Showing posts with label fx. Show all posts
Showing posts with label fx. Show all posts

Nikon D3S 12.1 MP CMOS Digital SLR Camera with 3.0-Inch LCD and 24fps 720p HD Video Capability (Body Only) Review

Nikon D3S 12.1 MP CMOS Digital SLR Camera with 3.0-Inch LCD and 24fps 720p HD Video Capability (Body Only)
Average Reviews:

(More customer reviews)
Update: Images up to ISO 51,200 have very acceptable levels of noise (very little). Worst case, I touched up with Dfine 2.0 (noise reduction software) and they look nearly perfect. I experimented with the movie mode. The camera took some very nice looking videos in extremely low light. I don't know what ISO it used, but it must be hitting ISO 102,400 at times. The video and sound using the internal microphone are really good. I may add an external stereo mic in the future if I shoot video. I should have known, you can't shoot movies in vertical format -- of course -- but I did take some that way before I realized that format doesn't work when you play back on a TV.
I've now got a growing collection of images in various conditions and remain extremely pleased with this camera.
-----------------
I received my new Nikon D3S only a couple of days ago, and my early testing of this camera has already proven it to be much more than I expected. I took a few dozen test shots in nearly complete darkness and with relatively little noise the shots look like they were taken in fairly bright lighting. I am very impressed. In fact, I would even say they are unbelievable.
I love the new "info" button. I passed over the written material before the camera arrived thinking: who cares. Well, I find it to be an extremely helpful feature. When you press the "info" button, it shows not only the exposure settings, but gives you immediate access to several of the relevant menu options that you can then immediately access and make changes. I find this to be very quick and useful.
The D3S seems a bit bigger than my Nikon D2Xs and other professional bodies I use, but it feels like it's built absolutely solid. Of course, since the D3S is an FX (full frame) sensor, I have heavier lenses attached and in my bag too. I love the D3S ergonomics and the programmable function and other buttons (programmable AE/AL and Preview button). I hate to fumble with menus in the field (sorry Canon 1ds Mark III and 5D Mark IV and others, but Nikon has you beat here), and the Nikon gives fast access to all the key settings.
I haven't done extensive image tests yet, but my first impression is the images are superb, color is very accurate and auto focus is very fast and accurate, even in what I'd call "no light." I have usable images at ISO 102,400 (an amazing seven full stops better than other pro-bodies I use). At this point, I still can't believe how good images look at ISO 102,400, and images at ISO 51,200 and 25,600 look nearly perfect with either no high ISO NR (noise reduction) or standard NR.
Looking at my images at high magnification and they appear much clearer than even higher megapixel resolution bodies I use. I am now finally convinced beyond any doubt that megapixel is more of a marketing ploy than meaningful for professional photographers and other factors are more important.
As a pro who uses high end digital bodies, this is my first choice (maybe my only choice) for most assignments. I do a fair amount of studio work and thought I might opt for the Nikon D3X or even a Canon body since high ISO is not important, but this camera is so good I may use it for all my photography work in all conditions. If I really need high-end studio shots, I'll perhaps use my Mamiya with a digital back or even rent a Hasselblad.

Click Here to see more reviews about: Nikon D3S 12.1 MP CMOS Digital SLR Camera with 3.0-Inch LCD and 24fps 720p HD Video Capability (Body Only)

The D3S is uniquely qualified to meet the changing needs of photographers whose assignments demand 100% from them and their equipment. Leading with uncompromising FX-format multimedia versatility and engineered for demanding professional use at up to 9 fps, the D3S' rugged magnesium alloy construction, comprehensively sealed against dust and moisture, delivers on its promises of superiority. Exacting moments in time are captured to an expanded buffer, allowing continuous capture of up to 82 JPEG (fine) or 36 14-bit NEF (RAW) images. Nikon's newly engineered, original 12.1-megapixel CMOS sensor, teamed with exclusive technologies such as EXPEED image processing, Nikon's Scene Recognition System and a fast, accurate 51-area AF system, work together to assure that both still and smooth 24 fps HD video files exhibit incredible edge-to-edge sharpness, rich color depth and broad tonal range, while barrier-breaking performance enables low-noise ISO sensitivity to 12,800. Expanded ISO sensitivities of 25,600, 51,200 and an astounding 102,400, shatter many long-standing rules of photography. Audio to accompany HD video is preserved with a built-in microphone, while high fidelity stereo sound is recorded through the external Mic input using an optional microphone. More proven technologies include Nikon's renowned 1,005-pixel RGB 3D Color Matrix Metering II, assuring exacting exposure evaluation and white balance detection. Precise image review and menu access comes to life with the D3S' tempered glass-protected and individually factory-calibrated 3-inch, 921,000-dot Live View monitor.A self-diagnostic shutter, tested to beyond 300,000 cycles, and a myriad of inherent benefits stemming from decades of Nikon design experience, round out the D3S' qualifications to meet the needs of professional photographers.

Buy Now

Click here for more information about Nikon D3S 12.1 MP CMOS Digital SLR Camera with 3.0-Inch LCD and 24fps 720p HD Video Capability (Body Only)

Read More...

NIKON 14mm f/2.8D ED AF Ultra Wide-Angle Nikkor Lens Review

NIKON 14mm f/2.8D ED AF Ultra Wide-Angle Nikkor Lens
Average Reviews:

(More customer reviews)
This is an absolutely fantastic lens - light for its size, and fast focusing too (not that you often need fast focus for wide-angle shots, that is). Quite simply, once you get used to Nikon speed of focusing, even very marginally lower speeds of Canon feel like an eternity.
If you are even considering buying this product, you know very well already what it is and what it does. I just wanted to emphasize the AF speed and clear markings which, in my view, are better than on comparable products from other manufacturers.

Click Here to see more reviews about: NIKON 14mm f/2.8D ED AF Ultra Wide-Angle Nikkor Lens

Includes NIKON's built-in CPU and distance signal features / Also features A-M switch / Built-in flower shaped lens hood

Buy NowGet 13% OFF

Click here for more information about NIKON 14mm f/2.8D ED AF Ultra Wide-Angle Nikkor Lens

Read More...

Nikon 28-300mm f/3.5-5.6G ED VR AF-S Nikkor Zoom Lens for Nikon Digital SLR Review

Nikon 28-300mm f/3.5-5.6G ED VR AF-S Nikkor Zoom Lens for Nikon Digital SLR
Average Reviews:

(More customer reviews)
Received this lens 2 days ago and took it around town and to a baseball game to try it out on my D700. Overall I am very pleased with it. The zoom range allows for great flexibility, the autofocus is fast, VR II superb as on other Nikon lenses. While the zoom is not as loose as the early 18-200mm lenses, you do need the included lock for it not to creep if you carry the lens pointed down on your camera. The weight of the lens as other reviewers say is quite comfortable - mine with clear protective filter comes in at 860g, just a touch heavier than the 70-300mm but not something you'd noticed without a scale. Build quality is very solid.
I tested this lens against my 70-300mm f4.5-5.6 VR and the 16-35mm f4 VR and overall I was pleasantly surprised how well the new lens did. Three things potential buyers should be aware of:
1) while the lens is listed as 28-300mm it seems to be neither quite 28mm (the angle of view is slightly narrower than the 16-35mm set to 28mm), nor does it quite extend to 300mm (the 70-300mm gets a bit more enlargement). This is not a big issue in normal use since you'd never know the difference without a side by side comparison, but if you're buying the lens specifically for either extreme of the range be aware of this. I don't have equipment to test so you'll have to wait for professional reviews to tell you exactly what the actual range is in mm.
2) while overall I'm very pleased with the quality - no ghosting during shots I took at the ballgame despite not having Nanocoating - when you compare side by side it is not as sharp as either of the other lenses and has, as is to be expected given the zoom range, more distortion. Again nothing that would jump out at you if you just saw a photograph, but side by side especially at 300mm you do notice that fine details (textures, text) are more crisp when taken with the 70-300mm.
3) The lens very quickly goes to f5.6 - by the time you're at 70mm you're at f5.0, and by 105mm you're at f5.3. Before buying I had wondered how this lens compares to the new 24-120mm f4, and I suspect that lens is slightly sharper and if you shoot a lot at portrait length you will fine the full extra stop (f4 vs 5.6) to be quite useful. Note I have NOT actually tested the 24-120 since it' not available yet. And of course that lens is about 25% more expensive.
Overall I'm very pleased with this lens, and despite the difference in sharpness this lens will be replacing my 70-300mm in my bag for most purposes - pretty much the only time I'd take the 70-300mm would be to specifically shoot wildlife or objects I know will be far away and I'm trying to keep the weight down (and obviously if you're really into wildlife you should get yourself a faster longer range lens than the 70-300mm).
Basically with this lens and the 16-35mm you cover an amazing range in two lenses and both of them are excellent lenses with AFS, VR II, etc.

Click Here to see more reviews about: Nikon 28-300mm f/3.5-5.6G ED VR AF-S Nikkor Zoom Lens for Nikon Digital SLR

The Nikon Nikkor 2191 AF-S 28-300MM ED VR is an ideal lens for FX-format D-SLRs, featuring a 10.7X zoom, close focus to 18” at every focal length and VR II image stabilization. Versatile 10.7x zoom lens with ED glass and VR II image stabilization Versatile zoom lens offers a broad focal length range that's perfect for travel, landscapes, portraits and distant subjects. Plus, the Nikon Nikkor 2191 AF-S 28-300MM ED VR Lens is Optimized for edge to edge sharpness on both FX and DX-format D-SLRs DX-format D-SLR angle of view is equivalent to a focal length of 42-450mm in FX/35mm format. Order the Nikon Nikkor 2191 AF-S 28-300MM ED VR Lens today!

Buy Now

Click here for more information about Nikon 28-300mm f/3.5-5.6G ED VR AF-S Nikkor Zoom Lens for Nikon Digital SLR

Read More...

Nikon 28-200mm f/3.5-5.6G ED IF Autofocus Nikkor Zoom Lens Review

Nikon 28-200mm f/3.5-5.6G ED IF Autofocus Nikkor Zoom Lens
Average Reviews:

(More customer reviews)
I bought 28-200 G today to compliment the 50mm and 18-70 kit lens. I had some hope that the lens would be "good enough" and I'm very surprised at just how good this small lens is. I also tested the 24-120 VR. Call me crazy, but it seemed soft to me. When I got home I looked at the tests and the results from the VR lens were actually fine, so I think it was just the viewfinder. What really killed it for me was that 120 was just not enough reach (for me) for a really versatile walk-around lens. I took the 28-200 home and did some tests. This is a very nice lens. I found images very close in sharpness to the kit lens wide open. The near instant focus wasn't there of course (and missed!), but otherwise this is a lens that does a lot of things well. Focus was spot on and I tried some test macro shots fully zoomed in, also very nice. It's small and light and feels quite sturdy. At under 300 dollars it's a bargain that gives you all the reach you need in most cases. I couldn't see the point in waiting for the 55-200. It's simply starts too high for a walk-around all-in-one lens. I did more tests and shot a detailed object with the 28-200, 18-70 and the 50mm 1.8 all at 50mm at F6. The 28-200 was sharper than the kit lens! Samples may vary of course, but there's little doubt that the little 28-200 is nicely designed item that will also handle some macro work. Nikon also has a new 55-200mm on the way, but on a DSLR it'll be poor for a walk-around. I plan to add the 80-400 VR soon.
As others have said, the 28-200 may be a lens to live on the camera most days. If you're looking for a very nice all-in-one for that vacation or casual use, this lens delivers. Now if they make this lens a VR with the S motor we'd really be cooking!
Capt Robert B

Click Here to see more reviews about: Nikon 28-200mm f/3.5-5.6G ED IF Autofocus Nikkor Zoom Lens

Md) Cl) Aa) Nik 28-200 F/3.5-5.6g Af

Buy Now

Click here for more information about Nikon 28-200mm f/3.5-5.6G ED IF Autofocus Nikkor Zoom Lens

Read More...

Nikon D7000 Digital SLR Camera & 18-105mm VR DX AF-S Zoom Lens with 16GB Card + Filter + Case + Accessory Kit Review

Nikon D7000 Digital SLR Camera and 18-105mm VR DX AF-S Zoom Lens with 16GB Card + Filter + Case + Accessory Kit
Average Reviews:

(More customer reviews)
OMG. I put my order of the camera and they cancelled it without informing me.
When I called the customer service and try to get it solved, the customer service
representive was really not willing to help and hang up my phonecall! How bad
attitude you can expect from a seller? It seems they don't even care.

Click Here to see more reviews about: Nikon D7000 Digital SLR Camera & 18-105mm VR DX AF-S Zoom Lens with 16GB Card + Filter + Case + Accessory Kit

The 16.2-megapixel Nikon D7000 Digital SLR Camera enables users to capture stunning images with superior performance. Features include a 3.0-inch LIVE View monitor, Customized 39-Point AF System, In-Camera retouch image editing, shooting as fast as 6 FPS, ISO sensitivity from 100 to 6400, built-in sensor cleaning, Full 1080p HD Video, D-Movie Mode and much more.

Buy Now

Click here for more information about Nikon D7000 Digital SLR Camera & 18-105mm VR DX AF-S Zoom Lens with 16GB Card + Filter + Case + Accessory Kit

Read More...

Nikon D7000 16.2MP CMOS Digital SLR DX Format with VR Lenses and Accessory Kit Review

Nikon D7000 16.2MP CMOS Digital SLR DX Format with VR Lenses and Accessory Kit
Average Reviews:

(More customer reviews)
great camera! I love the bells and whistles, but the basic feel and ease of operation really sell me. the layout of the functions are smart. if this camera was a woman, I'd marry it.

Click Here to see more reviews about: Nikon D7000 16.2MP CMOS Digital SLR DX Format with VR Lenses and Accessory Kit

16.2MP DX-Format CMOS sensor that works together with Nikon's EXPEED 2 image processor, 1080p HD video with full time autofocus, 6FPS burst shooting, a 39-Point AF System, autofocus fine tuning, a 3" LCD display and pentaprism optical viewfinder, and dual SD/SDHC/SDXC memory card slots. Factory Supplied Accessories EN-EL15 Lithium-Ion Battery MH-25 QuickCharger Camera Strap USB Cable Audio Video Cable DK-5 Eyepiece Shield (Replacement) DK-21 Rubber Eyecup BM-11 LCD Monitor Cover BF-1B Body Cap BS-1 Hot-Shoe Cover ViewNX 2 CD-ROM User's Manual 1-Year Limited Warranty Sunset Electronics Package Includes Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD (BLACK) Nikon 18-55mm Zoom NIKKOR VR Lens Nikon 55-300mm Zoom NIKKOR VR Lens 16GB Hi Speed Error Free Memory Card Hi Speed Card Reader Dedicated ETTL Bounce / Swivel Flash 3 Piece 58mm Filter Kit for Camera Soft Deluxe Carrying Case Hard Tulip Lens Hood 72 inch Size Tripod LCD Screen Protectors Exclusive Sunset Electronics Cleaning Cloth

Buy Now

Click here for more information about Nikon D7000 16.2MP CMOS Digital SLR DX Format with VR Lenses and Accessory Kit

Read More...

Nikon D700 12.1MP FX-Format CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only) Review

Nikon D700 12.1MP FX-Format CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only)
Average Reviews:

(More customer reviews)
I am making this review of the Nikon D700 from the perspective of someone who also owns a Nikon D300.
Without qualification, the Nikon D300 is a superb camera. So many superlatives have been used with the D300 that I will not repeat them here. All the superlatives used with the D300 applies equally well to the D700. I will add however that as good as the superlatives may have been with the D300, the D700 deserves a bit more.
Let me explain.
The Nikon D700 is equipped with a full frame FX sensor (36.00mm x 23.90mm). This is the same sensor used by the Nikon D3. Nikon D3 12.1MP FX Digital SLR Camera (Body Only) The D300 on the other hand uses the APS-C sensor (23.60mm x 15.80mm). Both the D700 and the D300 have about the same 12 megapixel rating (with the D300 actually slightly higher).
The D700 having a bigger sensor than the D300 but with about the same megapixel rating means that the size/pixel density of the D700 is much lower than the D300. The ratio is 1.4MP/cm2 vs 3.3MP/cm2 for the D700 and the D300 respectively. A lower ratio means lower noise and this ratio favors the D700. For the D700, this translates to lower noise in capturing the same image than when using using the D300.
The D700 lower noise level in turn translates to the D700 being able to operate at a higher ISO level than the D300. The D700 can operate as high as ISO 25,600 while the D300 can go up to ISO 6,400. It is of course quite rare to shoot at such high ISO as it will always be better to shot at a lower ISO rating. But if both the D700 and D300 were shooting at the same ISO, the D700 will have lower noise levels. Simply put, the higher ISO capability of the D700 versus the D300 indicates the higher level of performance of the D700's sensor vs the D300.
My actual use validates this theoretical advantage. I noticed that while the noise level of the D300 is very good at ISO 1600 and even 3200, the D700 consistently showed lower noise level than the D300 shooting at the same ISO setting and light condition. This is most noticeable when shooting at night with many bright lights in the periphery of the main subject.
In terms of color rendition, I have not noticed any significant differences between the D300 and the D700 in the limited time that I have been using the D700. It may be due to the fact that I have conducted my test at dusk and at night.
When using the D700, the full frame sensor means that one will not need to convert the focal length of the lens by a factor of 1.5x. So a 50mm lens will be a 50mm lens for the D700 rather than its 75mm equivalent when used with the D300.
While this may appear to be a disadvantage on the telephoto side, its gain on the wide angle side is considerable and can only be described as an eye opener. The D700 advantage in wide angle application does not just come from its wider perspective. Rather, it is how the D700 maximizes and makes full use of such excellent lens as the Nikon 14-24mm f/2.8 that makes buying the D700 such an eye opener.
The resulting images taken with the Nikon D700 and the Nikon 14-24mm are clearer, sharper and crisper compared to the D300 even when the focal length in the D700 is zoomed out to its equivalent in the the D300 (21mm in D700 and 14mm in D300). Vignetting is not noticeably worse even when the D700 is used with the 14-24mm glass fully open at its widest focal length (14mm, f/2.8). This is surprising considering that the D700 is now using the full lens instead of just its sweet spot in the center (which would have been to the advantage of the D300 due to its APS-C sensor).
It is not just the wide angle lens that benefited from the D700. Even the slight vignetting I noticed with my 85mm f/1.4 shot with the D300 at f/2.8 is not considerably worse in the D700. I am very surprised at this rather unexpected results as I had expected the opposite. At any rate, vignetting is easily corrected in post-processing.
Still, I should add that for corner to corner sharpness (such as in landscape photography), the D700 with its full-frame sensors will be more demanding on the lens than the D300 with its smaller APS-C sensor.
As to the physical differences between the D700 and the D300, while these two models are roughly equal in size, the D700 is slightly heavier than the D300. This is not an issue for me at all.
What tilts the balance in favor of the D700 is its view finder which is significantly brighter and better than the D300. This difference is very noticeable when switching from the D700 to the D300 and vice versa.
This much improved viewfinder however is a mixed blessing. One disadvantage that the D700 has over the D300 is that the D700 viewfinder captures only 95% of the image while the D300 viewfinder captures 100% of the image shot. So the actual image captured is slightly bigger than what appears in the D700 viewfinder. I understand that this resulted from fitting the bigger sensor from the D3 into the body size of a D300. Given the better image quality of the D700 viewfinder and the better quality of its pictures, I am willing to work with this disadvantage and simply compensate for it during actual use. But I hope that Nikon corrects this though in its next iteration of the D700.
The D700 has an advantage over the D3 as it has an integrated flash which the D3 does not have. The integrated flash is extremely useful when used with the other components of Nikon's Creative Lightning System.
The Nikon MB-D10 Battery Pack Nikon MB-D10 Multi Power Battery Pack for Nikon D300 & D700 Digital SLR Cameras from the D300 fits the D700 perfectly well. This is very convenient as I can opt for a smaller and lighter package when I do not need the MB-D10 for high-speed shooting. This is one advantage that the D700 has over the D3 where the battery pack is integrated with the camera. But a D700 with an MB-D10 is bigger and heavier than a D3. And even when the D700 is equipped with an MB-D10, the D3 is still faster. This makes the D3 a better unit for sports photography.
Since I shoot mostly portrait, special events and landscape and seldom shoot sports, the D700 is perfect for my needs and I can do without the D3. The D700 lower price tag means that I can get the D700 with at least one of Nikon's professional lens.
Nikon 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens
Nikon 16-35mm f/4G ED VR II AF-S IF SWM Wide Angle Zoom Nikkor Lens for Nikon Digital SLR Cameras
Nikon 24-70mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens
Nikon AF-S NIKKOR 70-200mm f/2.8G ED VR II Lens
Nikon 135mm f/2.0D AF DC-Nikkor Lens for Nikon Digital SLR Cameras
Nikon 85mm f/1.4D AF Nikkor Lens for Nikon Digital SLR Cameras
Nikon 50mm f/1.4G SIC SW Prime Nikkor Lens for Nikon Digital SLR Cameras
Ideally, the D700 should not be used with the DX lenses. This said, it is possible to use the DX lenses with the D700. The D700 makes the switch to DX lens automatically without need to fiddle with any control. Because the DX lens covers only a section of the D700 sensor, the maximum resolution of using a DX lens on the D700 is only 5.1 megapixel. This smaller coverage is automatically delineated by a box in the D700 viewfinder. In addition to the lower resolution, the extreme two ends of a zoom lens is not usable. Within these limitations, the D700 can use DX lens and produces very good pictures albeit on a smaller resolution / file size.
The D700/FX (1.0x factor) and the D300/DX (1.5x factor) effectively doubles my lens option. For those planning to own both the D300 and the D700, it would be wise to choose a glass that would be usable with both bodies.
In closing, I consider the D700 a good complement to my D300. Except for my Nikon 18-200mm DX lens (which I bought for my Nikon D200), all my glasses and accessories for the D300 can be used with the D700 at its full resolution. I will use the D700 in those times when I need the best results shooting wide angle and/or at high ISO speed. In those times when I need the extra reach, the D300's 1.5x crop factor makes the best use of my telephoto lenses.
Edit: November 22, 2008
I continue to use both the Nikon D300 and the Nikon D700 and often bring both together whenever I go out to shoot. In those times when I just bring one camera body, I choose the D300 whenever range and higher pixel density is a major concern (bec. of the 1.5x crop factor effect on the field of view due to the smaller APS-C sensor but with resolution still at 12megapixel). The D300 is an excellent camera and its 1.5x factor is very handy when I need to reach out with a 70-200mm f/2.8 zoom or with my 180mm f/2.8 prime without need of using a teleconverter. For almost every other instance, including portrait, landscape and low light photography however, I find myself reaching out for the D700.
After over 3 and a half months of use, I can safely say that the color depth of the D700 is significantly much...Read more›

Click Here to see more reviews about: Nikon D700 12.1MP FX-Format CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only)

The new D700 digital SLR camera featuring a 12.1-effective megapixel Nikon FX-format sensor that measures 23.9 x 36mm, which is nearly identical to the size of 35mm film. Benefiting from Nikon's legacy of imaging technology innovation, the D700 offers both advanced and professional photographers stunning image quality, accurate color reproduction and revolutionary low light performance.Building on the immense success of the Nikon D3 professional D-SLR camera, the D700 offers pro-level performance and an extensive array of features and innovations in a comfortably nimble platform. In addition to the Nikon-original FX-format CMOS sensor, the D700 incorporates Nikon's EXPEED Image Processing System, Nikon's renowned 51-point auto focus system with 3D Focus Tracking and two Live View shooting modes that allow photographers to frame a shot using the camera's three-inch high-resolution LCD monitor. The D700 also features Nikon's sophisticated Scene Recognition System and a new active dust reduction system.Nikon's flagship FX and DX-format cameras, the D3 and D300 respectively, established new benchmarks for digital image quality, speed, and unmatched ISO performance. The D700 maintains this new measure with exceptional overall image quality, broad tonal range and depth, and extremely low noise throughout its native ISO range of 200 to 6400.

Buy Now

Click here for more information about Nikon D700 12.1MP FX-Format CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only)

Read More...

Nikon BL-4 Battery Chamber Cover for EN-EL4/EN-EL4a and D3 DSLR Camera Review

Nikon BL-4 Battery Chamber Cover for EN-EL4/EN-EL4a and D3 DSLR Camera
Average Reviews:

(More customer reviews)
The chamber cover and spare battery come in handy for quick changing during a shoot - despite the fact that the D3 seems to last forever on a charge!

Click Here to see more reviews about: Nikon BL-4 Battery Chamber Cover for EN-EL4/EN-EL4a and D3 DSLR Camera

RE)NIKON BL-4 BATTERY COVER (25373)

Buy Now

Click here for more information about Nikon BL-4 Battery Chamber Cover for EN-EL4/EN-EL4a and D3 DSLR Camera

Read More...