from the D200, this is a clear improvement over the previous cameras. Spec wise, this is also better than all the competition, even though other, personal preference factors need to be taken into consideration (such as layout of LCDs and focusing points).;
4) 2.5" LCD. Not only is it larger, it can also be viewed at a much wider angle--particularly handy when locked to a tripod.
The camera is small for Nikon (about like the D50), but has a good, firm grip for those with medium to larger hands. Controls are well thought out--easy to get to and use. Dampening of mirror noise is better than its competition.
Nikon's use of the SDHC format should be commended. These small cards will have no real disadvantage to the older CF hards once the HC versions start hitting the shelves, and should relieve the danger of "bent pins".
Things you've liked about previous Nikons have been retained. The D80 uses inexpensive wireless & wired remotes, and it still allows the built-in flash to control other Nikon Speedlights remotely.
Compared to the competition, the Canon Rebel XTi & Sony Alpha 100, the Nikon starts a bit in the hole, considering it's the most expensive camera (by $200 & $100, respectively). The XTi offers a nice "anti-dust" hardware & software solution; while the Sony offers in camera stablization. Both use the rear LCD for info status. While many may prefer the traditional LCD on top (like the D80), the rear LCD does have the advantage of being considerably larger text for older eyes (and on the Alpha, rotates when you rotate the camera for verticals). Too bad the D80 doesn't give you this option as well.
The XTi is smaller and lighter, maybe too small for many people. The XTi also does not offer wireless capability with the built-in flash (like D80/A100). It's battery (hence capacity) is a bit smaller.
The Alpha 100 being Sony's first modern digital SLR means that getting lenses and accessories my be a bit more difficult (even though it uses a lot from the older Maxxum cameras). It's also a bit noiser in its operations.
The D80 adds more AF selections than either of the above cameras, has nice enhancements like grid lines and double exposures. It also comes with a protective cover for the rear LCD.
Lens wise, they greatly outnumber those offered by Sony, particularly in any considered "Pro" grade. While Canon can compete in "Pro" grade with Nikon (particularly in longer length lenses), Nikon has a bit of advantage in wider angles for digital. Nikon only offers one size digital sensor, where as Canon must offer two series (for 3 different chip sizes).
Is the D80 worth the money? For anyone with Nikon lenses, undoubtedly. My recommendation for anyone with Canon EF or Minolta Maxxum lenses: look at those cameras first...but be sure to look at the D80 before you buy.
Lens review: Tremendous! The Nikkor 18-135 gives everybody what they want, an affordable lens with above average quality.
First, the 18-135 range is excellent for a kit lens, equivalent of a 27-200 in 35mm photography. It looks great, zooms smoothly, and balances well. The Silent Wave focusing motor is quiet, quick and smooth, and allows immediate manual focus (no hunting for switches). The internal focus is great for anyone using polarizing filters, and allows for a more efficient tulip shaped lens hood (supplied).
Second, the image quality is very good. The aperture is of average size, so don't expect images to jump out like large aperture lenses, but quality is good throughout the range.
Third, Nikon always includes a better than average 5 year warranty in the US on their lenses.
The only negative is that I always prefer a metal lens mount to a plastic one, although the latter keeps both the weight and cost down.

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The D80 packs high performance and high resolution into a body that is more compact and slimmer than previous Nikon digital SLR cameras. True to Nikon's commitment to intuitive operation, the size, layout and operation of all buttons and controls are designed for maximum ease of use.

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Nikon D3S 12.1 MP CMOS Digital SLR Camera with 3.0-Inch LCD and 24fps 720p HD Video Capability (Body Only) Review

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(More customer reviews)Update: Images up to ISO 51,200 have very acceptable levels of noise (very little). Worst case, I touched up with Dfine 2.0 (noise reduction software) and they look nearly perfect. I experimented with the movie mode. The camera took some very nice looking videos in extremely low light. I don't know what ISO it used, but it must be hitting ISO 102,400 at times. The video and sound using the internal microphone are really good. I may add an external stereo mic in the future if I shoot video. I should have known, you can't shoot movies in vertical format -- of course -- but I did take some that way before I realized that format doesn't work when you play back on a TV.
I've now got a growing collection of images in various conditions and remain extremely pleased with this camera.
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I received my new Nikon D3S only a couple of days ago, and my early testing of this camera has already proven it to be much more than I expected. I took a few dozen test shots in nearly complete darkness and with relatively little noise the shots look like they were taken in fairly bright lighting. I am very impressed. In fact, I would even say they are unbelievable.
I love the new "info" button. I passed over the written material before the camera arrived thinking: who cares. Well, I find it to be an extremely helpful feature. When you press the "info" button, it shows not only the exposure settings, but gives you immediate access to several of the relevant menu options that you can then immediately access and make changes. I find this to be very quick and useful.
The D3S seems a bit bigger than my Nikon D2Xs and other professional bodies I use, but it feels like it's built absolutely solid. Of course, since the D3S is an FX (full frame) sensor, I have heavier lenses attached and in my bag too. I love the D3S ergonomics and the programmable function and other buttons (programmable AE/AL and Preview button). I hate to fumble with menus in the field (sorry Canon 1ds Mark III and 5D Mark IV and others, but Nikon has you beat here), and the Nikon gives fast access to all the key settings.
I haven't done extensive image tests yet, but my first impression is the images are superb, color is very accurate and auto focus is very fast and accurate, even in what I'd call "no light." I have usable images at ISO 102,400 (an amazing seven full stops better than other pro-bodies I use). At this point, I still can't believe how good images look at ISO 102,400, and images at ISO 51,200 and 25,600 look nearly perfect with either no high ISO NR (noise reduction) or standard NR.
Looking at my images at high magnification and they appear much clearer than even higher megapixel resolution bodies I use. I am now finally convinced beyond any doubt that megapixel is more of a marketing ploy than meaningful for professional photographers and other factors are more important.
As a pro who uses high end digital bodies, this is my first choice (maybe my only choice) for most assignments. I do a fair amount of studio work and thought I might opt for the Nikon D3X or even a Canon body since high ISO is not important, but this camera is so good I may use it for all my photography work in all conditions. If I really need high-end studio shots, I'll perhaps use my Mamiya with a digital back or even rent a Hasselblad.

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The D3S is uniquely qualified to meet the changing needs of photographers whose assignments demand 100% from them and their equipment. Leading with uncompromising FX-format multimedia versatility and engineered for demanding professional use at up to 9 fps, the D3S' rugged magnesium alloy construction, comprehensively sealed against dust and moisture, delivers on its promises of superiority. Exacting moments in time are captured to an expanded buffer, allowing continuous capture of up to 82 JPEG (fine) or 36 14-bit NEF (RAW) images. Nikon's newly engineered, original 12.1-megapixel CMOS sensor, teamed with exclusive technologies such as EXPEED image processing, Nikon's Scene Recognition System and a fast, accurate 51-area AF system, work together to assure that both still and smooth 24 fps HD video files exhibit incredible edge-to-edge sharpness, rich color depth and broad tonal range, while barrier-breaking performance enables low-noise ISO sensitivity to 12,800. Expanded ISO sensitivities of 25,600, 51,200 and an astounding 102,400, shatter many long-standing rules of photography. Audio to accompany HD video is preserved with a built-in microphone, while high fidelity stereo sound is recorded through the external Mic input using an optional microphone. More proven technologies include Nikon's renowned 1,005-pixel RGB 3D Color Matrix Metering II, assuring exacting exposure evaluation and white balance detection. Precise image review and menu access comes to life with the D3S' tempered glass-protected and individually factory-calibrated 3-inch, 921,000-dot Live View monitor.A self-diagnostic shutter, tested to beyond 300,000 cycles, and a myriad of inherent benefits stemming from decades of Nikon design experience, round out the D3S' qualifications to meet the needs of professional photographers.

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Nikon 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens for Nikon Digital SLR Cameras Review

Average Reviews:

(More customer reviews)If you take photographs for fun then this is a great lens. I am using it on the ultimate fun camera, a Nikon D40 and the lens completes it very well. I usually don't analyse things to death like photographing text from a Newspaper or grid patterns to measure sharpness or distortion. I just use it to take pictures and observe the results like a normal person would. Having said that I am quite critical and have had really good cameras with excellent optics.
Overall this lens feels like it is a really good product and feels very robust and well made. It is well finished and shows good attention to detail and quality control. The two rings (zoom and focus) feel and glide very well. albeit with a very slight plastic sliding sound. The switches feel fairly OK and generally everything seems like it will last a very very long time. Of course it cannot match a mid 80's Nikon prime lens but it is hard to make such a comparison. Firstly they are built differently with different numbers of components and secondly they are used differently.
Personally I don't understand the difference that a steel camera mount would make over the plastic one this lens has. I suppose if you remove and replace the camera lots of times then it could make a difference. Although having said that a plastic surface on the lens would be kinder the steel mount on the camera. Plastic being self lubricating would prevent both from being scratched. I don't sleep less well at night because of it.
Visually the lens looks a bit plain and lacks the silver ring that the 18-55 came with. It also lacks an writing on the forward business end of the camera. There are also no markings for focal length.
One thing about this lens that I do find very annoying is the extremely fiddly lens cap. Because of the way they moulded the cap the two surfaces you press together to unclip it from the lens front are very short and smooth and have an angle on them that makes the fingers slip off. As a consequence the lens cap has fallen out my hand onto the floor a few times. That is something to remember if you are standing on a grate, a dirty floor or on a clifftop. This is a common problem with the 18-135 and 18-200 lenses.
Now to the lens' performance. It focuses extremely fast and very silently. It has a very useful reach. I have found you can overcome the smaller minimum aperture with a higher zoom and this gives really good bokeh for portraits. The VR works a treat as well. In combination with the camera's really good performance at high ISO it makes it very capable at photographing the insides of restaurants and houses without the need for flash to ruin the colour balance.
The lens is very sharp. The photographs I took came out very well. I have no issues with them whatsoever and anything that went wrong in taking those images I would put down to my relative inexperience.
The lens did not have any negative effects on the colour, I didn't notice any purple fringing or anything other than really pleasant results. Overall I am actually very happy with the sharpness and detail this lens captures.
I am wondering whether to use a UV filter and am not sure about using the petal design hood. There are all sorts of views about the advisability or otherwise of these items.
Other products I compared this to are the 18-55 lens my D40 came with. In its own right it is an excellent lens and seems sharp. It does feel a bit on the lightweight side compared to the 18-105. The 18-135 I tried felt a little bit crude in how the zoom ring moved. It didn't feel as well finished compared to the 18-105 and made plastic sliding sounds when operating the zoom ring. That lens was very sharp too but holding it steady at 135mm was a bit difficult.
I used a 50mm 1.4 manual focus lens from the 80s that had awesome bokeh but was otherwise a pain to use. The other lens I tried was the 18-200mm which was an awesome lens. It had a focus that seemed even faster than the one on the 18-105 but it was a little too big and made the camera feel very front heavy. Because of that it lost a bit of the fun factor. Along with the fact that it was almost 3 times more expensive I am glad I bought the 18-105.
I paid A$385 at Ted's in Highpoint. $385 would equate to US$246 in November 2008. An 18-200 sells for A$1045. Even the 18-135 often sells for more so I feel I got something of a bargain. The people at Ted's are fantastic for customer service and I'm sorry I didn't buy my D40 from them.
Anyway I hope this review helps someone.

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This 5.8x zoom, designed exclusively for use with Nikon's DX-format, features Nikon's VR image stabilization and is perfect for portraits and action. The wide-ratio 5.8x zoomCompact, versatile and ideal for a broad range of shooting situations, ranging from interiors and landscapes to beautiful portraits--a perfect everyday zoom. Vibration Reduction is engineered specifically for each VR NIKKOR lens and enables handheld shooting at up to 3 shutter speeds slower than would otherwise be possible, assuring dramatically sharper images.

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Nikon EG D100 - Video cable - composite video - RCA (M) - mini-phone 3.5 mm (M) Review

Average Reviews:

(More customer reviews)I use this cable with my Nikon D40x. It comes in handy when we are travelling and want to have a quick slide show on a bigger screen. Output can be in PAL or NTSC. Its great to have in your camera bag. I believe the cable comes with the D80 and above. If you don't have one, its wise to get it.

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EG-D100 Video Cable for Nikon D700, D40, D100 and D200 Digital Cameras.

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Nikon D200 10.2MP Digital SLR Camera with 18-200mm f/3.5-5.6G ED-IF AF-S VR DX Nikkor Zoom Lens Review

Average Reviews:

(More customer reviews)No matter how you slice it, this is a great camera.
If you're considering this camera you likely to be in one of two camps: A Nikon person trying to determine whether or not to buy the N50, N70 or the D200; or you already know you want something more on the pro end of the pro-amateur spectrum and are trying to choose between a Nikon and a Canon. If you're in the latter camp then you can't go wrong with either the D200 or any of Canon's offerings. They both make excellent cameras. If you're already a Nikon person, get the Nikon; if you're already a Canon person, get the Canon.
That said, I'm a Nikon person, and after 5 years of having fun with my film-based N80 I wanted to make the leap into real digital photography. I say real, because I've had a Canon Sureshot for 4 years and it's great for snapshots, but when it comes to landscapes or dealing with any kind of lighting issues, it just doesn't measure up. Since I'm a Nikon person (all my lenses work with the new digital SLRs) I looked at the N50, N70 and D200. There are plenty of sites out there that compare these three cameras (against each other and the competition) to death, so I won't bother with all the details.
We buy cameras to take a variety of different pictures and my choice was driven by my needs, so my review is going to be colored by the kinds of pictures I tend to take. My favorite pastime is landscape photography. For this, any of the three cameras will take great pictures. The 6 mega pixels on the N50 and N70 are more than enough to take great pictures - I've got a 20x30 poster of Yosemite's Half Dome taken with a friend's N70 that is as crisp as anything I've seen. Having 10mps gives me more room to play with when it comes time for cropping, though, and that's always nice, but hardly a reason to shell out an extra grand.
My next favorite photography subject is my yellow lab, Happy. If he's standing or sitting still, then all three of these cameras take excellent portrait shots. But when he's moving, such as launching himself off the end of a pier to fetch a toy in the lake, the D200 really shines. Its 5fps burst mode takes perfect pictures. It focuses each shot and with its rich 25 picture buffer built into the camera, I've yet to fill it up. What this means is that it doesn't matter what speed your memory card is. The camera takes its pictures and puts them into its buffer. Then a separate set of processors moves the picture from the buffer to your memory card. I would have to hold the button down for over 8 seconds before the burst mode would slow down (it would simply slow down to the speed of your memory card here - it wouldn't stop taking pictures). This clarity of the pictures in burst mode is what made me choose the D200, and with the 18-70mm DX kit lens you'll get some brilliant photos.
While all three cameras let you take great picture, the D200 makes it very easy to change the most often used settings. Picture quality (e.g. resolution and depth), White Balance and ISO can be changed by holding down a single button with your left hand and rotating the command dials with your right. This means you don't have to take your eyes off of what you're looking at through the viewfinder in order to change these settings, and I find myself changing at least one of these on almost every picture I take. To be sure, you can change them on the N50 and N70 as well, but just not as quickly or easily.
Other things I liked about the D200 are:
o Build. It's made of metal and has a very nice heft to it. The D50 and D70, much like my N80, are made of a very good plastic, and I've never had any problems with the N80, but the D200 just feels good
o LCD. The 2.5 inch LCD makes it easy to determine whether or not you're happy with a picture in the field.
o Color. The auto white balance for the D200 is awesome and the colors are brilliant.
o 4 settings banks. You can preprogram four settings (ISO, WB, Picture Quality, etc) so you can get to it quickly.
One last point - the D200 is very difficult to get a hold of these days, but it's slightly easier to get in kit form (which comes with a lens). The 18-55mm lens is nice, but I prefer the 18-70mm (remember, with digitals you have to multiply the focal length by 1.5 to compare it with their film counterparts, so the 18-70 for digital is more like a 28-105 for film). The 18-70mm kit will run you about $300 more than the body itself, and it's worth it.
If you don't already have a big zoom lens then the new 18-200mm Nikon VR lens is awesome (equivalent to 28-300 for film). It takes stunning pictures and has all the zoom you're likely to need. It runs between $700 and $800 and is even harder to get than the D200 (which is why I don't have one yet :-).
In summary, you can't go wrong with any of these Nikons. The D200, however, is definitely the king of the hill. Happy picture takine!


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The Nikon D200 DSLR promises an extremely satisfying shooting experience, with a winning combination of quality, performance, construction and advanced system features. Employing a newly developed 10.2 effective megapixel Nikon DX Format CCD image sensor, the D200 captures images with remarkable resolution and clarity.

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Nikon ML-L3 Wireless Remote Control for Nikon P7000, D3000, D40, D40x, D50, D5000, D60, D70, D7000, D70s, D80 & D90 Digital SLR Cameras Review

Average Reviews:

(More customer reviews)It's no surprise that when you stand in front of the camera and push the
button, the remote triggers the shutter. There does seem to be some
confusion in reviews, both here and elsewhere, as to the remote's ability
to focus the lens before triggering the shutter.
This remote is capable of focusing the lens before triggering the shutter.
However, it will not focus the lens if the photographer has already
pushed the shutter release button on the camera half way down to focus
the image or if you are shooting in Manual mode and have AF-C set as
the Autofocus mode.
This means that if you are composing a photograph and push the shutter
button half way down to focus the image and you then stand in front of
the camera and push the remote button, the image will not focus
because you've already pushed the camera shutter release button half
way down to focus. To get the image to focus while you are standing in
front of the camera, compose the shot but do not push the camera's
shutter release button half way down, get in front of the camera and
then push the button.

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Nikon ML%2DL3 Remote Control Transmitter for D90%2C D70%2C D60%2C D80%2CD40 and D40X cameras %28SLR Camera Accessories%29 and Lite Touch Zoom Cameras%2E

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Nikon ML-L3 Remote Control for Nikon D40, D40x, D60, D80 & D90 Digital SLR Cameras + Zeikos 57 Inch Full Size Tripod with Exclusive FREE Complimentary Super Deal Micro Fiber Cleaning Cloth Review

Average Reviews:

(More customer reviews)I ordered this tripod so that I could take more steady macro shots with my Nikon D40 SLR and the wireless remote has been awesome for taking group photos. The tripod is SUPER light weight and easy to use, I wish I didn't have to screw my camera into the base to take it on and off but that's the only real detraction with this product. I'm no professional photographer but I think this was a great starter kit for me and my photo needs.
Shipping was really quick and the tripod, remote and lens cleaner have all come in handy. Would definitely order from Super Deal again!

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Kit Includes:1 Nikon ML-L3 Remote ControlSlim wireless remote instantly triggers shutter without disturbing camera.Ideal for subjects that are difficult to approach or for minimizing vibrationsIncludes pouchFor use with Nikon D40, D40x, D60, D80 & D90 Digital SLR Cameras.Also used as replacement or spare for Nikon Coolpix 8400 and 8800.1 Zeikos 57'' Full Size TripodLightweight and collapsible to 22 inches.Suitable for most digital and film cameras, as well as camcorders.Quick release mount for easy transition to handheld shootingProfessional grip for fluid 3-way panning and tiltIncludes carrying case.FREE BONUS SUPER DEAL MICRO FIBER CLEANING CLOTH

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Nikon D90 12.3MP DX-Format CMOS Digital SLR Camera with 18-105mm f/3.5-5.6G ED AF-S VR DX Nikkor Zoom Lens Review

Average Reviews:

(More customer reviews)Several months before the D90 came out, I bought a D60 to hold me over until the D90 was released. Well, I've enjoyed using both cameras, but this one is a huge step up and more suited to an advanced enthusiast, like me. It's a real pleasure to use.
ERGONOMICS - The D90 is solid, tight, and well-balanced with the 18-105 VR lens. It's always ready and it shoots very fast. I love all the direct access buttons; they're easy to press, with good tactile feedback. And since you're not going into the menus as much, you can work faster. It's heavier than the D60, but that's OK. It's still very manageable to carry around and it fits my average-sized hand better too. The shutter sounds different than the D60 (if that matters to you). It sounds more like a professional camera; more like a fast "whoosh" than a "click-click". And there are so many internal customizations that you can set it up exactly as you want.
LENS - Biggest surprise was the 18-105 VR lens which I expected would be ho-hum, but turned out to be pretty sharp and clear. Better results than the 18-55 VR. We've really come a long way from the days (30 years ago) when you were cautioned to ALWAYS to buy a prime lens, NEVER the kit lens because of it's poor image quality. With computer-aided design and new technology, that's not true anymore.
IMAGE QUALITY - I shoot RAW for maximum detail and the ability to adjust settings afterward if necessary - like exposure or white balance. Image quality is very good to excellent depending on your RAW converter. To my eye, best results are obtained with View NX/Capture NX, but Adobe ACR/Lightroom still do a very good job (2010 UPDATE; After using Lightroom the past year, raw conversions are beautiful and far quicker to achieve than Capture NX). When shooting JPGs using the Standard Picture Mode, images are sharp and colors are true, without over-saturation. You can always use different Picture Modes and customize any of them to get closer to the in-camera results you want. For example, you can boost saturation and contrast and save the setting as your default if that's what you like.
LIGHT METER - Metering is fine and seems to be quite accurate in most cases. I use matrix metering mostly. As with any camera, you have to get to know the meter. If I had to be VERY critical, I'd say when it's pushed, it's more likely to preserve shadows than highlights, usually when Active DLighting is on. To me that's a good thing. Another website mentioned a slightly "over-enthusiatic" meter in its review. The good news is: if you really feel exposure results are not to your liking (whether over or under exposed), the meter is fine-tuneable, so go ahead and customize it as you see fit. I would just work with the meter first -get to know the camera and adapt yourself to it before you start making any adjustments. That said, I've used the D90 in a very wide range of lighting conditions and I can truly say that while exposures may vary occasionally, they've always made perfect sense for the situation. I've never been shocked or puzzled by the output.
LIVE VIEW - is great for the occasional high or low shot. I didn't think would need it, but when I had the D60, I found myself in many situations where I really could have used it. Unlike a point-and-shoot, focus is slower in this mode and shooting seems somewhat clunky. I wouldn't use Live View if I were in a rush or trying to get an important shot. It's just a nice little extra.
MOVIE MODE - this is a nice novelty and may be handy in a rare moment, but I'm generally not a video camera person. I'm surprised to read that some people have made movies and commercials with the D90. I keep promising myself to use this feature more, but I don't have a tripod and I'm just too jittery and uncreative to get good cinema-like results. Moreover, from the little I've tried it, I'm not impressed - there's no autofocus during filming and the movie comes out over exposed and far from HD quality. The user manual is not very helpful either. But I didn't purchase the camera for this feature, so I'm not disappointed.
ISO - I really like the new wide range of ISO settings, especially when coupled with the Auto-ISO setting. Mine is customized to keep the camera at ISO 200, but kick in at 1/30. In this example, anytime lighting decreases enough for the shutter speed to drop below 1/30, the D90 will automatically compensate by raising the ISO high enough (up to an ISO limit you set) to help keep your shutter speed at 1/30. Once the ISO maxes-out at your limit, the camera has no choice but to start bringing down the shutter speed. Noise at high ISOs isn't an issue. In fact, you have to zoom in pretty close for it to be even slightly noticeable. I use Auto-ISO mostly all the time. Its an amazing feature! I only turn this feature off when I want to stick to a particular ISO at all times (if its on a monopod or I've stabilized the camera in some way).
ACTIVE D-LIGHTING - helps camera to preserve shadow and highlight detail. More important to use when shooting JPG because the exposure has to be right at the time of shooting, when the camera creates the JPG. RAW shooters can always adjust exposure in post processing. Even though I shoot RAW, I usually leave it on Auto so I can double check the exposure details on the LCD screen. It's available in various strengths from Low to Extra High. Again, another great customization.
CONS
-At this price, Nikon should include a robust image editing software, or at least a decent discount on Capture NX2, which works great, but costs extra.
-Kit lens is thick in diameter (67mm). Also, the front glass of the lens seems somewhat exposed, as if it's not recessed that much (it's just enough for a lens cap). I worry that it'll get scratched easily. Good thing Nikon included the lens hood.
AUTOFOCUS TIP - I customized the D90 to autofocus using the AF-L button instead of the shutter release. Now I can focus with one press of my thumb on the AF-L button and shoot with my index finger on the shutter release. This allows me to focus first, let go, then take the shot. Since the subject is already in focus, I can take multiple shots, recompose or go vertical. I'm not forced to continually re-focus for every shot or move the AF point around in the viewfinder. This minimizes AF mishaps on unintentional subjects. And since the VR system remains off until you half-press the shutter (it activates only when you're ready to take the shot, not while you're focusing) you save on battery life as well.
Also, with the D90 set to AF-C mode (continuous autofocus) you can keep a moving subject in focus by holding down the AF-L with your thumb and shooting with your index finger. If the subject becomes still, simply let go of the AF-L button; focusing stops and is locked where you left it. Then shoot when ready. Now your D90 can act as if it's in Single or Continuous AF mode without you having to change settings all the time. This gives you more immediate control over the behavior of the AF system Try it and you won't go back!
SUMMARY - Overall I'm extremely happy with the D90! It's designed for serious shooting, but it's still fun to use; noticeably heavier than the D60, but still not a burden. You do need to be committed to carrying around a solid DSLR in the first place. Once you get used to that, you'll come to appreciate that it's more substantial because it'll be less shaky during shots. Nikon really packed it with a ton of features and customizations. Now I finally have everything I want in a DSLR, without it being overblown and overpriced. I'm actually surprising myself with some really spectacular shots.
If you have your basic photography skills down, you can make any DSLR sing, however, I believe THIS camera, because of its superb sensor and spot-on feature set, can actually help you improve your technique and get better results. You'll take more chances and push yourself farther because now you have the tools (ie. features) to help capture more difficult, more creative shots. And you didn't have to spend $3,000 to get there!
8-MONTH UPDATE: Still love this camera which hasn't lost any of its original excitement. Very reliable - never frustrating. I'm not craving an upgrade - not contemplating a switch to Canon either - I'm perfectly content. Haven't discovered any hidden quirks. In fact, the longer I use it, the more I realize how well engineered it is. The only extras I bought so far were a light monopod and a 50mm 1.8 lens.

Click Here to see more reviews about: Nikon D90 12.3MP DX-Format CMOS Digital SLR Camera with 18-105mm f/3.5-5.6G ED AF-S VR DX Nikkor Zoom Lens

Fusing 12.3-megapixel image quality inherited from the award-winning D300 with groundbreaking features, the D90's breathtaking, low-noise image quality is further advanced with EXPEED image processing. Split-second shutter response and continuous shooting at up to 4.5 frames-per-second provide the power to capture fast action and precise moments perfectly, while Nikon's exclusive Scene Recognition System contributes to faster 11-area autofocus performance, finer white balance detection and more. The D90 delivers the control passionate photographers demand, utilizing comprehensive exposure functions and the intelligence of 3D Color Matrix Metering II. Stunning results come to life on a 3-inch 920,000-dot color LCD monitor, providing accurate image review, Live View composition and brilliant playback of the D90's cinematic-quality 24-fps HD D-Movie mode.Made in Thailand.

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Nikon D70S 6.1MP Digital SLR Camera Kit with 18-70mm Nikkor Lens Review

Average Reviews:

(More customer reviews)The other reviews and the description seem to properly describe this camera. I am writing this review to give you the perspective of someone who started out with film SLR cameras in school, then got a digital 5MP camera and have used that for years and am now finally getting into Digital SLR photography. This is a big step back into the professional circle for me, and I'm anxious to get out to the zoo or to some vacation spot in the mountains to do my professional photography once again. I purchased this camera almost a month ago and my opinion is that it is the best camera ever made under $2,000. This camera has everything you can need.
I want to warn you, get the full set with the lense. This lense sells for almost $400 and is about the best all around lense you can find. Don't go for the cheap models. I wrote a list about this camera that may appear on this page for you to look at, but be sure that you get the ML-L3 wireless remote (for $20, how can you go wrong) and a spare battery (2,000 pictures sounds like a lot, and I haven't needed to recharge in this month that I've had the camera, but remember that when you go on a trip you may forget to recharge and you don't want to get stuck). Also, get a tripod (try the Slik Tripods U9000, I wrote a review of it and I find it to be the best buy around for a light-weight tripod that acts like a much heavier one) and get a carrying case (the jury is still out, I haven't found one that I like, I want one that will hold two cameras, 4 lenses, a large flash and a bunch of accessories).
If you aren't sure if the D70s is worth the money over the D50 or the D70, it is. The improved autofocusing system is much better than the others and the larger LCD is worth all the tea in China! I leave the LCD protector that came with it on and have no problem seeing my pictures, even outside. Although this is a larger camera than the D50, it isn't much of a difference and you will regret going with the cheaper camera.
If your budget was lower, save up and buy this camera. I bought a CoolPix 5000 a few years back and always kicked myself for not going with the D100. Now I've gone with the best camera on the market and I'm perfectly happy. Plus, I have the satisfaction of knowing that none of my friends can show me a better camera (unless they spent $4,000 or more on a D2X or D2H, and none of my friends can afford to do that)!!!

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Based on the award-winning image quality, high performance and user-friendliness of the Nikon D70, the D70s offers several refinements that will further enhance your digital SLR experience. For starters the D70s features a 6.1 effective megapixel Nikon DX format CCD that yields 3,008 x 2,000-pixel images that are suitable for making large prints, or for creative cropping to bring out detail. With a power-up time of a mere 0.2 seconds, this SLR is basically ready to shoot when you are. Pictures are processed and recorded extremely quickly, and preview images appear on the LCD monitor almost instantly.With the D70s, high-speed action photography is truly a reality. With the ability to shoot a rapid three frames per second (fps) for a continuous burst of 144 pictures, you'll never miss any action. And with shutter speeds that range from 30 seconds to 1/8000 second, or up to a 1/500-second flash synch speed, you'll be sure to have the flexibility you need to capture the action precisely as you want it. Best of all, the D70s employs the Nikon F lens mount for seamless compatibility with the comprehensive lineup of high-quality AF and AF-S Nikkor lenses that have long been favored by professionals around the world. Included with the D70s is the AF-S DX Zoom-Nikkor 18-70mm f3.5-4.5G ED-IF -- a compact standard zoom lens that covers the focal length range of 18 to 70 millimeters, which is equivalent to 27 to 105 millimeters in 35mm format.Professional Quality with Point-and-Shoot Simplicity While the D70s offers many features you'd only expect in a professional-level SLR, the camera also supports many features that make picture-taking a breeze for anyone. The D70s features Digital Vari-Program selections that automatically optimize white balance, sharpening, tone (contrast), color, saturation and hue settings to best match the selected scene. Instead of having to worry about all the camera settings, you can have the option of choosing from one of several "modes" -- such as Auto, Portrait, Landscape, Close Up, Sports, Night Landscape, or Night Portrait -- that will deliver the optimum image for you according to the conditions. This means you can concentrate on capturing that special moment while leaving the details to the camera. And once you've taken your shots, Nikon's PictureProject user interface makes image management, editing and sharing easy and fun. Simply connect the camera to a computer to automatically import pictures. You can also quickly e-mail or auto enhance images, run slide shows, burn CD/DVDs, and access other commonly used functions easily and intuitively. With simple drag-and-drop steps, you can organize pictures into separate collections and quickly locate any file by name, keyword, or date.Among the many other features that make the D70s an ideal digital SLR solution are:
Nikon-exclusive Silent Wave Motor for high-speed auto-focusing with accuracy and super-quiet operation
Internal Focusing (IF) for smoother operation and great balance
Three Nikon ED glass elements, plus aspherical element for low distortion and minimized chromatic aberration
M/A mode for instant switching from auto-focus to manual Nikon D-Signal technology for enhanced flash and ambient exposure control
The camera's included EN-EL3a rechargeable lithium-ion offers up to 2,500 shots per charge, and the large, two-inch TFT LCD monitor offers several playback options, including single frame, four or nine-image thumbnail display, zoom with scroll (up to 4.7x), automatic slide show, histogram indication and highlight point display. In short, the Nikon D70s delivers the professional-level quality an SLR of this class but with many of the convenient automated features that can make photography so fun.What's in the Box D70s, rechargeable lithium-ion battery EN-EL3a, quick charger MH-18a, video cable, USB cable UC-E4, strap, body cap, eyepiece cap DK-5, rubber eyecup DK-20, LCD monitor cover BM-5, PictureProject CD-ROM. Lens kit includes Nikkor 18-70mm lens, HB-32 hood, CL-0915 case, 67mm lens cap, and rear cap.

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Nikon D40 6.1MP the smallest Digital SLR Camera (Body) Review

Average Reviews:

(More customer reviews)The 6 Megapixel Nikon D40 is targeted for those who want a relatively compact and light camera yet having most of the important SLR features. The D40 is priced reasonably (cheaper than D50/D80 and Canon Rebel XTi). In my opinion, if you are still considering whether to get a point and shoot camera or a DSLR, the D40 will be a better choice than any point and shoot camera, by far, even those with 8MP or 10MP. But if you are already deciding to get a DSLR or you want more control of the picture taking experience, then I would recommend you to also test the D50 and/or D80 first before deciding to buy the D40. I want you to make sure that you know what you will get (and not get) with the D40. Don't get me wrong though, the D40 is an awesome camera, and I don't think you will regret buying one. There are some limitation with the D40 which shouldn't bother most people, for example, the D40 doesn't have dedicated button to change picture quality, white balance or ISO settings (which generally only professional/enthusiast will care). Once you understand (and accept) its limitation, the D40 is a potent and exciting photography machine.
Just like all its (DSLR) siblings, the D40 powers on instantly and take pictures with almost no shutter lag which are the major advantages of a DSLR over a point and shoot camera. In addition to the P,S,A,M mode, the picture quality of the auto settings (auto, child mode, landscape etc) are also very good. With 2.5 frames per second you can capture movement progress in sports like football, basketball, baseball etc. Also great to photograph your family or child (child mode). The D40 is a great all around camera.
Some notable new features:
1. Auto (no flash) mode. Without this mode the flash will pop-up (on all other pre-programmed mode) even when you don't want to use flash (which can be annoying). The internal flash will not pop up automatically with the P,S,A,M settings.
2. In camera editing capability such as black and white, sepia and some filter effects etc. While sounds gimmicky, these features are useful especially for those who doesn't have Adobe Photoshop (or other image editing software).
To date, D40 is the smallest and lightest among all the Nikon DSLR (even smaller than the Canon Rebel XT/XTi, however the D40 is more ergonomics). I believe that choosing a camera that fits comfortably with your hands is important. Therefore, I recommend people to test the camera before buying (even if you want to buy online, please do go to a physical store and test the camera first whenever possible).
The D40 has only 3 (horizontal) autofocus point (5 for D50 and 11 for D80). If you know "The Rule of Thirds", the additional AF points above and below the center focus point (available in D50 and D80) are handy to help create the horizontal third line. However, the 3 horizontal AF point in D40 is still helpful to create the vertical third line. Also one can focus with the middle AF point and after the focus is lock then move the frame upwards/downwards to create the horizontal third line. Just make sure the exposure level is still accurate when you move the frame after you lock the focus.
About the 18-55mm II AF-S kit lens: A good lens producing sharp photos (though not a very fast lens). Also decent for close-up/macro photography. Lens uses internal focus technology and focusing operation is silent. A very decent kit lens.
Lens compatibility: Notice that with D40, autofocus function will not work for non AF-S/AF-I lens. If you already have non AF-S/AF-I Nikon lenses and want a backup or replacement camera, you will be better off buying D50, D70s or D80. If you buy the D40, it will be convenient to stick with AF-S and AF-I type lenses. I'm not sure why Nikon choose this route for the D40 (whether to enable smaller size camera or from now on Nikon will only make AF-S lens compatible camera). There are a lot of good Nikon AF-S lenses (price range added: low, medium, high) that are fully compatible with the D40 such as:
- Nikon 18-55mm f/3.5-5.6G ED AF-S DX (L)
- Nikon 18-55mm f/3.5-5.6G ED II AF-S DX (L)
- Nikon 18-70mm f/3.5-4.5G ED IF AF-S DX (L)
- Nikon 18-135mm f/3.5-5.6G ED-IF AF-S DX (L)
- Nikon 18-200mm f/3.5-5.6 G ED-IF AF-S DX VR (M)
- Nikon 55-200mm f4-5.6G ED AF-S DX (L)
- Nikon 55-200mm f4-5.6G ED AF-S DX VR (L)
- Nikon 70-300mm f/4.5-5.6G ED-IF AF-S VR (M)
- Nikon 12-24mm f/4G ED IF AF-S DX (M)
- Nikon 17-35mm f/2.8D ED-IF AF-S (H)
- Nikon 17-55mm f/2.8G ED-IF AF-S DX (H)
- Nikon 28-70mm f/2.8D ED-IF AF-S (H)
- Nikon 70-200mm f/2.8G ED-IF AF-S VR (H)
- Nikon 105mm f/2.8G ED-IF AF-S VR Micro (M)
- And several other expensive prime tele/zoom lens like 200-400mm, 300m, 400mm, 500mm, 600mm.
High priced lens ($1000+) are usually pro level lens which usually have better construction, faster (f-stop), and produce better quality picture. However, often times, lower price lens will serve your needs just fine. I think it is important to know what you want to use the camera for before deciding which camera and lens to buy.
Image quality of the D40 is very good which is #1 factor that I look for in a digital camera.
Here are the pros and cons of the D40 in my opinion:
Pros:
1. Nice out of the camera result picture quality
2. Affordable price
3. Compact size and light weight
4. Large and bright 2.5 inch LCD
5. 2.5 frames per second
6. B/W, Sepia, several more in-camera editing features.
7. Instant power on, fast autofocus and no shutter lag
8. Noise is acceptable at high ISO settings. Auto ISO settings available.
9. Great 18-55mm II AF-S kit lens.
10. Great battery life (400+ on a single charge. 1000+ if flash is not used).
11. Auto (flash off) mode available
12. 1/500 flash sync
Cons:
1. No direct button to change QUAL, WB and ISO settings
2. Grip comfortably but might be a bit too small for some people
3. No top LCD and no front command dial
4. Autofocus will not work with non AF-S or non AF-I lenses (such as the 70-300m G and 50mm f/1.8D lens)
5. No AF/MF switch (have to use the switch on the lens)
6. Only 3 autofocus point
7. 6 Megapixel (More Megapixel needed to print larger than 12 X 18 at 300 dpi)
8. No night landscape mode in pre-programmed settings
9. No in camera image stabilization (like Sony and Pentax) but Nikon has lenses with it (VR).
10. No depth-of-field preview button
In conclusion, the D40 is perfect for those who want high quality pictures, more control (than a point and shoot camera), and have a DSLR experience (instant power on and no shutter lag), without having to carry a bulky camera. And unless you are shooting sports/actions professionaly (which faster focusing processor, faster frames per second and larger memory buffer might be needed), the D40 is pretty much all you will need.
Happy Photographing!
Sidarta Tanu

Click Here to see more reviews about: Nikon D40 6.1MP the smallest Digital SLR Camera (Body)

The lightest, most compact Nikon digital SLR ever, featuring intuitive controls and an ergonomically designed operation that even first-time SLR users can enjoy. Advanced 3-area AF system Automatic control over ISO-equivalent sensitivity from ISO 200 to 1600 with manual override Eight automated Digital Vari-Programs [Auto, Auto (Flash Off), Portrait, Landscape, Child, Sports, Close Up, and Night Portrait] optimize white balance, sharpening, tone, color, saturation and hue to match the scene Near-instant 0.18-second power-up Versatile shutter speed control with a range from 30 to 1/4000 s, plus bulb Creative in-camera effects and editing functions consolidated under the new Retouch menu, including D-Lighting, Red-eye correction, Trim, Monochrome settings (Black-and-white, Sepia, Cyanotype), Filter Effects (Skylight, Warm filter, Color balance), Small Picture and Image Overlay Large 2.5-inch LCD monitor Information displays can be shown in Classic, Graphic or Wallpaper format Assist Images help select the appropriate settings for many camera features by showing an example image typical of that setting Large, bright viewfinder with 0.8x magnification Fast image data transfer and recording to SD memory cards of up to 4GB capacity Exposure Metering System - TTL full-aperture exposure metering system Electronic-Flash - Auto, Portrait, Child, Close Up, Night Portrait modes Uses Nikon AF-S Lenses Unit Dimensions (W x D x H) - Approximately 5.0 x 2.5 x 3.7 inches; Weight - Approximately 1lb. 1oz. without battery, memory card or body cap Nikon USA 1-Year Warranty

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Nikon 18-55mm f/3.5-5.6G ED II AF-S DX Nikkor Zoom Lens Review

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(More customer reviews)We have here the Nikon 18-55mm kit lens that is seemingly designed to do one thing: make you want more. I received mine as part of my kit package with my Nikon D40. It is a decent lens that cuts corners all over to keep price down, and doesn't really do anything great. However, for those first starting out, it's light as a feather, simple to use, and at least for the initial month or so, all you need to get out and start capturing memories.
As expected for the price, it is of relatively low-grade plastic construction, to include the mount (the part at the rear that connects to the camera), however the optics are uncharacteristically sharp. While it is an AF-S lens (focusing element in the lens and not the camera), it doesn't benefit from full-time manual override found on other AF-S lenses (that is, you're able to make manual adjustments after the lens has focused). I'm sure that Nikon did this as a cost-cutting measure. For users of this lens, this shouldn't be an issue as you can always switch over to manual focus anyway via a switch on the lens or camera (save the D40/X which doesn't have an internal focus motor and as such no switch on the camera). However, more experienced users will find the manual focus ring quite distasteful. Also, since the front element rotates, use with a polarizer will be annoying.
With a variable aperture of 3.5-5.6 you can easily get available-light shots for outdoor daylight photos, and well-lit indoor photos without jacking up the iso too high at the wide end, but near the long end, you're going to need to use a flash unless you use a relatively slow shutter speed or high iso setting. You're going to get some vignetting (darkening of the corners) on the wide end, as with any wide-angle lens, but this can be corrected with most post-processing software, like Photoshop. Also, there will be CAs or purple fringing with high contrast images.
The range is quite short, though not as bad as say the 17-35 or the 35-70 (which outclass this lens in every way, shape and form), and will definitely have you wanting for just a little more reach at the long end. The Nikon 55-200mm f/4-5.6G ($199.95 Amazon) is an excellent compliment to this lens, or if you can afford it, the Nikon 70-300mm f/4.5-5.6G AF-S VR ($473.32 Amazon). The difference between 55 and 70 is fairly small and won't be missed (but the difference in price will hurt a little more). 18mm will most likely be plenty wide allowing you take large group, landscape shots, and even some fun distorted portrait shots due to the barrel roll at the wide end.
All in all, this is a lens to get you started, but leaving you wanting for more. More range, faster light gathering, better construction, etc. Its cheap construction is enough to keep price down, but won't take very much abuse. Also, being a kit lens, you'll be hard pressed to sell it unless packaged with the camera if you ever upgrade lenses in the future. It is what it is, with the only alternative at this price being the Nikon 50mm f/1.8D ($109 Amazon) aka, the nifty fifty.

Click Here to see more reviews about: Nikon 18-55mm f/3.5-5.6G ED II AF-S DX Nikkor Zoom Lens

Designed exclusively for Nikon DX-format SLR cameras, this 18-55mm lens approximates the picture angle performance of a 27-82.5mm lens in the 35mm format, ensuring superb versatility in a wide variety of shooting situations. The lens offers such features as a Silent Wave Motor (SWM) with a compact rod-type design that provides fast, ultra-quiet autofocusing; an ED glass element that minimizes chromatic aberration and produces a superior optical performance; a hybrid aspherical element that delivers high resolution and contrast; and a seven-blade rounded diaphragm that produces more natural out-of-focus highlights. The focus mode switch, meanwhile, makes it a breeze to switch quickly between autofocus (A) and manual (M) focus. Finally, the lens's Super Integrated Coating minimizes ghosting and flare to provide an even higher contrast and more vivid images, even in challenging light conditions. All Nikon lenses carry a five-year warranty.

Focal length: 18-55mm
Maximum aperture: f/3.5-5.6
Minimum aperture: f/22-38
Lens construction: 7 elements in 5 groups, with one ED glass element
Picture angle: 76 to 28 degrees (at 50 feet)
Minimum focus: 0.9 feet throughout entire zoom range
Filter attachment size: 52mm
Included accessories: LC-52 snap-on front and rear lens cap
Dimensions: 2.7 inches in diameter and 2.9 inches long
Weight: 7.2 ounces

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Nikon Camera Control Pro 2 Software Full Version for Nikon DSLR Cameras Review

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(More customer reviews)I wasn't sure about this. I shoot portraiture photography and have seen how other similar software, Leaf Capture and Canon's Remote Capture performs. What captured my interest (pardon the pun) was of course the advantage of being able to see the images on PC immediately. To finally have the ability to verify 100% of the time that focus, exposure, lighting, and of course composition were all the way I wanted them.....which means great shots all the time, ditching the bad ones immediately, and little to no time in post processing.
The Leaf and Canon software I have seen in use ran very fast which is absolutely important here. How useful would any of this be if when shooting tethered to the PC the pictures started stacking up or heaven forbid froze the computer?
So I downloaded a trial copy from Nikon first. I am pleased to say it runs fast. Previews pop up on screen in no more than one second, even when shooting tif on my D300 which are 35MB files. What pleased me even more is that it ran equally fast on my notebook computer which does not have near the processor or graphics power of my desktop PC.
You are managing 3 windows when working with your camera tethered to the PC. There is a preview window that is resizable showing the images very quickly. It can be configured for different magnifications, single frame view or filmstrip view. A second, smaller, window shows a histogram and download status of the files as they are coming in. The third window is a camera control window that allows remote triggering and access to all on camera settings and menus. If you have a Nikon D3 or D300 you can also work in Live View on screen in both the handheld and tripod modes. Finally found a use for the Live View I suppose; which up until now I have found to be an extremely over hyped useless feature on the new Nikons.
So........what's the "but" all about in the title of my review you ask? Leaf and Canon give their remote capture software to their customers when they lay out thousands of dollars. This seems to be a notion that Nikon hasn't seen fit to subscribe to, yet.
So that is my complaint. I can really use this software or I would never have purchased it. It performs very good and is very useful, but Nikon customers should not have to purchase something like this after they laid down 2000 to 5000 dollars for a camera.
Paul Stewart
Hendersonville, TN


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Camera Control Pro software enables simplified remote control of many Nikon digital SLR functions from a personal computer, and includes advanced features such as "Viewer" that provide substantial improvements in operation. Includes Software CD-ROM User Guide.

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Nikon D300 DX 12.3MP Digital SLR Camera (Body Only) Review

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(More customer reviews)Since 2006 I have owned a D200 for serious shooting situations and I got a D40 in early '07 for everyday shots (an awesome camera - I give it SIX stars! - a whole separate review is needed!), and after hearing about the D300 release in late 2007 I debated over whether to get one. I was really happy with my D200, which I took on some overseas trips and it performed perfectly. After demo-ing a D300 in stores and reading some online reviews, I decided to take the plunge. It was a big investment but now I have no regrets - if not for the entire package, then for one thing: COLOR! Or one more thing: what Nikon calls 'Active D-Lighting' (translation: a significant change in the processor's realistic rendition of contrast, highlights, shadows, etc. - the entire package of "TONE"). Also - can an LCD rear-screen get any better than this?? In Jim Cramer-parlance I have to say that this model is definitely "best of breed".
Pluses and minuses: (note: edited every once in a while since I've used it for almost 6 months now and thousands of captures - last edit was done on 4/9/08)
PLUSES:
- Incredibly vivid, pleasingly, really surprisingly saturated color reminiscent of Velvia (high-saturation Fuji film used in slides, etc.) is now made possible by selecting the "Vivid" option in the "Picture Control" menu and cranking up the "Saturation" option - there are three levels beyond the default "0" - which sets it just about at the highest possible saturation that could be set in the D200. Even boring photos of things around the home, outside, etc. seem interesting and... well, exciting and vivid... with it set at +2 or +3 (although the +3 setting is a bit extreme for people photos, and renders their skin color a bit more intense than appears naturally). At the +3 setting even blase photos of ordinary things approach purposely-understated "art" in a MoMA-like way. For people I am finding Vivid+1 or Vivid+2 a bit more natural indoors with natural light, as the Vivid+3 saturates just a bit more than I prefer. Just like Velvia, these settings also do not warm the cool colors - one of the minuses of other cameras' 'vivid' settings - this is what's best (your cool blues, greys, greens, etc. stay cool, while the reds, yellows, oranges, bright blues/greens/etc. - watch out!) (Edited note: after about 3,000 shots I saw that indoors it might be best to do a manual white balance preset off a white wall or carpet or something and then shoot in vivid mode, since in the automatic WB mode the reds tend to get boosted quite a bit under typical indoor light and some of my subjects looked like they had a very dark suntan, or even a sunburn, in the middle of December! Careful with this... also tried standard - i.e. not vivid - color settings with +1 or +2 saturation, and these were very realistic, although the backgrounds can be dull if you're intent on vivid colors all-around. Maybe best to use those on portraits only. Try them all out and see what works best.)
- On-board so-called "Active D-Lighting" renders shadows and highlights in an very realistic manner, with no raising up of delicate shadow tones to mid-levels (as my outstanding, near-perfect-in-its-class Nikon D40 tends to do) - this really must be seen to be believed. Coupled with the color quality (and deep saturation noted above), the detail in the highlights is excellent. The D40/D200 have this feature in post-capture (i.e. you adjust the captured image yourself) but this seemed rather crude; here it is said that the Nikon actually computes the needed adjustment and does it specifically for the scene you've captured. No more blown or off-color highlights in those 'rare' occasions when overexposure seeps into a shot in a very contrasty frame.
- The new LCD screen is 3" in size and has a whopping 920,000 pixels (versus 230,000 for the D200, D80, D40, etc.) of resolution - which means image review to check focus, color, etc. is impossibly accurate and well beyond the already very high quality of Nikon's 2.5 inch screens and way, way beyond that of the Canons with the greenish-greyish-tinted LCDs even on expensive models like the much-venerated full-frame 5D. Doesn't even come with a LCD protector cover like the D200 did because it's made with tempered glass and is super resistant to scratching, damage, etc. No more looking through plastic - however transparent - when reviewing shots or setting colors, lighting, etc. (Kind of always bothered me, that.)
- 100% coverage viewfinder - excellent, and not cluttered up, making composition cleaner; nothing engraved in the viewfinder to get in the way (although you can optionally set the horizon-level grid to be on all the time, which I do, since it leaves an open space in the middle anyway, and those off-balance shots are a pain to fix).
- 51-points of autofocus available - at first I didn't really care much as I tend to do the old-school method of using one point for focus, then recomposing - but I started using the 51-point AF mode (the full-rectange setting that uses all sensors) and found that I don't need to do this as the D300 always seems to pick the object I wanted to focus on - making things much, much easier - although for really unusual shots with a subject in focus and others way out of focus, I move to the manual mode; the AF system is excellent in speed and accurate tracking of the object of focus as well (i.e. a running child, etc.) The 51 points make this very easy to do. Fiddling around in the store I saw on the big $5k D3 the points are better looking (little red spots) and less intrusive when composing than these large-ish black rectangles on the D300, but I can live with that (although it reminds me "hey, you don't have a D3!...").
- There were issues about firmware and exposure on the D40, D80, where they tended to expose too brightly, and we had to set it manually to -0.3 or -0.7 to get back to normal exposure. Not on the D300. Perfect all-around. Still, adjusting WB and exposure can make or break the shot. Especially nice is the cloudy or 'shadow' setting for indoor shots in bright sunlight; everything looks pleasingly warm, even if just a tinge more than natural. Give it a try if you like warm colors. Interesting shots can be had using 'tungsten' outside in the snow - a blue-grey monochromatic world. (If you have snow, that is.) Manual WB setting is easy off of a wall, or carpet, or napkin, etc. as usual with the Nikons in this range, and makes quite a bit of difference in odd-lighting situations (i.e. very dim room, etc.) where the automatic presets, although excellent, don't work well (especially that 'tungsten' - in normal home incandescent lighting in the evening everything is medium-blued-out - who uses this? Or am I using it incorrectly? I set WB in that situation off the wall or rug.)
- other than the full-frame sensor (no small difference, that is) and high FPS, there appears, from what I am reading, to be no major differences (unless you're a sports or news shooter) from the highly-lauded D3, which costs 3x what the D300 costs; the D3's awesome high ISO performance can be mimicked by turning off the high ISO noise reduction set "on" in the default mode in the D300 (see below) Of course, the D3 has many other features that make it best for pro sports shooters, etc. who need that size and power, and of course, full-frame has no comparison - but I have a bag full of DX lenses (and some non-DX primes) and not ready to put out $10k+ for a D3 plus a 14-24, the new 24-70 and the 70-200, etc. that I'd want. The differences in picture quality due to the full-frame sensor (and other features I wouldn't need as I don't shoot sports or news) are outweighed by the cost involved and the marginal nature of the difference overall. Image quality is essentially the same - except for the pluses of the full-frame, especially noticeable in really big prints. Also the usual full-frame focal length versus DX issue remains alive here - yes, that "35mm on a DX is equivalent to a..." continues, and probably will as long as DX lenses remain in our bags. Edit: I have tried the D3 for a shooting session and it does focus incredibly fast, much faster than the D300 in some cases. The speed of the focusing and the shutter itself are unbelievable; that camera is the Ferrari or Lamborghini of Nikons. The D300 may be the Porsche - hey, not a bad compromise - it's unlikely that the average pro-sumer will need the power of the D3 (or of a Ferrari - ever try to do 140mph on the NJ Turnpike?).
These were my big main pluses which justified the transition from the D200, but there are a few more which don't really appeal to me but will for some:
- Live View (you can see the image on the LCD screen) - perhaps this might appeal to a tripod-user setting up a photo, but I doubt I'll ever use it. Smacks of "point-and-shoot", I think, but could be handy in some cases where it is hard to position the eye at the viewfinder (behind the sofa?...) (Edited note: should not have panned this - gave the camera to my 21 year old niece, who tried to take a Christmas portrait of my family and I together - and got half of us in the bottom of the frame, and an empty top half of the frame! - for those who basically grew up using live view digital cameras, this feature is very useful - just set it and let them shoot - I think the weight of the D300 and the fact that she had to use a (gasp!) viewfinder (as opposed to the RAZR internal cellphone camera) threw her off. Some creative cropping may save the shot, anyway.)
- Ultrasonic Sensor Cleaner - like the Canons and Pentaxes, Sonys, etc., Nikon finally offers a sensor cleaner (which is user-operated, not constantly running at each power-up if you set it that way). Might be useful after hard shooting in dusty or otherwise...Read more›

Click Here to see more reviews about: Nikon D300 DX 12.3MP Digital SLR Camera (Body Only)

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