Nikon D80 10.2MP Digital SLR Camera (Body only) Review

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(More customer reviews)[Following is a reprint of my body only review. I placed a review of the lens at the end.]
The Nikon D80, destined to replace the popular D70 series, is a great camera for Nikon fans who wish to upgrade from their D50s, 70s or 100s. It's also attractive enough to maybe get a few people to jump ship!
Here's the highlights:
1) 10.2 megapixel. A substantial upgrade from the 6mp of the older cameras, performance should be very comparable to the highly regarded D200 camera;
2) 11-point AF system. Similar again to the D200 in performance (though not as easy to change);
3) Large viewfinder (.94x magnification). Again, taken from the D200, this is a clear improvement over the previous cameras. Spec wise, this is also better than all the competition, even though other, personal preference factors need to be taken into consideration (such as layout of LCDs and focusing points).;
4) 2.5" LCD. Not only is it larger, it can also be viewed at a much wider angle--particularly handy when locked to a tripod.
The camera is small for Nikon (about like the D50), but has a good, firm grip for those with medium to larger hands. Controls are well thought out--easy to get to and use. Dampening of mirror noise is better than its competition.
Nikon's use of the SDHC format should be commended. These small cards will have no real disadvantage to the older CF hards once the HC versions start hitting the shelves, and should relieve the danger of "bent pins".
Things you've liked about previous Nikons have been retained. The D80 uses inexpensive wireless & wired remotes, and it still allows the built-in flash to control other Nikon Speedlights remotely.
Compared to the competition, the Canon Rebel XTi & Sony Alpha 100, the Nikon starts a bit in the hole, considering it's the most expensive camera (by $200 & $100, respectively). The XTi offers a nice "anti-dust" hardware & software solution; while the Sony offers in camera stablization. Both use the rear LCD for info status. While many may prefer the traditional LCD on top (like the D80), the rear LCD does have the advantage of being considerably larger text for older eyes (and on the Alpha, rotates when you rotate the camera for verticals). Too bad the D80 doesn't give you this option as well.
The XTi is smaller and lighter, maybe too small for many people. The XTi also does not offer wireless capability with the built-in flash (like D80/A100). It's battery (hence capacity) is a bit smaller.
The Alpha 100 being Sony's first modern digital SLR means that getting lenses and accessories my be a bit more difficult (even though it uses a lot from the older Maxxum cameras). It's also a bit noiser in its operations.
The D80 adds more AF selections than either of the above cameras, has nice enhancements like grid lines and double exposures. It also comes with a protective cover for the rear LCD.
Lens wise, they greatly outnumber those offered by Sony, particularly in any considered "Pro" grade. While Canon can compete in "Pro" grade with Nikon (particularly in longer length lenses), Nikon has a bit of advantage in wider angles for digital. Nikon only offers one size digital sensor, where as Canon must offer two series (for 3 different chip sizes).
Is the D80 worth the money? For anyone with Nikon lenses, undoubtedly. My recommendation for anyone with Canon EF or Minolta Maxxum lenses: look at those cameras first...but be sure to look at the D80 before you buy.
Lens review: Tremendous! The Nikkor 18-135 gives everybody what they want, an affordable lens with above average quality.
First, the 18-135 range is excellent for a kit lens, equivalent of a 27-200 in 35mm photography. It looks great, zooms smoothly, and balances well. The Silent Wave focusing motor is quiet, quick and smooth, and allows immediate manual focus (no hunting for switches). The internal focus is great for anyone using polarizing filters, and allows for a more efficient tulip shaped lens hood (supplied).
Second, the image quality is very good. The aperture is of average size, so don't expect images to jump out like large aperture lenses, but quality is good throughout the range.
Third, Nikon always includes a better than average 5 year warranty in the US on their lenses.
The only negative is that I always prefer a metal lens mount to a plastic one, although the latter keeps both the weight and cost down.

Click Here to see more reviews about: Nikon D80 10.2MP Digital SLR Camera (Body only)

The D80 packs high performance and high resolution into a body that is more compact and slimmer than previous Nikon digital SLR cameras. True to Nikon's commitment to intuitive operation, the size, layout and operation of all buttons and controls are designed for maximum ease of use.

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Nikon ML-L3 Wireless Remote Control for Nikon P7000, D3000, D40, D40x, D50, D5000, D60, D70, D7000, D70s, D80 & D90 Digital SLR Cameras Review

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(More customer reviews)It's no surprise that when you stand in front of the camera and push the
button, the remote triggers the shutter. There does seem to be some
confusion in reviews, both here and elsewhere, as to the remote's ability
to focus the lens before triggering the shutter.
This remote is capable of focusing the lens before triggering the shutter.
However, it will not focus the lens if the photographer has already
pushed the shutter release button on the camera half way down to focus
the image or if you are shooting in Manual mode and have AF-C set as
the Autofocus mode.
This means that if you are composing a photograph and push the shutter
button half way down to focus the image and you then stand in front of
the camera and push the remote button, the image will not focus
because you've already pushed the camera shutter release button half
way down to focus. To get the image to focus while you are standing in
front of the camera, compose the shot but do not push the camera's
shutter release button half way down, get in front of the camera and
then push the button.

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Nikon ML%2DL3 Remote Control Transmitter for D90%2C D70%2C D60%2C D80%2CD40 and D40X cameras %28SLR Camera Accessories%29 and Lite Touch Zoom Cameras%2E

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Nikon MC-DC1 Remote Cord for Nikon D70S & D80 Digital SLR Cameras Review

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(More customer reviews)Except for the a little bit high price and shipment fees (which is 30% of its price, btw), this is a very useful accessory for Nikon D70s or other model it can apply on.
For me, this cable is extremely useful when I needed long time exposure in Manual B(ulb) mode (over 30 sec)) for city night views or astronomical shootings. It's also useful when I was waiting acrobats' "only moment": after I got everything setup and made sure they are right on the focus and things are in the depth of field, I just sit and waited and pressed. It provides half-way-down releasing press, but the response is not as quick as the body button so it is necessary to count the lag into your own capture.
The plastic is a little bit "plastic"-easy to deform and leaving scratches on the surface and the cable is delicate too (I accedintally clamped it on my tripod's insert plate and almost peel out the cable coating). But since this is a genuine Nikon accessory, I am confident in its quality.
If you need night photography or leisure waiting capture as I do, this would be a necessity. If you just need something to reduce vibration, use timing shooting mode or the infrared remote control, they are better because the cable will easily get into your way and cause accidents. And its length(1 meter/ 3 feet) is not long enough for you to leave the camera, and not short enough (like 60 cm / 2 feet) to get out of the way. Still, for me, it's worth the money.
PS. It take quite a bit of force to plug it into the camera (and out), and it suggests the camera should be off when I do that, which I often forgot.

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%2D Useful for releasing shutter remotely to reduce camera shake%2E%0D%0A%2D Shutter can also be locked in Long Time Exposure %28Bulb%29%2E

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Nikon D90 12.3MP DX-Format CMOS Digital SLR Camera with 18-105mm f/3.5-5.6G ED AF-S VR DX Nikkor Zoom Lens Review

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(More customer reviews)Several months before the D90 came out, I bought a D60 to hold me over until the D90 was released. Well, I've enjoyed using both cameras, but this one is a huge step up and more suited to an advanced enthusiast, like me. It's a real pleasure to use.
ERGONOMICS - The D90 is solid, tight, and well-balanced with the 18-105 VR lens. It's always ready and it shoots very fast. I love all the direct access buttons; they're easy to press, with good tactile feedback. And since you're not going into the menus as much, you can work faster. It's heavier than the D60, but that's OK. It's still very manageable to carry around and it fits my average-sized hand better too. The shutter sounds different than the D60 (if that matters to you). It sounds more like a professional camera; more like a fast "whoosh" than a "click-click". And there are so many internal customizations that you can set it up exactly as you want.
LENS - Biggest surprise was the 18-105 VR lens which I expected would be ho-hum, but turned out to be pretty sharp and clear. Better results than the 18-55 VR. We've really come a long way from the days (30 years ago) when you were cautioned to ALWAYS to buy a prime lens, NEVER the kit lens because of it's poor image quality. With computer-aided design and new technology, that's not true anymore.
IMAGE QUALITY - I shoot RAW for maximum detail and the ability to adjust settings afterward if necessary - like exposure or white balance. Image quality is very good to excellent depending on your RAW converter. To my eye, best results are obtained with View NX/Capture NX, but Adobe ACR/Lightroom still do a very good job (2010 UPDATE; After using Lightroom the past year, raw conversions are beautiful and far quicker to achieve than Capture NX). When shooting JPGs using the Standard Picture Mode, images are sharp and colors are true, without over-saturation. You can always use different Picture Modes and customize any of them to get closer to the in-camera results you want. For example, you can boost saturation and contrast and save the setting as your default if that's what you like.
LIGHT METER - Metering is fine and seems to be quite accurate in most cases. I use matrix metering mostly. As with any camera, you have to get to know the meter. If I had to be VERY critical, I'd say when it's pushed, it's more likely to preserve shadows than highlights, usually when Active DLighting is on. To me that's a good thing. Another website mentioned a slightly "over-enthusiatic" meter in its review. The good news is: if you really feel exposure results are not to your liking (whether over or under exposed), the meter is fine-tuneable, so go ahead and customize it as you see fit. I would just work with the meter first -get to know the camera and adapt yourself to it before you start making any adjustments. That said, I've used the D90 in a very wide range of lighting conditions and I can truly say that while exposures may vary occasionally, they've always made perfect sense for the situation. I've never been shocked or puzzled by the output.
LIVE VIEW - is great for the occasional high or low shot. I didn't think would need it, but when I had the D60, I found myself in many situations where I really could have used it. Unlike a point-and-shoot, focus is slower in this mode and shooting seems somewhat clunky. I wouldn't use Live View if I were in a rush or trying to get an important shot. It's just a nice little extra.
MOVIE MODE - this is a nice novelty and may be handy in a rare moment, but I'm generally not a video camera person. I'm surprised to read that some people have made movies and commercials with the D90. I keep promising myself to use this feature more, but I don't have a tripod and I'm just too jittery and uncreative to get good cinema-like results. Moreover, from the little I've tried it, I'm not impressed - there's no autofocus during filming and the movie comes out over exposed and far from HD quality. The user manual is not very helpful either. But I didn't purchase the camera for this feature, so I'm not disappointed.
ISO - I really like the new wide range of ISO settings, especially when coupled with the Auto-ISO setting. Mine is customized to keep the camera at ISO 200, but kick in at 1/30. In this example, anytime lighting decreases enough for the shutter speed to drop below 1/30, the D90 will automatically compensate by raising the ISO high enough (up to an ISO limit you set) to help keep your shutter speed at 1/30. Once the ISO maxes-out at your limit, the camera has no choice but to start bringing down the shutter speed. Noise at high ISOs isn't an issue. In fact, you have to zoom in pretty close for it to be even slightly noticeable. I use Auto-ISO mostly all the time. Its an amazing feature! I only turn this feature off when I want to stick to a particular ISO at all times (if its on a monopod or I've stabilized the camera in some way).
ACTIVE D-LIGHTING - helps camera to preserve shadow and highlight detail. More important to use when shooting JPG because the exposure has to be right at the time of shooting, when the camera creates the JPG. RAW shooters can always adjust exposure in post processing. Even though I shoot RAW, I usually leave it on Auto so I can double check the exposure details on the LCD screen. It's available in various strengths from Low to Extra High. Again, another great customization.
CONS
-At this price, Nikon should include a robust image editing software, or at least a decent discount on Capture NX2, which works great, but costs extra.
-Kit lens is thick in diameter (67mm). Also, the front glass of the lens seems somewhat exposed, as if it's not recessed that much (it's just enough for a lens cap). I worry that it'll get scratched easily. Good thing Nikon included the lens hood.
AUTOFOCUS TIP - I customized the D90 to autofocus using the AF-L button instead of the shutter release. Now I can focus with one press of my thumb on the AF-L button and shoot with my index finger on the shutter release. This allows me to focus first, let go, then take the shot. Since the subject is already in focus, I can take multiple shots, recompose or go vertical. I'm not forced to continually re-focus for every shot or move the AF point around in the viewfinder. This minimizes AF mishaps on unintentional subjects. And since the VR system remains off until you half-press the shutter (it activates only when you're ready to take the shot, not while you're focusing) you save on battery life as well.
Also, with the D90 set to AF-C mode (continuous autofocus) you can keep a moving subject in focus by holding down the AF-L with your thumb and shooting with your index finger. If the subject becomes still, simply let go of the AF-L button; focusing stops and is locked where you left it. Then shoot when ready. Now your D90 can act as if it's in Single or Continuous AF mode without you having to change settings all the time. This gives you more immediate control over the behavior of the AF system Try it and you won't go back!
SUMMARY - Overall I'm extremely happy with the D90! It's designed for serious shooting, but it's still fun to use; noticeably heavier than the D60, but still not a burden. You do need to be committed to carrying around a solid DSLR in the first place. Once you get used to that, you'll come to appreciate that it's more substantial because it'll be less shaky during shots. Nikon really packed it with a ton of features and customizations. Now I finally have everything I want in a DSLR, without it being overblown and overpriced. I'm actually surprising myself with some really spectacular shots.
If you have your basic photography skills down, you can make any DSLR sing, however, I believe THIS camera, because of its superb sensor and spot-on feature set, can actually help you improve your technique and get better results. You'll take more chances and push yourself farther because now you have the tools (ie. features) to help capture more difficult, more creative shots. And you didn't have to spend $3,000 to get there!
8-MONTH UPDATE: Still love this camera which hasn't lost any of its original excitement. Very reliable - never frustrating. I'm not craving an upgrade - not contemplating a switch to Canon either - I'm perfectly content. Haven't discovered any hidden quirks. In fact, the longer I use it, the more I realize how well engineered it is. The only extras I bought so far were a light monopod and a 50mm 1.8 lens.

Click Here to see more reviews about: Nikon D90 12.3MP DX-Format CMOS Digital SLR Camera with 18-105mm f/3.5-5.6G ED AF-S VR DX Nikkor Zoom Lens

Fusing 12.3-megapixel image quality inherited from the award-winning D300 with groundbreaking features, the D90's breathtaking, low-noise image quality is further advanced with EXPEED image processing. Split-second shutter response and continuous shooting at up to 4.5 frames-per-second provide the power to capture fast action and precise moments perfectly, while Nikon's exclusive Scene Recognition System contributes to faster 11-area autofocus performance, finer white balance detection and more. The D90 delivers the control passionate photographers demand, utilizing comprehensive exposure functions and the intelligence of 3D Color Matrix Metering II. Stunning results come to life on a 3-inch 920,000-dot color LCD monitor, providing accurate image review, Live View composition and brilliant playback of the D90's cinematic-quality 24-fps HD D-Movie mode.Made in Thailand.

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Nikon D70S 6.1MP Digital SLR Camera Kit with 18-70mm Nikkor Lens Review

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(More customer reviews)The other reviews and the description seem to properly describe this camera. I am writing this review to give you the perspective of someone who started out with film SLR cameras in school, then got a digital 5MP camera and have used that for years and am now finally getting into Digital SLR photography. This is a big step back into the professional circle for me, and I'm anxious to get out to the zoo or to some vacation spot in the mountains to do my professional photography once again. I purchased this camera almost a month ago and my opinion is that it is the best camera ever made under $2,000. This camera has everything you can need.
I want to warn you, get the full set with the lense. This lense sells for almost $400 and is about the best all around lense you can find. Don't go for the cheap models. I wrote a list about this camera that may appear on this page for you to look at, but be sure that you get the ML-L3 wireless remote (for $20, how can you go wrong) and a spare battery (2,000 pictures sounds like a lot, and I haven't needed to recharge in this month that I've had the camera, but remember that when you go on a trip you may forget to recharge and you don't want to get stuck). Also, get a tripod (try the Slik Tripods U9000, I wrote a review of it and I find it to be the best buy around for a light-weight tripod that acts like a much heavier one) and get a carrying case (the jury is still out, I haven't found one that I like, I want one that will hold two cameras, 4 lenses, a large flash and a bunch of accessories).
If you aren't sure if the D70s is worth the money over the D50 or the D70, it is. The improved autofocusing system is much better than the others and the larger LCD is worth all the tea in China! I leave the LCD protector that came with it on and have no problem seeing my pictures, even outside. Although this is a larger camera than the D50, it isn't much of a difference and you will regret going with the cheaper camera.
If your budget was lower, save up and buy this camera. I bought a CoolPix 5000 a few years back and always kicked myself for not going with the D100. Now I've gone with the best camera on the market and I'm perfectly happy. Plus, I have the satisfaction of knowing that none of my friends can show me a better camera (unless they spent $4,000 or more on a D2X or D2H, and none of my friends can afford to do that)!!!

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Based on the award-winning image quality, high performance and user-friendliness of the Nikon D70, the D70s offers several refinements that will further enhance your digital SLR experience. For starters the D70s features a 6.1 effective megapixel Nikon DX format CCD that yields 3,008 x 2,000-pixel images that are suitable for making large prints, or for creative cropping to bring out detail. With a power-up time of a mere 0.2 seconds, this SLR is basically ready to shoot when you are. Pictures are processed and recorded extremely quickly, and preview images appear on the LCD monitor almost instantly.With the D70s, high-speed action photography is truly a reality. With the ability to shoot a rapid three frames per second (fps) for a continuous burst of 144 pictures, you'll never miss any action. And with shutter speeds that range from 30 seconds to 1/8000 second, or up to a 1/500-second flash synch speed, you'll be sure to have the flexibility you need to capture the action precisely as you want it. Best of all, the D70s employs the Nikon F lens mount for seamless compatibility with the comprehensive lineup of high-quality AF and AF-S Nikkor lenses that have long been favored by professionals around the world. Included with the D70s is the AF-S DX Zoom-Nikkor 18-70mm f3.5-4.5G ED-IF -- a compact standard zoom lens that covers the focal length range of 18 to 70 millimeters, which is equivalent to 27 to 105 millimeters in 35mm format.Professional Quality with Point-and-Shoot Simplicity While the D70s offers many features you'd only expect in a professional-level SLR, the camera also supports many features that make picture-taking a breeze for anyone. The D70s features Digital Vari-Program selections that automatically optimize white balance, sharpening, tone (contrast), color, saturation and hue settings to best match the selected scene. Instead of having to worry about all the camera settings, you can have the option of choosing from one of several "modes" -- such as Auto, Portrait, Landscape, Close Up, Sports, Night Landscape, or Night Portrait -- that will deliver the optimum image for you according to the conditions. This means you can concentrate on capturing that special moment while leaving the details to the camera. And once you've taken your shots, Nikon's PictureProject user interface makes image management, editing and sharing easy and fun. Simply connect the camera to a computer to automatically import pictures. You can also quickly e-mail or auto enhance images, run slide shows, burn CD/DVDs, and access other commonly used functions easily and intuitively. With simple drag-and-drop steps, you can organize pictures into separate collections and quickly locate any file by name, keyword, or date.Among the many other features that make the D70s an ideal digital SLR solution are:
Nikon-exclusive Silent Wave Motor for high-speed auto-focusing with accuracy and super-quiet operation
Internal Focusing (IF) for smoother operation and great balance
Three Nikon ED glass elements, plus aspherical element for low distortion and minimized chromatic aberration
M/A mode for instant switching from auto-focus to manual Nikon D-Signal technology for enhanced flash and ambient exposure control
The camera's included EN-EL3a rechargeable lithium-ion offers up to 2,500 shots per charge, and the large, two-inch TFT LCD monitor offers several playback options, including single frame, four or nine-image thumbnail display, zoom with scroll (up to 4.7x), automatic slide show, histogram indication and highlight point display. In short, the Nikon D70s delivers the professional-level quality an SLR of this class but with many of the convenient automated features that can make photography so fun.What's in the Box D70s, rechargeable lithium-ion battery EN-EL3a, quick charger MH-18a, video cable, USB cable UC-E4, strap, body cap, eyepiece cap DK-5, rubber eyecup DK-20, LCD monitor cover BM-5, PictureProject CD-ROM. Lens kit includes Nikkor 18-70mm lens, HB-32 hood, CL-0915 case, 67mm lens cap, and rear cap.

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Nikon Diopter +0.5 for D200 / D300 / D80 / D70 / D50 / D40/D40X / N50 / N60 / N65 / N70 / N80 / 6006/ Pronea / FM10 Review

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(More customer reviews)This diopter (close-up) eyepiece does magnify the viewfinder image. For my (64-year old) eyes, it adds a tiny distortion. I can remove most of the distortion with my D80's diopter adjustment but it is at one end of its range and I can't quite remove it all. Nevertheless, I like it enough that I've left the diopter installed on my D80.

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Optional Nikon eyepiece diopters allow you to optimize your SLR viewfinder's sharpness in conjunction with your individual eyesight.Eyepiece diopters are designed for specific camera models and are identified by a plus, a minus or a neutral numeric diopter value. . Standard eyepieces supplied with Nikon SLR cameras have no corrective value and are for dust protection only. Select eyepieces are supplied with a rubber coating designed to lessen scratching of a photographer's eyeglasses. . Nikon SLR cameras (without built-in adjustable eyepiece correction) have a base diopter value of minus one. This is why you won't find an accessory Nikon eyepiece diopter valued at minus one. Minus one is considered the optimum starting point for the majority ofSLR users with normal vision. . The combination of the camera's viewfinder components and a clear (standard) eyepiece form a virtual image of a subject on the camera's focusing screen that is the approximate equivalent of a viewing distance of one meter. . Each Nikon eyepiece diopter incorporates a numerical value, represented by a minus value (nearsighted) or a plus value (farsighted) number, enabling you to select the appropriate diopter for your vision and your camera model. . The eyepiece's diopter value is, when combined with the viewfinder's minus one value, the end-result value. No combination of the camera's base value of minus one and a given accessory diopter's value is required to arriv

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Nikon 2 - Year Extended Service Coverage Agreement for the Nikon D90 Digital SLR Camera Review

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(More customer reviews)Ordered The Extended Warranty (ESC) for my D90 via Amazon, but it was shipped from Cameta Camera. Amazon price is $30 cheaper than Cameta itself - great deal. The ESC form sent to me states you need to mail the form within 10 days of purchase date and given the camera itself won't arrive until 8 days after purchase ( therefore I won't have the serial until then ). NO fear - please note the following from the Nikon USA Corporate Site
Nikon 2 Year Extended Service Coverages
The purchased ESC form must be completed and mailed in as indicated on the form and a copy of the form as well as the original proof of purchase should be kept for future reference. Contrary to what some of the forms indicate there is no "10 day" limit on mailing the ESC form. As long as the ESC is purchased and the form submitted within the first year the ESC will be valid.

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This Nikon 2-Year Extended Service Coverage (ESC) for the Nikon D90 SLR Digital Camera is offered through Nikon U.S.A. and becomes valid upon the expiration of the Nikon U.S.A. Inc. limited Warranty that was included with your camera and provides the coverage specified below for a period of two additional years. During the period of your Extended Service Contract (ESC), repairs resulting from defects in material or workmanship will be performed at no-charge by Nikon Inc. Valid only in the USA, Puerto Rico and the US Virgin IslandsNot intended for sale in the states of Florida, Virginia or Washington

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Nikon D80 10.2MP Digital SLR Camera Kit with 18-135mm AF-S DX Zoom-Nikkor Lens Review

Average Reviews:

(More customer reviews)[Following is a reprint of my body only review. I placed a review of the lens at the end.]
The Nikon D80, destined to replace the popular D70 series, is a great camera for Nikon fans who wish to upgrade from their D50s, 70s or 100s. It's also attractive enough to maybe get a few people to jump ship!
Here's the highlights:
1) 10.2 megapixel. A substantial upgrade from the 6mp of the older cameras, performance should be very comparable to the highly regarded D200 camera;
2) 11-point AF system. Similar again to the D200 in performance (though not as easy to change);
3) Large viewfinder (.94x magnification). Again, taken from the D200, this is a clear improvement over the previous cameras. Spec wise, this is also better than all the competition, even though other, personal preference factors need to be taken into consideration (such as layout of LCDs and focusing points).;
4) 2.5" LCD. Not only is it larger, it can also be viewed at a much wider angle--particularly handy when locked to a tripod.
The camera is small for Nikon (about like the D50), but has a good, firm grip for those with medium to larger hands. Controls are well thought out--easy to get to and use. Dampening of mirror noise is better than its competition.
Nikon's use of the SDHC format should be commended. These small cards will have no real disadvantage to the older CF hards once the HC versions start hitting the shelves, and should relieve the danger of "bent pins".
Things you've liked about previous Nikons have been retained. The D80 uses inexpensive wireless & wired remotes, and it still allows the built-in flash to control other Nikon Speedlights remotely.
Compared to the competition, the Canon Rebel XTi & Sony Alpha 100, the Nikon starts a bit in the hole, considering it's the most expensive camera (by $200 & $100, respectively). The XTi offers a nice "anti-dust" hardware & software solution; while the Sony offers in camera stablization. Both use the rear LCD for info status. While many may prefer the traditional LCD on top (like the D80), the rear LCD does have the advantage of being considerably larger text for older eyes (and on the Alpha, rotates when you rotate the camera for verticals). Too bad the D80 doesn't give you this option as well.
The XTi is smaller and lighter, maybe too small for many people. The XTi also does not offer wireless capability with the built-in flash (like D80/A100). It's battery (hence capacity) is a bit smaller.
The Alpha 100 being Sony's first modern digital SLR means that getting lenses and accessories my be a bit more difficult (even though it uses a lot from the older Maxxum cameras). It's also a bit noiser in its operations.
The D80 adds more AF selections than either of the above cameras, has nice enhancements like grid lines and double exposures. It also comes with a protective cover for the rear LCD.
Lens wise, they greatly outnumber those offered by Sony, particularly in any considered "Pro" grade. While Canon can compete in "Pro" grade with Nikon (particularly in longer length lenses), Nikon has a bit of advantage in wider angles for digital. Nikon only offers one size digital sensor, where as Canon must offer two series (for 3 different chip sizes).
Is the D80 worth the money? For anyone with Nikon lenses, undoubtedly. My recommendation for anyone with Canon EF or Minolta Maxxum lenses: look at those cameras first...but be sure to look at the D80 before you buy.
Lens review: Tremendous! The Nikkor 18-135 gives everybody what they want, an affordable lens with above average quality.
First, the 18-135 range is excellent for a kit lens, equivalent of a 27-200 in 35mm photography. It looks great, zooms smoothly, and balances well. The Silent Wave focusing motor is quiet, quick and smooth, and allows immediate manual focus (no hunting for switches). The internal focus is great for anyone using polarizing filters, and allows for a more efficient tulip shaped lens hood (supplied).
Second, the image quality is very good. The aperture is of average size, so don't expect images to jump out like large aperture lenses, but quality is good throughout the range.
Third, Nikon always includes a better than average 5 year warranty in the US on their lenses.
The only negative is that I always prefer a metal lens mount to a plastic one, although the latter keeps both the weight and cost down.

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One of the key advances developed for the D80 is its high-resolution image-processing engine, a dedicated new high-performance processing chip that greatly accelerates performance. ISO AUTO mode automatically adjusts sensitivity between ISO 100 to 1600, maximizing available light to help achieve optimal exposure7 automated Digital Vari-Programs (Auto, Portrait, Landscape, Close Up, Sports, Night Landscape and Night Portrait) optimize white balance, sharpening, tone, color, saturation and hue to match the scene User-selectable choice of optimization optionsNear-instant response with 0.18 sec. power-up Top shutter speed of 1/4,000 second and flash sync speeds up to 1/200 secondFast image transfer via USB 2.0 Hi-Speed interface and SD memory cardCreative in-camera effects and editing functionsMultiple Exposure modes Large 2.5-inch LCD monitor with ultra-wide 170-degree viewing angle for clear image preview and easy access to settings and information; Slideshow function (Standard or Pictmotion) SD memory card storage, SDHC compatibleHigh-energy EN-EL3e rechargeable lithium-ion battery delivers the power to shoot up to 2,700 pictures on a single chargeSupports more than 43 AF NIKKOR lenses in addition to the growing family of DX NIKKOR lensesBuilt-in Flash with i-TTL flash controlIncludes Nikon's PictureProject softwareUnit Dimensions WHD - 5.2 x 4.1 x 3.0 inch; 1.3 lbs Supplied Accessories -EN-EL3e Rechargeable Li-ion Battery, MH-18a Quick Charger, EG-D2 Audio Video Cable, UC-E4 USB Cable, Strap, Body cap, DK-5 Eyepiece Cap, DK-21 Rubber Eyecup, BM-7 LCD monitor cover, Accessory shoe cover, PictureProject CD-ROM Kit 2 includes Nikkor DX 18-135mm zoom lens

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Nikon 28-80mm f/3.3-5.6G Autofocus Nikkor Zoom Lens (Black) Review

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(More customer reviews)This is what I condsider my "base" lens. If I grab my D50 and run out the door with just one lens, this is it. Most of my picture taking happens with this lens. Picture quality has been very acceptable. This is not a macro lens but I have been able to get closer to things than I expected. The lens is small, light, and focus is fast and precise. Well worth the low cost.

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Zoom lens that fits all Nikon SLR cameras but optimized for autofocus models / 58mm filter size

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Nikon 50mm f/1.4D AF Nikkor Lens for Nikon Digital SLR Cameras Review

Average Reviews:

(More customer reviews)I don't even know where to start. This lens produces sharp pictures and great color and contrast. This lens is perfect for low light and/or action/sport photography (as this lens is famous for being one of the fastest lens together with its brother 50mm f/1.8). This lens is also perfect for portrait and other general purposes (macro etc). This is definitely a very versatile lens.
However, I think you should really consider buying the f/1.8 first before thinking to buy this f/1.4 lens (mainly because it is more than twice the price of the f1/8 and most of the time the f/1.8 version is fast enough in my opinion). Some examples where the faster f/1.4 lens might make a difference: low light wedding/concert or indoor sports photography (where the light is often low from the camera perspective) such as hockey, track and field, skating, gymnastic, basketball etc.
As much as I want to encourage everyone to buy this lens right away, let me mention some of the limitation that you would see (which I think will be helpful to go over before deciding to buy this lens):
First, being a prime lens, you will need to move your feet a lot to compose your picture. If you are used to zoom lens, don't underestimate this limitation. It takes me a while to get used to it, and sometime I still find people looking at me wondering why I am moving forward and backwards. the good news is that most of the time, they don't think I'm weird, but they are actually wondering if I'm a professional photographer.
Secondly, the focal range of 50mm, which is considered the normal lens and great for portrait lens. but on many DSLRs which is not full frame (unless you have a full frame Nikon DSLR like the D700 or D3, then 50mm is 50mm), this lens become a 75mm equivalent which is in the border of a short tele lens. I actually like the 75mm equivalent though I often have to move backwards when taking picture of a group of people.
Sharpness increases as you stop down to f/2. I actually prefer to use the widest most of the time and the results are still nice. Personally (when shooting low light action/sport), I'd rather use f/1.4 aperture settings than stopped down (e.g to f/2.8) and compensate with higher ISO setting which often gives me grainy picture. But if your object is not moving (static) then it is better to stop down to f/2 or more.
If you are wondering whether you should get a fast lens or a lens with VR (Vibration Reduction), here's my take: In overall, VR does help a lot (as it will reduce camera shake) and will produce better/sharper picture than equivalent lens without VR (especially if the object is static). If the object is moving (sports/action) then VR feature alone might not help (depending on how fast the object is moving and how much light is available), and a fast lens often end up being a far better solution, even without VR feature as it will allow much faster shutter speed to freeze motion. Using tripod (and a remote) will substitute for the need of VR feature. In general I would recommend getting a fast lens with VR feature (and usually it is expensive) such as the 70-200 f/2.8 VR, but if one can only get for one or the other, then find out what do you want to use the lens for and then use the guideline mentioned here.
If you are wondering whether you will get the benefit of buying f/1.4 lens over a f/1.8 lens, just remember that the f/1.4 lens is about 60% faster than f/1.8 at its widest aperture setting. With this information, you can decide if the additional speed will justify the additional cost. The bokeh is nicer as well in f/1.4 lens but I think speed is usually the main factor in deciding whether to get the more expensive f/1.4 lens.
Here are the summary of pros and cons for this Nikon 50mm f/1.4D AF lens:
Pros:
1. Very fast (f/1.4)
2. Very sharp pictures (especially when stopped down to f/2 or more. very sharp at f/2.8)
3. Great for sport/action photography
4. Great for indoor and low light situation
5. Great for portrait
6. Bokeh is almost as good as many expensive Nikon tele-lens
7. Fast autofocus
8. Perfect for wedding photography (or no-flash event). However, or try the 17-35mm f/2.8 or 28-70mm f/2.8 lens)
9. 75mm equivalent which can be considered a short tele lens (I actually like the fact that it's 75mm equivalent vs 50mm in DSLR. if you need more zoom, you can get the Nikon 85mm f/1.8, or the 70-200mm f/2.8 VR). If you have full frame DSLR(like the D3 or D700), then this #9 pros is not applicable.
10. Sharper than its 50mm f/1.8 sibling (at equivalent aperture)
Cons:
1. Being prime lens, you need to move your feet a lot to adjust/compose
2. Some distortion at widest aperture
3. Plasticy build (though it has metal moount and internal part seems to be from metal)
4. Autofocus is not the most silent but very reasonable
5. 75mm equivalent with 1.5x multiplier on non full frame DSLR (many people find this is an odd range for normal lens. I actually like it). If you have full frame DSLR(like the D3 or D700), then this #5 cons is not applicable.
6. Autofocus does not work with D40, D40x and D60. The newer 50mm f/1.4G AF-S lens will autofocus with those cameras.
Bottom line: This lens is so versatile that I think everyone should own (either the 50mm f/1.4 or the 50mm f/1.8) in addition to all the lenses that they already have. Being a very fast lens, it enables me to take pictures in low light (sport/action photography) that I otherwise wouldn't be able to do.
Again, I would recommend everyone to get this lens (or the 50mm f/1.8). In some ways I can say that this lens will make you a better photographer.
Happy Photographing!
Sidarta Tanu


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Fast enough for shooting in just about any type of light, this is an ideal first lens; perfect for full-length portraits, travel photography or any type of available-light shooting. The Nikon 50mm f/1.4D AF Nikkor lens delivers distortion-free images with superb resolution and color rendition. Accepts 52mm filters.

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Nikon AN-DC1 Strap Nikon Digital SLR Cameras Review

Average Reviews:

(More customer reviews)I got the D90 and installed the strap using my own logic. It seemed okay but then I saw it begin to slip and was horrified that such an expensive product had such an insecure strap. THEN I read the instructions and followed the Diagram (pg.17 in D-90 User Manual). They were simple--about 3 minutes per side. Now you couldn't make the strap slip without breaking off the camera mounts!! Pays to follow the instructions. Very Safe now.

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Nikon AN-DC1 Camera Strap for D70s Digital Camera

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Nikon 24-85mm f/2.8-4.0D IF AF Zoom Nikkor Lens for Nikon Digital SLR Cameras Review

Average Reviews:

(More customer reviews)I bought this lens new about six months ago to use on my D3, and have used it now for four weddings.
It is not quite as sharp as my 24-70mm f/2.8, when wide open, but when stopped down one stop, it is tach sharp. It is also much lighter which helps a lot at a long event, and it has more reach, making it great for parties and receptions.
It autofocuses very quickly with the screw drive in the camera, and I never miss any action shots due to focus lag. It won't focus on some of the low-end Nikon DSLRs because they lack the drive screw.
I don't recommend this lens for DX cameras, because 24mm is not usually wide enough on DX for many reception and party shots. In my opinion, the 16-85mm VR DX or even the 18-70 DX lens would be a better choice for a DX camera.
The 24-85mm is also a very nice light weight travel lens for an FX camera.

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RE)NIKON 24-85MM F2.8-4D IF (1929)

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Nikon 7072 Lens Pen Cleaning System Review

Average Reviews:

(More customer reviews)If you haven't used a lens pen, I think you'll be pleasantly surprised -- it works well. The description doesn't make it very clear that this product has TWO different cleaning tools, one at each end. The brush, which retracts, is to take off dust particles. Hidden in the other end is a soft pad with a cleaning agent to remove fingerprints and more serious dirt, hopefully without damaging the anti-reflection coating on your lens.
My only reservation is that this particular "Cleaning System" is a bit overpriced (at the time I wrote this review, Amazon was selling it for about $21). Essentially identical double-ended Lens Pens without the Nikon name attached cost $8-$10 from many sources, including Amazon (search "Lens Pen"), so you're paying quite a lot to impress your friends ;-)
One more thought: another reviewer mentioned cleaning his lens daily with this product. That's not such a great idea. Camera lenses, and especially their anti-reflection coatings, are quite fragile. The more often you clean your lens, the more likely you'll damage the coating, or even scratch the lens due to a small dirt particle on the cleaning pad (likewise, NEVER clean a lens with bathroom tissues, since they contain tiny, hard wood chips).
The fact is, a moderate amount of dust and dirt on your lens does NOT affect the pictures you take, since anything that close to the lens is so out of focus.
PS -- Here's an update: I just got an Adorama Camera catalog that lists this lens pen, WITH the Nikon name, for $6.50! Imagine that.

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New Nikon Lenspen Pro 7072 Cleaning System Lens Pen. Will not scratch or damage lens. Outperforms all other lens cleaning devices. Unique LensPen tip is self-replenishing. Cleaning compound will not spill or dry up.

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Nikon ML L3 - Remote control - infrared Review

Average Reviews:

(More customer reviews)I purchased this in January to use with my Nikon D80. I am just now getting around to use it and it does not work. This is not a Nikon product. This one is a KT-ML-L3 not a ML-L3. I plan on purchasing the ML-L3 that Amazon sells for $19.99. Don't waste your money on this one.

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For photographers, sometimes there is the need to take a picture without jostling the camera in any way, and for Nikon digital SLR users, the Nikon ML-L3 Wireless Remote is the way to do it. Take a picture without disturbing the focus and keep the camera completely steady by using a wireless remote. It may be that you need to be included in the photograph such as in a family portrait. Or, you may need to position the camera in such a way that the subject will not be disturbed by your presence. Whatever the need, a wireless remote is best for the task. The slim design of the wireless remote triggers the shutter without disturbing the position of the camera, so you get perfectly focused photographs without a hint of vibration every time you use it.

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Nikon MH-18a Quick Battery Charger for the EN-EL3e Battery compatible with Nikon D80, D200, D300 and D700 Digital SLR Cameras Review

Average Reviews:

(More customer reviews)I'm always looking for products that will work internationally - this adapts automatically to different voltages, and seems to charge my batteries efficiently.
The cable is separate, so if you want to get a short one for travel, you can.
I use it for my D50 and D200 - no issues at all.

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The Quick Charger MH%2D18a is smaller than the MH%2D18 it replaces%2C and is capable of charging the EN%2DEL3a%2C EN%2DEL3e%2C and EN%2DEL3 batteries%2E

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Nikon MC-35 GPS Adapter Cord for Nikon Digital SLR Cameras Review

Average Reviews:

(More customer reviews)Great cord for hooking up your GPS unit and Nikon compatible camera. This allows you to record the longitude, latitude, elevation, and heading. The only downside is making sure that the GPS unit is pointed in the same direction as the camera and the GPS is not in "sleep" mode. My camera, the D300, will let you know if the GPS is not active. As a professional, it's nice to be able to locate those special locations by just looking at the image data and also knowing what direction you were shooting.

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Connects GPS devices to D2X and D2Hs via PC cable supplied by manufacturer of GPS device.

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Nikon School DVD - Understanding Digital Photography Review

Average Reviews:

(More customer reviews)A 45 minute DVD in which presenter Bob Krist explains some of his more favourite settings on the Nikon D200 camera and the way in which he puts them to good effect. This product is more suited to owners of the D200 if only because they will recognise the various camera features which are highlighted as Mr Krist uses them.
Whilst the content was interesting, I found it difficult to identify exactly which category of photographer at whom this DVD is aimed. If, like myself, you have just purchased your very first DSLR (Digital single lens reflex camera) and are wondering where to start, I would suggest this is not the DVD for you. If, however, you have started to take some decent photos, it should help you progress onto slightly (but only slightly) more advanced techniques. If you are already well down the road of taking excellent photographs using the many varied settings that are available on the modern DSLR then you will gain little from this product.
I really must register my overall disappointment. Just think about the product titles. Firstly we have a DVD from the "Nikon School." I would have thought the very word Nikon would ensure a content worthy of that name. But not so. Secondly, the DVD is called "Understanding Digital Photography." I may be a newcomer to the DSLR but, like Mr Krist, I too have sold my photography to National Geographic and I am also an award-winning author. My understanding of digital photography, however, was not enhanced by this product and my overall knowledge is no richer for my having studied the content closely.
NM


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Understanding Digital Photography - DVD allows customers to take their digital SLR photography even further by providing insight about the fundamentals of digital SLR photography.Understanding Digital Photography makes it easier than ever for customers to learn why, how and when to go beyond their Nikon D-SLR's automatic setting mode.

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