Nikon D40 6.1MP the smallest Digital SLR Camera (Body) Review

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(More customer reviews)The 6 Megapixel Nikon D40 is targeted for those who want a relatively compact and light camera yet having most of the important SLR features. The D40 is priced reasonably (cheaper than D50/D80 and Canon Rebel XTi). In my opinion, if you are still considering whether to get a point and shoot camera or a DSLR, the D40 will be a better choice than any point and shoot camera, by far, even those with 8MP or 10MP. But if you are already deciding to get a DSLR or you want more control of the picture taking experience, then I would recommend you to also test the D50 and/or D80 first before deciding to buy the D40. I want you to make sure that you know what you will get (and not get) with the D40. Don't get me wrong though, the D40 is an awesome camera, and I don't think you will regret buying one. There are some limitation with the D40 which shouldn't bother most people, for example, the D40 doesn't have dedicated button to change picture quality, white balance or ISO settings (which generally only professional/enthusiast will care). Once you understand (and accept) its limitation, the D40 is a potent and exciting photography machine.
Just like all its (DSLR) siblings, the D40 powers on instantly and take pictures with almost no shutter lag which are the major advantages of a DSLR over a point and shoot camera. In addition to the P,S,A,M mode, the picture quality of the auto settings (auto, child mode, landscape etc) are also very good. With 2.5 frames per second you can capture movement progress in sports like football, basketball, baseball etc. Also great to photograph your family or child (child mode). The D40 is a great all around camera.
Some notable new features:
1. Auto (no flash) mode. Without this mode the flash will pop-up (on all other pre-programmed mode) even when you don't want to use flash (which can be annoying). The internal flash will not pop up automatically with the P,S,A,M settings.
2. In camera editing capability such as black and white, sepia and some filter effects etc. While sounds gimmicky, these features are useful especially for those who doesn't have Adobe Photoshop (or other image editing software).
To date, D40 is the smallest and lightest among all the Nikon DSLR (even smaller than the Canon Rebel XT/XTi, however the D40 is more ergonomics). I believe that choosing a camera that fits comfortably with your hands is important. Therefore, I recommend people to test the camera before buying (even if you want to buy online, please do go to a physical store and test the camera first whenever possible).
The D40 has only 3 (horizontal) autofocus point (5 for D50 and 11 for D80). If you know "The Rule of Thirds", the additional AF points above and below the center focus point (available in D50 and D80) are handy to help create the horizontal third line. However, the 3 horizontal AF point in D40 is still helpful to create the vertical third line. Also one can focus with the middle AF point and after the focus is lock then move the frame upwards/downwards to create the horizontal third line. Just make sure the exposure level is still accurate when you move the frame after you lock the focus.
About the 18-55mm II AF-S kit lens: A good lens producing sharp photos (though not a very fast lens). Also decent for close-up/macro photography. Lens uses internal focus technology and focusing operation is silent. A very decent kit lens.
Lens compatibility: Notice that with D40, autofocus function will not work for non AF-S/AF-I lens. If you already have non AF-S/AF-I Nikon lenses and want a backup or replacement camera, you will be better off buying D50, D70s or D80. If you buy the D40, it will be convenient to stick with AF-S and AF-I type lenses. I'm not sure why Nikon choose this route for the D40 (whether to enable smaller size camera or from now on Nikon will only make AF-S lens compatible camera). There are a lot of good Nikon AF-S lenses (price range added: low, medium, high) that are fully compatible with the D40 such as:
- Nikon 18-55mm f/3.5-5.6G ED AF-S DX (L)
- Nikon 18-55mm f/3.5-5.6G ED II AF-S DX (L)
- Nikon 18-70mm f/3.5-4.5G ED IF AF-S DX (L)
- Nikon 18-135mm f/3.5-5.6G ED-IF AF-S DX (L)
- Nikon 18-200mm f/3.5-5.6 G ED-IF AF-S DX VR (M)
- Nikon 55-200mm f4-5.6G ED AF-S DX (L)
- Nikon 55-200mm f4-5.6G ED AF-S DX VR (L)
- Nikon 70-300mm f/4.5-5.6G ED-IF AF-S VR (M)
- Nikon 12-24mm f/4G ED IF AF-S DX (M)
- Nikon 17-35mm f/2.8D ED-IF AF-S (H)
- Nikon 17-55mm f/2.8G ED-IF AF-S DX (H)
- Nikon 28-70mm f/2.8D ED-IF AF-S (H)
- Nikon 70-200mm f/2.8G ED-IF AF-S VR (H)
- Nikon 105mm f/2.8G ED-IF AF-S VR Micro (M)
- And several other expensive prime tele/zoom lens like 200-400mm, 300m, 400mm, 500mm, 600mm.
High priced lens ($1000+) are usually pro level lens which usually have better construction, faster (f-stop), and produce better quality picture. However, often times, lower price lens will serve your needs just fine. I think it is important to know what you want to use the camera for before deciding which camera and lens to buy.
Image quality of the D40 is very good which is #1 factor that I look for in a digital camera.
Here are the pros and cons of the D40 in my opinion:
Pros:
1. Nice out of the camera result picture quality
2. Affordable price
3. Compact size and light weight
4. Large and bright 2.5 inch LCD
5. 2.5 frames per second
6. B/W, Sepia, several more in-camera editing features.
7. Instant power on, fast autofocus and no shutter lag
8. Noise is acceptable at high ISO settings. Auto ISO settings available.
9. Great 18-55mm II AF-S kit lens.
10. Great battery life (400+ on a single charge. 1000+ if flash is not used).
11. Auto (flash off) mode available
12. 1/500 flash sync
Cons:
1. No direct button to change QUAL, WB and ISO settings
2. Grip comfortably but might be a bit too small for some people
3. No top LCD and no front command dial
4. Autofocus will not work with non AF-S or non AF-I lenses (such as the 70-300m G and 50mm f/1.8D lens)
5. No AF/MF switch (have to use the switch on the lens)
6. Only 3 autofocus point
7. 6 Megapixel (More Megapixel needed to print larger than 12 X 18 at 300 dpi)
8. No night landscape mode in pre-programmed settings
9. No in camera image stabilization (like Sony and Pentax) but Nikon has lenses with it (VR).
10. No depth-of-field preview button
In conclusion, the D40 is perfect for those who want high quality pictures, more control (than a point and shoot camera), and have a DSLR experience (instant power on and no shutter lag), without having to carry a bulky camera. And unless you are shooting sports/actions professionaly (which faster focusing processor, faster frames per second and larger memory buffer might be needed), the D40 is pretty much all you will need.
Happy Photographing!
Sidarta Tanu

Click Here to see more reviews about: Nikon D40 6.1MP the smallest Digital SLR Camera (Body)

The lightest, most compact Nikon digital SLR ever, featuring intuitive controls and an ergonomically designed operation that even first-time SLR users can enjoy. Advanced 3-area AF system Automatic control over ISO-equivalent sensitivity from ISO 200 to 1600 with manual override Eight automated Digital Vari-Programs [Auto, Auto (Flash Off), Portrait, Landscape, Child, Sports, Close Up, and Night Portrait] optimize white balance, sharpening, tone, color, saturation and hue to match the scene Near-instant 0.18-second power-up Versatile shutter speed control with a range from 30 to 1/4000 s, plus bulb Creative in-camera effects and editing functions consolidated under the new Retouch menu, including D-Lighting, Red-eye correction, Trim, Monochrome settings (Black-and-white, Sepia, Cyanotype), Filter Effects (Skylight, Warm filter, Color balance), Small Picture and Image Overlay Large 2.5-inch LCD monitor Information displays can be shown in Classic, Graphic or Wallpaper format Assist Images help select the appropriate settings for many camera features by showing an example image typical of that setting Large, bright viewfinder with 0.8x magnification Fast image data transfer and recording to SD memory cards of up to 4GB capacity Exposure Metering System - TTL full-aperture exposure metering system Electronic-Flash - Auto, Portrait, Child, Close Up, Night Portrait modes Uses Nikon AF-S Lenses Unit Dimensions (W x D x H) - Approximately 5.0 x 2.5 x 3.7 inches; Weight - Approximately 1lb. 1oz. without battery, memory card or body cap Nikon USA 1-Year Warranty

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Nikon 50mm f/1.4D AF Nikkor Lens for Nikon Digital SLR Cameras Review

Average Reviews:

(More customer reviews)I don't even know where to start. This lens produces sharp pictures and great color and contrast. This lens is perfect for low light and/or action/sport photography (as this lens is famous for being one of the fastest lens together with its brother 50mm f/1.8). This lens is also perfect for portrait and other general purposes (macro etc). This is definitely a very versatile lens.
However, I think you should really consider buying the f/1.8 first before thinking to buy this f/1.4 lens (mainly because it is more than twice the price of the f1/8 and most of the time the f/1.8 version is fast enough in my opinion). Some examples where the faster f/1.4 lens might make a difference: low light wedding/concert or indoor sports photography (where the light is often low from the camera perspective) such as hockey, track and field, skating, gymnastic, basketball etc.
As much as I want to encourage everyone to buy this lens right away, let me mention some of the limitation that you would see (which I think will be helpful to go over before deciding to buy this lens):
First, being a prime lens, you will need to move your feet a lot to compose your picture. If you are used to zoom lens, don't underestimate this limitation. It takes me a while to get used to it, and sometime I still find people looking at me wondering why I am moving forward and backwards. the good news is that most of the time, they don't think I'm weird, but they are actually wondering if I'm a professional photographer.
Secondly, the focal range of 50mm, which is considered the normal lens and great for portrait lens. but on many DSLRs which is not full frame (unless you have a full frame Nikon DSLR like the D700 or D3, then 50mm is 50mm), this lens become a 75mm equivalent which is in the border of a short tele lens. I actually like the 75mm equivalent though I often have to move backwards when taking picture of a group of people.
Sharpness increases as you stop down to f/2. I actually prefer to use the widest most of the time and the results are still nice. Personally (when shooting low light action/sport), I'd rather use f/1.4 aperture settings than stopped down (e.g to f/2.8) and compensate with higher ISO setting which often gives me grainy picture. But if your object is not moving (static) then it is better to stop down to f/2 or more.
If you are wondering whether you should get a fast lens or a lens with VR (Vibration Reduction), here's my take: In overall, VR does help a lot (as it will reduce camera shake) and will produce better/sharper picture than equivalent lens without VR (especially if the object is static). If the object is moving (sports/action) then VR feature alone might not help (depending on how fast the object is moving and how much light is available), and a fast lens often end up being a far better solution, even without VR feature as it will allow much faster shutter speed to freeze motion. Using tripod (and a remote) will substitute for the need of VR feature. In general I would recommend getting a fast lens with VR feature (and usually it is expensive) such as the 70-200 f/2.8 VR, but if one can only get for one or the other, then find out what do you want to use the lens for and then use the guideline mentioned here.
If you are wondering whether you will get the benefit of buying f/1.4 lens over a f/1.8 lens, just remember that the f/1.4 lens is about 60% faster than f/1.8 at its widest aperture setting. With this information, you can decide if the additional speed will justify the additional cost. The bokeh is nicer as well in f/1.4 lens but I think speed is usually the main factor in deciding whether to get the more expensive f/1.4 lens.
Here are the summary of pros and cons for this Nikon 50mm f/1.4D AF lens:
Pros:
1. Very fast (f/1.4)
2. Very sharp pictures (especially when stopped down to f/2 or more. very sharp at f/2.8)
3. Great for sport/action photography
4. Great for indoor and low light situation
5. Great for portrait
6. Bokeh is almost as good as many expensive Nikon tele-lens
7. Fast autofocus
8. Perfect for wedding photography (or no-flash event). However, or try the 17-35mm f/2.8 or 28-70mm f/2.8 lens)
9. 75mm equivalent which can be considered a short tele lens (I actually like the fact that it's 75mm equivalent vs 50mm in DSLR. if you need more zoom, you can get the Nikon 85mm f/1.8, or the 70-200mm f/2.8 VR). If you have full frame DSLR(like the D3 or D700), then this #9 pros is not applicable.
10. Sharper than its 50mm f/1.8 sibling (at equivalent aperture)
Cons:
1. Being prime lens, you need to move your feet a lot to adjust/compose
2. Some distortion at widest aperture
3. Plasticy build (though it has metal moount and internal part seems to be from metal)
4. Autofocus is not the most silent but very reasonable
5. 75mm equivalent with 1.5x multiplier on non full frame DSLR (many people find this is an odd range for normal lens. I actually like it). If you have full frame DSLR(like the D3 or D700), then this #5 cons is not applicable.
6. Autofocus does not work with D40, D40x and D60. The newer 50mm f/1.4G AF-S lens will autofocus with those cameras.
Bottom line: This lens is so versatile that I think everyone should own (either the 50mm f/1.4 or the 50mm f/1.8) in addition to all the lenses that they already have. Being a very fast lens, it enables me to take pictures in low light (sport/action photography) that I otherwise wouldn't be able to do.
Again, I would recommend everyone to get this lens (or the 50mm f/1.8). In some ways I can say that this lens will make you a better photographer.
Happy Photographing!
Sidarta Tanu


Click Here to see more reviews about: Nikon 50mm f/1.4D AF Nikkor Lens for Nikon Digital SLR Cameras

Fast enough for shooting in just about any type of light, this is an ideal first lens; perfect for full-length portraits, travel photography or any type of available-light shooting. The Nikon 50mm f/1.4D AF Nikkor lens delivers distortion-free images with superb resolution and color rendition. Accepts 52mm filters.

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Nikon 50mm f/1.4G SIC SW Prime Nikkor Lens for Nikon Digital SLR Cameras Review

Average Reviews:

(More customer reviews)This lens is very well-made and takes wonderful pictures. To address the most common questions people ask before they take the plunge:
Price: No, it's not usually this expensive. I paid around $400 for mine, but I got it a couple of months ago. Apparently Nikon is having a hard time making enough of these. Rather than rewarding the greedy opportunists who are now charging exorbitant prices for this lens, I suggest calling local and smaller camera shops - they are much more likely to have one sitting on the shelves. It's absolutely worth about $500, but I wouldn't pay more than that. The Sigma (very similar, see below) is a better value at that point.
Image quality: Great. Slightly soft and glowy at 1.4, but that's to be expected. Gets quite sharp at 2.8. The Sigma is even softer at 1.4 than this lens, so if wide-open sharpness is important to you, this is your lens.
Bokeh: Nice, but a little jittery at 1.4 on specular highlights. This means that if you have any light sources or sharp point reflections in the out-of-focus area behind your subject, you will see little light rings around the round blob. These disappear at f2, and they don't really bother me. They are a side effect of correcting spherical aberration in the image - lens manufacturers have to make tough choices sometimes, and Nikon apparently chose wide-open image correction over the absolute best bokeh possible in this circumstance. Compared to other lenses: not quite as nice as the Sigma 50/1.4 wide open, but you get a sharper in-focus area, so it's a trade-off. Not really able to compete with the 85/1.4 or the 105/2 DC, but that's not surprising - those lenses have a much longer focal length.
Focusing: Fast and precise. To be sure, at 1.4, the depth of field (especially at closer focusing distances) is RAZOR thin, so focusing just isn't possibly going to be spot-on every time. I frequently use manual focus, and even a TINY, TINY nudge on the focus ring moves the plane of sharp focus about one-half inch at those distances, so it's extremely hard to get perfect focus exactly where you want it to be. Be prepared to have some patience, or use live view, if you plan to take close-up shots at 1.4 and you want perfect focus. Most amateurs won't notice if things are slightly out of focus, so not generally a problem unless you're a perfectionist. If you're a constant autofocus user you will not even be aware of this issue. Speaking of up-close focus, I will mention that I feel this lens has a fairly short focusing distance, which is nice - you can really get in nice and tight on subjects and come up with some really attention-getting compositions with neat depth-of-field effects. It's no macro, but I'm constantly amazed at just how close I can get to things.
Low-light performance: Stellar. That's really why I bought this lens, as I already have several amazing lenses for portraiture/bokeh. I love this lens for events where I have room to move around (it's a little long in focal length for tightly-packed spaces) because I hate using flash if it's not necessary. This lens and a slight ISO boost is all you need to take flash-free pictures in many settings.
Build quality: Good. Not like Nikon's professional-grade lenses, but very sturdy - I can't foresee any possible problems. The plastic hood is a twist-on bayonet type, and it works well but can be slightly annoying at times.
Lack of VR: Not a big deal - you shouldn't need VR for a 50mm lens at this aperture; it is easily possible to get to a reasonable shutter speed so that shake isn't a problem. On an APS-C sensor, I'd aim for at least 1/60 second if you want blur-free images. At 1/125 second, you'd have to be going through an earthquake to see any shake with this lens, because it just doesn't have enough focal length to make that a problem. Besides, would you really want to pay $200 more for a 50mm prime? Nikon would have to make this a 1.2 for that to make sense to most people. I think the decision to leave VR off this lens was a good one.

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Nikon 50mm f/1.4G SIC SW Prime Nikkor Lens for Nikon Digital SLR Cameras

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Nikon 50mm f/1.8D AF Nikkor Lens for Nikon Digital SLR Cameras Review

Average Reviews:

(More customer reviews)I don't even know where to start. This lens produces sharp pictures and great color and contrast. And for its price (which seems to climb recently), it is worth more than 5 stars rating. I initially get this lens for low light action and sport photography (as this lens is famous for being one of the fastest lens together with its brother 50mm f/1.4), but I also found out that this lens is also perfect for portrait and other general purposes (macro etc). This is definitely a very versatile lens.
As much as I want to encourage everyone to buy this lens right away, let me mention some of the limitation that you would see (which I think will be helpful to go over before deciding to buy this lens):
First, being a prime lens, you will need to move your feet a lot to compose your picture. If you are used to zoom lens, don't underestimate this limitation. It takes me a while to get used to it, and sometime I still find people looking at me wondering why I am moving forward and backwards. the good news is that most of the time, they don't think I'm weird, but they are actually wondering if I'm a professional photographer.
Secondly, the focal range of 50mm, which is considered the normal lens and great for portrait lens. but on many DSLRs which is not full frame (unless you have a full frame Nikon DSLR like the D700 or D3, then 50mm is 50mm), this lens become a 75mm equivalent which is in the border of a short tele lens. I actually like the 75mm equivalent though I often have to move backwards when taking picture of a group of people.
Third, in some situation the autofocus might not able to focus (which is common for many other lens too). It is hard for the autofocus to lock when aiming at a wall that is one color (usually black or white), or on a clear sky (day or night). This kind of makes sense to me actually. IN these situations the AF assist light doesn't help either so you can opt for manual focus or set the focus to infinity when you can't find focus lock on scenic/landscape or sky photography. So far I don't have many problems with the autofocus.
Sharpness increases as you stop down to f/2.2 or f/2.5. I actually use f/1.8 most of the time and the results are still nice. Personally, I'd rather use f/1.8 aperture settings than stopped down (e.g to f/2.8) and compensate with higher ISO setting which often gives me grainy picture. But if your object is not moving (static) then it is better to stop down to f/2.8 or more.
If you are wondering whether you should get a fast lens or a lens with VR (Vibration Reduction), here's my take: In overall, VR does help a lot (as it will reduce camera shake) and will produce better/sharper picture than equivalent lens without VR (especially if the object is static). If the object is moving (sports/action) then VR feature alone might not help (depending on how fast the object is moving and how much light is available), and a fast lens often end up being a far better solution, even without VR feature as it will allow much faster shutter speed to freeze motion. Using tripod (and a remote) will substitute for the need of VR feature. In general I would recommend getting a fast lens with VR feature (and usually it is expensive) such as the 70-200 f/2.8 VR, but if one can only get for one or the other, then find out what do you want to use the lens for and then use the guideline mentioned here.
If you are wondering whether you will get the benefit of buying f/1.4 lens over a f/1.8 lens, just remember that the f/1.4 lens is about 60% faster than f/1.8 at its widest aperture setting. With this information, you can decide if the additional speed will justify the additional cost. The bokeh is nicer as well in f/1.4 lens but I think speed is usually the main factor in deciding whether to get the more expensive f/1.4 lens.
Here are the summary of pros and cons for this Nikon 50mm f/1.8D AF lens:
Pros:
1. Very fast (f/1.8)
2. Very sharp pictures (especially when stopped down to f/2.2, f/2.5 or more.)
3. Great for sport/action photography
4. Great for indoor and low light situation
5. Great for portrait
6. Bokeh is almost as good as many expensive Nikon tele-lens
7. Fast autofocus
8. Good for wedding photography (or no-flash event). However, if this is your main objective then you might want to get the 50mm f/1.4 version or 28-70mm f/2.8 lens)
9. 75mm equivalent which can be considered a short tele lens (I actually like the fact that it's 75mm equivalent vs 50mm in DSLR. if you need more zoom, you can get the Nikon 85mm f/1.8, or the 70-200mm f/2.8 VR). If you have full frame DSLR(like the D3 or D700), then this #9 pros is not applicable.
10. Inexpensive
Cons:
1. Being prime lens, you need to move your feet a lot to adjust/compose
2. Autofocus issue on some situations (read detail above)
3. Plasticy build
4. Autofocus is not the most silent but very reasonable
5. 75mm equivalent with 1.5x multiplier on non full frame DSLR (many people find this is an odd range for normal lens. I actually like it). If you have full frame DSLR(like the D3 or D700), then this #5 cons is not applicable.
6. Autofocus does not work with D40, D40x, D60 and D5000. The newer 50mm f/1.4G AF-S lens or 35mm f/1.8G AF-S lens will autofocus with those cameras.
Bottom line: This lens is so versatile (and inexpensive) that I think everyone should own in addition to all the lenses that they already have. Being a very fast lens, it enables me to take pictures in low light (sport/action photography) that I otherwise wouldn't be able to do.
After knowing its limitation, I would predict that 99% of you that decides to buy this lens will find this lens very useful. And if you decide that you don't like it (which I think not more than 1%), I'm sure there will be a lot of people who wouldn't mind buying it from you (with some discount of course).
Again, I would recommend everyone to get this lens. In some ways I can say that this lens makes me a better photographer.
Happy Photographing!
Sidarta Tanu

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Nikon 50mm f/1.8D AF Nikkor Lens for Nikon Digital SLR Cameras

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Nikon 35mm f/2D AF Wide-Angle Nikkor Lens for Nikon 35mm and Digital SLR Cameras Review

Average Reviews:

(More customer reviews)Light, fast, sharp, and as far as I'm concerned the perfect focal length.
I started out using 50mm primes, but quickly got tired of how tight they were indoors. All my shots were becoming head/shoulder shots, and forget about trying to get two or three people in the shot without them all being posed in an "everyone squeeze together now" shot. That gets real old, real fast.
Let me emphasize that:
This lens has a much better field of view at normal shooting distances (the distance that you normally stand from your subject).
That is often overlooked, but trust me, backing up 15 feet in a crowd or a house to get your shot is tedious at best, and often impossible. It is typically easier to move in towards your subject a little (or crop the photo later) than it is to keep backing up, especially while looking into the viewfinder. I realize it's not totally fair to rate other equally sharp, good quality lenses differently, based solely on their focal length, but it is my opinion that this lens is by far the most useful in the greatest number of situations.
I also used to be fixated on huge apertures, but have since realized that most real world shooting is not done below f/2 anyway. This lens is sharp as anything out there and is great in low light. Yes, I acknowledge that f/2 isn't quite as good in super low light as other lenses out there (I know because I have a 50mm f/1.2), but it is good enough for most shooting, and below f/2 the depth of field becomes tricky anyway; so again, not as useful.
Lastly, some people don't like the plasticy feel of new lenses, but I love them. They are so much lighter and silky smooth. I've seen enough heavy, gummy, brassed-up, metal lenses in my time to know there's nothing magical about all-metal builds either. So to me it's just another modern improvement that works like a charm.
Most that I've seen tend to resell online for 90%+ of full retail value, so even if you somehow didn't like it, your risk in buying and trying is very low.
...

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Compact and lightweight, this very fast f/2 wide-angle lens is perfect for scenic and landscape photography as well as environmental portraits

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Nikon 50mm F/1.8D AF Nikkor Lens + UV Filter + Accessory Kit for Nikon D3, D3x, D300, D200, D90, D700 & D300s Digital SLR Cameras Review

Average Reviews:

(More customer reviews)I don't even know where to start. This lens produces sharp pictures and great color and contrast. And for its price (which seems to climb recently), it is worth more than 5 stars rating. I initially get this lens for low light action and sport photography (as this lens is famous for being one of the fastest lens together with its brother 50mm f/1.4), but I also found out that this lens is also perfect for portrait and other general purposes (macro etc). This is definitely a very versatile lens.
As much as I want to encourage everyone to buy this lens right away, let me mention some of the limitation that you would see (which I think will be helpful to go over before deciding to buy this lens):
First, being a prime lens, you will need to move your feet a lot to compose your picture. If you are used to zoom lens, don't underestimate this limitation. It takes me a while to get used to it, and sometime I still find people looking at me wondering why I am moving forward and backwards. the good news is that most of the time, they don't think I'm weird, but they are actually wondering if I'm a professional photographer.
Secondly, the focal range of 50mm, which is considered the normal lens and great for portrait lens. but on many DSLRs which is not full frame (unless you have a full frame Nikon DSLR like the D700 or D3, then 50mm is 50mm), this lens become a 75mm equivalent which is in the border of a short tele lens. I actually like the 75mm equivalent though I often have to move backwards when taking picture of a group of people.
Third, in some situation the autofocus might not able to focus (which is common for many other lens too). It is hard for the autofocus to lock when aiming at a wall that is one color (usually black or white), or on a clear sky (day or night). This kind of makes sense to me actually. IN these situations the AF assist light doesn't help either so you can opt for manual focus or set the focus to infinity when you can't find focus lock on scenic/landscape or sky photography. So far I don't have many problems with the autofocus.
Sharpness increases as you stop down to f/2.2 or f/2.5. I actually use f/1.8 most of the time and the results are still nice. Personally, I'd rather use f/1.8 aperture settings than stopped down (e.g to f/2.8) and compensate with higher ISO setting which often gives me grainy picture. But if your object is not moving (static) then it is better to stop down to f/2.8 or more.
If you are wondering whether you should get a fast lens or a lens with VR (Vibration Reduction), here's my take: In overall, VR does help a lot (as it will reduce camera shake) and will produce better/sharper picture than equivalent lens without VR (especially if the object is static). If the object is moving (sports/action) then VR feature alone might not help (depending on how fast the object is moving and how much light is available), and a fast lens often end up being a far better solution, even without VR feature as it will allow much faster shutter speed to freeze motion. Using tripod (and a remote) will substitute for the need of VR feature. In general I would recommend getting a fast lens with VR feature (and usually it is expensive) such as the 70-200 f/2.8 VR, but if one can only get for one or the other, then find out what do you want to use the lens for and then use the guideline mentioned here.
If you are wondering whether you will get the benefit of buying f/1.4 lens over a f/1.8 lens, just remember that the f/1.4 lens is about 60% faster than f/1.8 at its widest aperture setting. With this information, you can decide if the additional speed will justify the additional cost. The bokeh is nicer as well in f/1.4 lens but I think speed is usually the main factor in deciding whether to get the more expensive f/1.4 lens.
Here are the summary of pros and cons for this Nikon 50mm f/1.8D AF lens:
Pros:
1. Very fast (f/1.8)
2. Very sharp pictures (especially when stopped down to f/2.2, f/2.5 or more.)
3. Great for sport/action photography
4. Great for indoor and low light situation
5. Great for portrait
6. Bokeh is almost as good as many expensive Nikon tele-lens
7. Fast autofocus
8. Good for wedding photography (or no-flash event). However, if this is your main objective then you might want to get the 50mm f/1.4 version or 28-70mm f/2.8 lens)
9. 75mm equivalent which can be considered a short tele lens (I actually like the fact that it's 75mm equivalent vs 50mm in DSLR. if you need more zoom, you can get the Nikon 85mm f/1.8, or the 70-200mm f/2.8 VR). If you have full frame DSLR(like the D3 or D700), then this #9 pros is not applicable.
10. Inexpensive
Cons:
1. Being prime lens, you need to move your feet a lot to adjust/compose
2. Autofocus issue on some situations (read detail above)
3. Plasticy build
4. Autofocus is not the most silent but very reasonable
5. 75mm equivalent with 1.5x multiplier on non full frame DSLR (many people find this is an odd range for normal lens. I actually like it). If you have full frame DSLR(like the D3 or D700), then this #5 cons is not applicable.
6. Autofocus does not work with D40, D40x and D60. The newer 50mm f/1.4G AF-S or 35mm f/1.8G AF-S lens will autofocus with those cameras.
Bottom line: This lens is so versatile (and inexpensive) that I think everyone should own in addition to all the lenses that they already have. Being a very fast lens, it enables me to take pictures in low light (sport/action photography) that I otherwise wouldn't be able to do.
After knowing its limitation, I would predict that 99% of you that decides to buy this lens will find this lens very useful. And if you decide that you don't like it (which I think not more than 1%), I'm sure there will be a lot of people who wouldn't mind buying it from you (with some discount of course).
Again, I would recommend everyone to get this lens. In some ways I can say that this lens makes me a better photographer.
Happy Photographing!
Sidarta Tanu

Click Here to see more reviews about: Nikon 50mm F/1.8D AF Nikkor Lens + UV Filter + Accessory Kit for Nikon D3, D3x, D300, D200, D90, D700 & D300s Digital SLR Cameras


Kit includes: ♦ 1) Nikon 50mm F/1.8D AF Nikkor Lens ♦ 2) Vivitar 52mm UV Glass Filter ♦ 3) CapKeeper 2 Lens Cap Strap ♦ 4) Precision Design Deluxe 6-Piece Lens & Digital SLR Camera Cleaning Kit
The Nikkor 50mm f/1.8 Autofocus Lens is a supremely lightweight lens that combines the ease of autofocus operation with advanced Nikon optics, like D distance technology. The extremely compact and lightweight design makes this lens convenient to carry and hold. This affordable Nikkor lens is ideal for scenery or full-length portraits. Weighing in at only 0.34 lbs, this lens stops down to f/22 for wonderful control of depth of field.

This Vivitar UV Filter is a multi-purpose, fine-weather filter that is designed to optimize your photography experience. UV filters block out unwanted ultraviolet light and prevents the UV "fogging/haze" effect", which can result in inaccurate color and lower the apparent sharpness. This filter is also ideal for protecting your valuable lens from scratches and dust, and it can be kept on the lens at all times. Perfect for digital, video and photo.

Keep your lens cap securely attached to your lens with the convenient, simple-to-use CapKeeper. Never lose a lens cap again!

This 6-piece cleaning kit contains everything you'll ever need to properly clean your lenses, including a Hurricane Air Blower, Lens Cleaning Tissues, Lens Cloth, Lens Cleaning Liquid, Brush and Cotton Swabs.

Click here for more information about Nikon 50mm F/1.8D AF Nikkor Lens + UV Filter + Accessory Kit for Nikon D3, D3x, D300, D200, D90, D700 & D300s Digital SLR Cameras

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