Showing posts with label telephoto. Show all posts
Showing posts with label telephoto. Show all posts

Nikon 70-300mm f/4.5-5.6G ED IF AF-S VR Nikkor Zoom Lens for Nikon Digital SLR Cameras Review

Nikon 70-300mm f/4.5-5.6G ED IF AF-S VR Nikkor Zoom Lens for Nikon Digital SLR Cameras
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After exhaustive research on many lens, I finally decided to plunk down the $500+ (at the time this was written) to purchase this lens. It may not be the best on the market but it compliments my Nikon 18-70mm DX lens nicely. I was looking towards Nikon's 18-200mm DX lens, however; the price pushed me to choose this one (as it was nearly half the price and my two lens can nearly cover all the range of the one 18-200mm).
QUALITY/WEIGHT:
build quality is cheap yet sturdy... the plastic is a little chinky but cuts down on the weight. My Nikon D200 has no problem handling the lens weight, however; I have heard (unconfirmed) reports that this lens is a little heavy for the lighter cameras (D80, D70, D40, ETC). The Ring Connector is metal and has a rubber gasket on the outside so as to provide minor protection (for the lens mount) from the elements.
You also have to keep this in mind, when discussing weight, quality & price; the bulk of the price of this lens is going into the glass elements (all 17 elements of them). It gets expensive when you place that many high-quality optics into a tube. I'm really not that surprised a the price, although $400 price-range would probably be more suitable for this lens
FOCUSING/LENS ATTRIBUTES:
Focusing can be quite fast... at times. You'll find, at the Max 300mm focal range, that the lens has a pretty hard time auto-focusing in on a subject. At times it would focus pretty quick, at the 300mm range, while at others it cannot focus at all. You can get around this quirk by bringing the subject into near focus (manually) then letting the auto-focus take over; it works every time. I find this focus problem disappointing especially given the price of this lens.
The quality of the Bokeh (Out of focus areas of the photograph) is very nice and pleasing. The images are sharp, vignetting (dark areas in the corner of your photos) is hard to find and lens flare rarely a problem.
VIBRATION STABILIZATION:
All I can say is that it works... it can come in handy. It's not going to stop the image guaranteed for you; it's only meant to slow down the rate at which the camera moves (vibration from holding). You can notice the difference; with it off you'll see that the image (at say 300mm) really bouncing around; then you flick on VR. It takes a sec or two but then the image smooths out, it still wobbles around, but much more slowly.
With VR enabled, you can usually go 2-3 (sometimes 4) stops down, then what you'd normally be able to do when hand holding.
THE "SHOCK" TEST:
I haven't "shock tested" my lens yet (IE dropped it) but I have heard (again unconfirmed reports here) that it holds up pretty well to a drop... although I would never recommend testing that out.
IMPORTANT NOTE:
The 70-300mm range should be noted: Although the lens states that it is a 70-300mm zoom, this lens was intended for a 35mm camera or full-frame CCD/CMOS sensor Digital Camera. All (or at least the majority) of Nikon's DSLR (D200, D80, ETC) are NOT Full-Frame sensors. They are approximately 1.5x factor of a full-frame sensor (due to the smaller sensor size).
What does this all mean?
Well it's simple, since this is a 35mm lens and not a DX lens (ie built to account for the 1.5x factor in most nikon digitals) you have to apply the 1.5x conversion. This means that the Nikon 70-300mm on a Nikon DSLR will give an apparent zoom equivalent to a 105-450mm lens. I actually do not mind this apparent zoom and this should also cut down on vignetting; as what the lens projects onto the sensor is larger then the area of the sensor itself. In short: parts of the image spills over the sensor, since this lens was meant to project onto a full-frame sensor/35mm film.
CONCLUSION:
Pros:
Pleasing Bokeh
Fast Auto-Focus (when working properly)
Vignetting is minimal
Image Stabilization (VR)
Flare is minimal
1.5x factor (105-450mm) makes for nice zoom
Colors are very good
CONS:
Plastic Casing
Near Inability to Auto-Focus at 300mm range
Price (even though it is cheaper then the 18-200mm DX)
1.5x factor (105-450mm) might make it more zoom then you need
Lens could be faster (F/4 would have been nice)
I love this lens, even for it's quirks, however; you may want to wait till it drops in price a little more (it falls almost bi-weekly). It may not be the fastest on the market, but it's size, optics, image quality and VR make this a must have lens for Serious Nikon users!

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L3)NIKON 70-300MM F4-5.6G Vr (2161)

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Nikon 80-400mm f/4.5-5.6D ED Autofocus VR Zoom Nikkor Lens Review

Nikon 80-400mm f/4.5-5.6D ED Autofocus VR Zoom Nikkor Lens
Average Reviews:

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Many photographers who purchase telephoto lenses wind up disappointed in their lenses' performance; they achieve subpar results and then swear that the lens is "not sharp." Some lenses indeed might not be optically outstanding, but even in these cases the major cause of soft images, particularly when camera and lens are handheld, is camera/lens shake. People routinely try to take highly magnified photos at shutter speeds that are simply too slow.
Nikon has come up with a (partial) solution to this problem through its innovative "vibration reduction" series of lenses. These optics are designed to compensate, at least partially, for the camera shake/movement that is inevitable when a lens is hand-held. According to Nikon, the VR mechanism adds two or more "stops" worth of steadiness, meaning that a 400mm. lens that previously might be adequately handheld at 1/500 second now will (often) produce good results at 1/125. Out in the field this can make the difference between a successful photo outing and a frustrating one.
Does this technology work, and is this 80-400mm. lens a good product overall? To both questions I offer a qualified "yes." As long as one realizes that VR is not magic and has definite limitations, this feature is definitely worth paying some extra money for, particularly if one's photographic style prevents the regular and disciplined use of a tripod. The other thing about VR to keep in mind is that since camera shake itself is variable, it's a good idea always to take multiple photos to ensure that at least one of them is optimally sharp (a slow-mo record of how much one 'vibrates' while holding a camera would reveal that from instant to instant there is considerable variation).
But what about this lens' performance overall? There definitely are some drawbacks and compromises of which potential buyers should be aware. The lens is fairly heavy, and since it utilizes what is now an "old-fashioned" screw-drive AF mechanism, autofocus can seem very slow and noisy. It would be nice if someday Nikon replaced this version of the lens with an AF-S model, but there apparently is no current plan to do this. To minimize the maddeningly slow "searching" that a slow AF lens can exhibit, Nikon has included a "focus limit" switch. This makes it possible to cut the focus range in half, essentially. If one is taking pictures that are all at a distance or are all reasonably close-up, setting the switch to "limit" will restrict the lens' focusing range, allowing proper focus to be achieved more quickly.
Another drawback is that the removable tripod mount that comes with the lens is simply not very good. Photographers intending to use the lens on a tripod regularly are advised to purchase a third party mount such as that offered by Kirk Enterprises.
Optically, the lens is actually quite remarkable. This is a 5:1 tele zoom, and one would think that given the "jack of all trades" nature of such a beast there would be severe optical compromises. Not so. As with just about all lenses, there is a slight loss of sharpness at full aperture, but once the lens is stopped down even one stop, sharpness at all focal lengths is quite satisfactory. As a bird photographer, I use my lens mainly at 400mm. As compared to my older, manual focus 400mm. Nikkors, the 80-400mm. is not quite as sharp and contrasty, but in practical terms the differences are truly minimal. This lens produces fine images exhibiting good contrast and excellent color rendition. Optically, it's a winner.
One caveat: because this is a complex zoom built from a large number of optical elements, it does NOT perform particularly well with teleconverters. With certain 1.4x teleconverters such as those in the Kenko Teleplus Pro line, the lens actually will still autofocus (even more slowly, however) and the VR mechanism works, sort of. But there is a notable deterioration of sharpness. With a 2x teleconverter, there is no AF, no VR, and even further reduced sharpness. If working with teleconverters is something you are counting on, stick to a single focal length tele.
Overall, however, for photographers bent on getting sharp photos at longer focal lengths hand-held, this is a fine lens to try and buy. For walkaround bird photographers like myself, it's nearly ideal. It's very likely that in a few years this early version of a VR lens will seem antiquated and quaint. For now, however, it represents a very good investment for Nikon users.

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RE)NIKON 80-400MM F4.5-5.6D VR(1996)

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Nikon TC-14E II (1.4x) Teleconverter AF-S for Nikon Digital SLR Cameras Review

Nikon TC-14E II (1.4x) Teleconverter AF-S for Nikon Digital SLR Cameras
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I have used both the TC-17E II and this one, the TC-14E II. This one multiplies the reach of a zoom lens by only 1.4. There are two other Nikon teleconverters in this series, the TC-17E II (1.7 multiplier) and the TC-20E II (2.0 times multiplier). The "E II" series of teleconverters is only suitable for certain Nikon lenses--check the Nikon website for compatability. I purchased this teleconverter for use with the 70-200VR F/2.8 lens, with which it is quite compatible.
All teleconverters introduce at least a theoretical degradation in image quality in exchange for the extra reach; the extent of this can range from the unnoticeable to the significant. The TC-14E II does not degrade the images from the 70-200VR to any perceptible extent. Even when shooting with wide aperture settings this teleconverter does not appear to introduce any noticeable decrease in lens image quality. Further, it only lowers the light sensitivity of a lens by one F Stop. This means that a 2.8 lens will become a 3.8 lens when using this teleconverter--still pretty fast. The TC-14E II is noticeably sharper than the TC-17E II in lower light conditions requiring wider apertures (at the cost of less "reach" or magnification). I have been extremely impressed with the combination of the TC-14E II and the Nikon 70-200VR. The magnification is significant, and the decrease in image quality is undetectable.
Most Nikon afficianados seem to think that the 17E II is the best compromise between not too much image degradation and significant magnification, and I am inclined to agree with this, generally. The charm of the 14E is that it really does appear not to exact any appreciable price in terms of image quality, and it is the only teleconverter I have ever used (or heard of) of which this can be said. The qualities of the 14E II become evident when shooting in low light conditions, such as early morning wildlife shots. When shooting flying birds, for instance, this TC is particularly useful, because it allows wider apertures, which may be required to allow the photographer to use faster shutter speeds to "freeze" the subjects and avoid motion blur. Under such conditions, one appreciates the special qualities of the TC-14E II.
Highly recommended.

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AF-S Teleconverter TC-14E-II multiplies the effective focal length by 1.4x of select compatible NIKKOR lenses, offering an affordable and portable gateway to extend telephoto reach; ideal for sports shooting, wildlife, surveillance and more AF-S Teleconverter TC-14E II NIKKOR Lens Compatibility The following lenses may be used with the Nikon TC-14E II, some with noted functional limitations. NIKKOR lenses not listed cannot be used with the TC-14E II. The rear elements of NIKKOR lenses not listed can contact and damage the Teleconverter element and must not be attached! List includes current lenses along with lenses for which production may have ceased. Lenses that are no longer in production are shown only for your convenience as a compatibility reference! Prod # 2160 AF-S VR Micro-NIKKOR 105mm f/2.8G IF-ED - Autofocus not possible Prod.# 2150 AF-S VR NIKKOR 200mm f/2G IF-ED - No limitations Prod # 2186 AF-S NIKKOR 300mm f/2.8G ED VR II - No limitations Prod.# 2154 AF-S VR NIKKOR 300mm f/2.8G IF-ED - No limitations Prod # 1942 AF-I NIKKOR 300mm f/2.8D IF-ED - No limitations Prod.# 1909 AF-S NIKKOR 300mm f/4D IF-ED - No limitations Prod # 2171 AF-S NIKKOR 400mm f/2.8G ED VR - No limitations Prod.# 2127 AF-S NIKKOR 400mm f/2.8D IF-ED II - No limitations Prod # 1949 AF-S NIKKOR 400mm f/2.8D IF-ED - No limitations Prod.# 1948 AF-I NIKKOR 400mm f/2.8D IF-ED - No limitations

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Nikon 200-400mm f/4G AF-S SWM SIC ED IF VR II Nikkor Super Telephoto Zoom Lens for Nikon Digital SLR Cameras Review

Nikon 200-400mm f/4G AF-S SWM SIC ED IF VR II Nikkor Super Telephoto Zoom Lens for Nikon Digital SLR Cameras
Average Reviews:

(More customer reviews)
The 200-400VRII is a very large serious piece of glass. You will want a sturdy gimbal mount. I use Monfroto's. Using a D3s and this lens can be done handheld for a few shots, or a steady rest. It is easy to handle and takes very very clear pictures. The focus lock feature gets used a lot if I have something like a tree branch in the forground. The 1.4 teleconverter ( be sure you get the right one )
maintains auto focus nicely. The 1.7 loses auto focus, but reaches out further and the picture quality is very good even in lower light. This lens and camera combo is incredible.
A couple of items could be inproved with the set. It comes with a very padded case. Nikon still packages every thing skin tight and small. this is a little annoying. You have to work to get the lens out of the case! There are several lose parts and pads with in the case. These end up being stuffed back in the case when you are using the lens. Then you have to dig them all out before the lens goes back in. annoying. The lens cap is a nylon bag with a draw string which again is skin tight. I can't get it off with one hand. There is no hard lens cap. I have heard someone makes an after market cap. The hood on the lens is large and has to be reversed to fit in the case. The case is not big enought to leave the teleconverters on and get it zipped up.
To deal with all of this I plan to have some extra straps sewn on the lens cover, the case will be lenthened or rebuilt to have larger openings and longer storage. I will add acouple of pockets for the lens cap and extra filters.
I also plan to have a holster built that will hold the camera and the lens for quicker access.
This not a rant. The lens is very very good. Until Nikon fixes these nuiances or you do, plan on leaving extra minutes to get the lens out and set it up and put it away. This is all OK if you are setting up for the day. Much of my work is run and gun. I need quick access for grab shots. Be carful mounting this lens on your camera. It would be easy to cross thread it. I like to be setting down with the lens held between my knees then screw the camera onto the lens. This kit is large it sometimes scares people. Just interesting reactions.
I have only shot a few thousand pictures with the lens, so it is pretty new. So far the pictures are stunning.


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The AF-S NIKKOR 200400mm f/4G ED VR II is a powerful super telephoto zoom lens that offers incredible image quality. With the enhanced Nikon VR II image stabilization, a Nano Crystal Coat and constant aperture this lens is an ideal choice for sports photography, wildlife and more. Includes: * AF-S NIKKOR 200400mm f/4G ED VR II Lens * HK-30 Slip-on Lens Hood * Front Lens Cover * LF-1 Rear Lens Cap * CL-L2 Ballistic Nylon Case * 52mm Screw-on NC Filter

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